Boson Spin / P a b l o - Aphica (arrhythmia mix)

During the autumn of 2015, I spent 3 nights of spontaneous and chaotic recording session with myself, recluse in a welding factory in Drummondville (CA). I was armed with drums, a guitar, a bass synth, some bottles of red wine, recording stuff and some piercing and confused intentions. The main thing i can remember of those nights is that they were inspired by burgundy and deep purple colors. Finally, a white sun appeared.

White Sun

Trying to find the edges in a drone universe.

Photo by Daniel Seßler on Unsplash.

Forest 02

Earth Before Men, Earth After Men

Bewildered

Onde

Why mix clouds, curbs, and the smell of sweat is the question she asks herself as she leaves her dream. It's not all supposed to form a coherent whole. How can you be inside the curb smell of a cloud with people walking on it?

Cloud Curb Smell

Naviar Haiku 511

in dark autumn nights
dew and the new bamboo shoots
reaching out to moon

Shubham Dasgupta, hailing from the picturesque city of Guwahati, India, introduces himself as a student of law. However, his true passion lies in his enchanting affair with words and the mesmerizing world of poetry. With an innate ability to discover beauty in the most ordinary aspects of life, he finds solace in daydreaming. Mastering the art of crafting Haiku poems on a daily basis, he effortlessly weaves emotions into syllables, creating captivating pieces of art. Occasionally, he ventures into the realm of painting, giving life to his vivid imagination.

To participate visit https://www.naviarrecords.com/about/naviar-haiku
 
Haiku by Shubham Dasgupta https://www.instagram.com/poetry.bysdg

Picture by naraa .in.ub https://unsplash.com/photos/Qf-5KCZduV0

Touch the Moonlight

Touch the Moonlight (NaviarHaiku511)

Bassfour

Sound Entangled Spaces

Alyssa Moxley
2017

This composition was created through a feedback network of simulcast sound transmission between Athens and Tinos on the Locus Sonus network of open microphones (http://locusonus.org/soundmap/051/) . The recording that remains installed here is of a live performance between Exarchia, Athens, and Khora, Tinos, which took place on June 5, 2017.

The initial field recordings that were played into the system to create a signal were gathered between 2012 and 2017 throughout Greece and the Balkans. The recordings include unstable structures, spaces that are made meaningful through the passage through them: ports, land borders, roads, boats, sites of pilgrimage, marching protestors, unfinished construction, and temporary settlements of refugees.

The speakers, microphones, and the network are the site and the performers, creating a new locality through feedback. The broadcast creates a temporary space, combining the acoustic attributes of two rooms separated by the sea, and the sonic social memories of many more places in between.

Included sounds:
Ship Generator, Chania to Piraeus Ferry, June 2017
Canteen Napkin Holder, Chania to Piraeus Ferry, June 2017
Border of FYROM and Greece, August 2014
Vryssi Beach, Anafi, July 2015
Construction works, Skopje, FYROM, July 2014
Train between Sofia and Belgrade, May 2016
Underwater River to the Sea, Tinos, May 2017
Wind in Fences, Volax, Tinos, May 2017
St. Mary’s, Tinos, May 2017
Waterfall in the Green Marble Quarry, Tinos, May 2017
Roadside in Puka, Albania, August 2014
Pedion Tou Areos Park, Temporary Refugee Settlement, August 2015
Refugee Housing, Former Olympic Airport, February 2017
Theophania Celebration, Piraeus Port, January 2017
November 17 March, 2015
Port of Rafina, May 2017
VLF from Imitos Antennae Range, Athens, November 2016

Sound Entangled Spaces - Network Improvisation and Installation at Tinos Quarry Platform, 2017

BRITTLE

Sound Artist & Designer, Composer, Field Recordist, Producer

www.alyssa-moxley.com
previous soundcloud @dromomaniac
Recordings from Unbound Atlas: @kinisifestival

Cover photos by @stephanecharpentier

Sound Entangled Spaces - Network Improvisation and Installation at Tinos Quarry Platform, 2017

Alyssa Moxley

Related tracks