Få de bedste historier fra Ugeskrift for Læger med uddybende interview og debat om blandt andet sundhedspolitik og lægers dilemmaer. 
Hver udgave giver dig også et indblik i en særlig medicinske nyhed fra Ugeskrift for Lægers medicinske redaktion. 


Label out of Copenhagen, run by Mama Snake and Courtesy  
>>> @courtesy707 <<<
>>> @mamasnake <<<

Sublabel ~ @endothermrecordings


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Techno DJ from Berlin since 1988
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If you want to trace the beginnings of DJ Pete's status in Techno culture, you have to go back a very long way. He emerged as a DJ in the pioneering days of the Berlin scene during the late 80s and joined Hard Wax in 1991.

As a producer he made his name with the first release on Chain Reaction in 1995, a sub-label of the Basic Channel imprint, together with René Löwe aka Vainqueur as Scion. Scion also released the first commercially available CD ever produced with the then newly developed software Ableton Live in 2002 and later continued their collaboration as Substance & Vainqueur on the label Scion Versions. Substance, the acclaimed alias DJ Pete uses for his own productions has a back catalogue of highly influential solo efforts and an impressive string of acclaimed remixes for pivotal Techno artists like Juan Atkins, Regis, Kessell, Orphx, Robert Hood, Rhythm & Sound, Monolake or Shed, among many others.

DJ Pete earned similar respect behind the decks, combining highly individual yet refined mixing skills with both his vast encyclopedic knowledge of Techno history and an unquenchable thirst for new sounds that carry the potential to push all boundaries. Beyond that his energetic sets also incorporate elements of pure Techno, the Hard Wax tradition and powerful House tracks. His seemingly unlimited scope is informed by frequent Dynamic Tension nights at Tresor in the late 90s with Surgeon and his residency at Berghain since its opening, as well as countless successful gigs at the most crucial nights of the scene's international circuit. He is also known to merge Techno with Dubstep and selecting Reggae, particularly while working the mighty Killasan sound system as core DJ member of the seminal Wax Treatment events.

DJ Pete's lauded signature style also benefits from his numerous experiences as part of the cherished live acts TR-101 (an improvisational live act in collaboration with Sleeparchive), Scion (either with or without vocalist Paul St. Hilaire), and gigs with many other likeminded DJ innovators. A typical DJ Pete performance is always delivering an array of programming, sequencing, layering and live effects that goes well beyond a mere presentation of tracks. True to Techno's original claim, innovations in sound and technology are intuitively employed to achieve a floor sensation that manages to involve the crowd on as many levels as possible.

Booking contact: michael.matuschek@triangleagency.com

Ugeskrift for Lægers podcast har fokus på videnskab og forskning indenfor lægevidenskaben.

Harder Faster Stronger Doesn’t Mean Better. 

Please write to sam@klsbookings.com if you want to hear me live and in color. Thanks!

“Frankfurt native Andreas Baumecker aka nd_baumecker began his DJ career in 1991 in a bar called Romantica, located near the city’s main train station. The venue was run by legendary nightlife impresario Hans Romanov, who also operated Intimbar, where Baumecker would eventually move on to a short time later. It’s there that Ata and Heiko M/S/O from Playhouse took notice, inviting Baumecker to work as a buyer for their record store Delirium and offering him a residency at their seminal WildPitchClub night at the Club Nachtleben. Soon, Baumecker was regularly playing Frankfurt’s numerous electronic music venues (Box, XS, Music Hall, Dorian Grey), before moving on to Heidelberg, where he promoted the club night HD800 together with Dirk Mantei aka D-Man. After a short stop in Mannheim, regular guest DJ sets at Berghain / Panorama Bar predecessor club OstGut in Berlin, and establishing his own label Freundinnen Audio, nd_baumecker moved to the German capital in 2004. There he not only picked up a residency at Panorama Bar inside the newly opened Berghain but also started a job as the club’s in-house booker.
Stylistically, Baumecker covers a truly broad spectrum of dance music, refusing to be limited by genre: "A well known choreographer once said: 'Surprise is important.’ I think this approach describes my DJ style best. I’m constantly oscillating between disco, house, techno, electro, broken beats and pop. Ultimately, I’m open to anything – from brute force to tender. I see the dance floor an experimental field: If you manage to really capture the crowd, you can do almost anything with them." Of course, the flow of tracks and resolving musical differences plays a key role in achieving just that, and few DJs are as adept at uniting fundamentally disparate sounds, different keys, different rhythms and different atmospheres. „If something sounds truly new to me they give me a jolt. Also, dance music should have a good portion of funk and, in a way, it needs to sound like disco, whatever the style. I like vocals a lot. In my opinion they are the most important and significant bits you’re taking home after a good night out; they’re the most memorable."
Since 2010 nd also produces with Sam Barker as Barker & Baumecker. The duo have released four 12”s and two albums on Ostgut Ton, operating musically between dancefloor and spiraling left field electronics. Finally, 2018 sees release of nd_baumecker’s Panorama Bar 07 DJ mix.”

Med FOAMmedic podcast forsøger vi at nå ud til alle kroge af kongeriget. Det er et supplement til vores blog FOAMmedic.org. Podcasten vil være en platform hvor emner som egner sig til lyd mediet vil blive formidlet med humor og i et forståeligt sprog. Den vil sigte efter at løfte vores faggruppe på det ambulancefaglige, medicinske, forskningsmæssige området, men også som formidlingskanal på holdninger og bevægelser i regionerne. @FOAMmedic #FMpodcast #FOAMmedic FOAMmedic.org

Amsterdam

Bookings: tom@sourceartists.net
MGMT: graciela@tratra-agency.com


instagram.com/sandrien_

Octal Industries is a collaboration of two experienced cannons in the electronic music scene – Michael Sickinger from the United States and Jonas Thor Gudmundsson from Iceland. 
Sickinger  has been releasing music under various names, such as Spectral Network, Satori Corporations and Lovely Mornings, and founded the labels Combat Zone (1989-1993), Influx (1993-1996) and Halcyon Recordings (1997-1999). Later on he founded the labels Transistor Rhythm and Octal, who have released artists such as 90s techno hit The Grid, the psychedelic techno-shaman Terrence McKenna and the dub techno legend Rod Modell from the Deep Chord-fame. 
Jonas Thor Gudmundsson, better known as Ruxpin first started producing music at the age of 14. His first release Mission EP was released on Uni:Form Recordings 1999 and the same year his first LP entitled Radio was released on the same label. Through his debut album he got in touch with the highly acclaimed label Elektrolux where he released his next two LPs (Midnight Drive & Avalon), alongside with one LP on their sublabel Mikrolux. In late 2006 he released his fifth full length album Elysium on Mikrolux. In 2010 he released his sixth album on n5MD, Where Do We Float From Here? Following that release came a free online release I Wonder if This is the Place, which featured remixes by artists such as Leon Somov, Galaktlan, Biogen, Ijo and Worm is Green alongside additional tracks by Ruxpin himself. In his collaboration project with Fannar Ásgrímsson from Plastik Joy came to life with the release of their debut album Love in Times of Repetition in 2012 under the pseudonym Asonat.  In 2013 the seventh release of Ruxpin will see the day of light on n5MD. 
In 2004 the first fruit of the collaboration between them saw the day of light with the release of Automatik EP on the Transistor Rhythm output. Couple of years later they joined their friend Deep Chord for a shared 12“ release, which today is a quite a valuable gem for dub techno lovers. The three of them joined hands together later that year to create a 3x12“ release undir the pseudanym Spectral Network. The release was quite limited (111 copies) and was considered one of the most interesting 12“ releases that year by many critics. 
After the release of the Spectral Network eps the duo went for hiatus as other projects took over, also as opportunity for musical collaborations became harder as the Atlantic Ocean divides them. In 2011 the duo was asked by the french independent label Entropy Records to remix Mr. Cloudy. There was an opportunity to explore the collaboration further and the sparkle came back. Another remix followed for G.R.I.T. which was hailed by dubtechnoblog.com as the best remix of the year 2012. 
In beginning of 2013 a 12“ release entitled Himinglæva saw the day of light, as well as a full-length album entitled Meeting of the Waves on Entropy Records. 
The duo is currently working on an album due to be released in 2014. 

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