Album: Unnatural Extinction
Label: Toxic Recordings
Catalog Code: TOXIC506
Release Date: May 15, 2024

Mastering: Remastered by SM Audio Labs
Artwork: Toxic

aM.IT - Unnatural Extinction

Sonokinesis stands for electronic music with heart, depth – and versatility. As a teenager I was captivated by the freedom and euphoria of the rave culture – a passion that never faded. From my first mixer through Virtual DJ and Traktor to professional productions in Studio One, I’ve taught myself everything.

A turning point was meeting Royer on SoundCloud. He introduced me to Studio One and encouraged me to produce my own tracks on a professional level. This collaboration has shaped my sound and helped me refine my musical vision.

I don’t just produce Techno – I work across genres: from Deep House, Melodic and Progressive to experimental, atmospheric and cross-genre sounds – always aiming to carry emotions and stories. I’ve never spent large sums on reach; instead, I’ve relied on organic growth and real listeners. In less than a year I’ve reached over 77,000 streams on SoundCloud – not through bought plays, but through passion, authenticity and consistent work. Every track, every set is part of my journey.

Hashtags (English):
#Sonokinesis #ElectronicMusic #Techno #DeepHouse #MelodicTechno #ProgressiveHouse #OrganicHouse #Downtempo #ExperimentalElectronic #ElectronicProducer #DJSet #AuthenticSound #RaveCulture #EmotionalMusic #UndergroundVibes #StudioOne #IndependentArtist #OrganicGrowth

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M.R.K.R. is a techno producer from Chemnitz (formerly Karl-Marx-Stadt), Germany—a place shaped by machinery and function. His sound mirrors that origin: raw, loop-based, acid-infused, stripped of the unnecessary. No soft hooks, no theatrics—just structure, friction, momentum.

Rejecting polished mainstream aesthetics, M.R.K.R. writes for purpose: tracks that function—for DJs and for systems. Physical drive, hypnotic tension. Acid here isn’t retro; it’s a living language.

Through self-releases and work with independent labels like TARON (BE), he carves his own space between classic hardware ethos and contemporary precision. The vision is clear: keep techno raw, focused, and functional.

This isn’t narrative techno.
This is movement.
No posing. No hype. Noise with a spine.

Visionary Artist  👁👁️👁️
Music is G🌞D... Good vibes ONLY!🥰

Releases on: Amsys https://soundcloud.com/amsys-records
Diffuse Reality https://soundcloud.com/diffusereality
dZb https://soundcloud.com/dzbrecords
LETS Techno https://soundcloud.com/letstechnorec
Rawsery https://soundcloud.com/rawseryrecords
Ac1d Gravity https://soundcloud.com/trippycode
Bunk3r https://soundcloud.com/bunk3r-r3cords
Glitchworld https://soundcloud.com/glitchworld
Elantris: https://soundcloud.com/elantrisrecords
Radiator Of Sound: https://soundcloud.com/radiatorofsound
Toxic https://soundcloud.com/toxic_recordings
STC https://soundcloud.com/stcrec
Dark Impact https://soundcloud.com/dark-impact-records
Profunda Intellectus https://soundcloud.com/profundaintellectusrecords

aM.IT aka Is:end started his approach to electronic sound in late '90s when he was kid, attracted from techno and 
progressive music played in Italians clubs. 
In 1999 started producing some beats for fun 
and performing live at some local parties. 
Since then his goal was making something 
original and trying to leave his mark 
on underground electronic music. 

Supported by artists from various scenes that play his tunes on clubs, festivals, podcasts and radio shows. 

He won the Screw World Dj contest 2008, 
classified 3rd on Noisj Remix contest 2013, 
as well was part of the original GabberFM crew 
with his resident radioshow from 2012 to 2018. 

Actually he released his stuff 
with different aliases and styles, 
run SM Audio Labs from 2013, 
Dark Impact Records from 2016, 
and the rising Amsys Records 
which he founded on 2024, 
with hundreds of tunes mastered and 
releases managed for dozens of 
well known artists and labels.

Momarz is an independent music artist and has been crafting his sound for years, inspired/influenced by Alan Walker & The Glitch Mob. Momarz focuses on making electronic and techno music. You can also follow me on instagram @momarz_99.

I like to build abstract soundscapes/collages/jams and also enjoy engineering visuals 



My general methodology?
I reckon its good to be transparent and talk about how sounds are made
I'm all good not knowing quite where I'm going
I'm also happy ending up miles from where I started
I'm fine if something does not make normal sense (in fact i strive for this)
I work in the box (i do love outboard gear but cannot afford it these days)
I'm a big fan of automation and realtime midi control of all params
I make regular use of eq, reverb, delay, compression, saturation, distortion, pitch shifting and granular synthesis.

I'm kind of ok with some imperfections and a bit of grit in the sounds (although i try to avoid going past 0db)

When folk looked at the gear that Daft Punk used to make their first album they were pretty shocked. It really showed that its about what you do with a thing and not about what things you have.

Any intelligent fool can make things bigger and more complex… It takes a touch of genius – and a lot of courage to move in the opposite direction.  --- Einstein

viva la mama rusia i papa Mehikoooo!!!!!
DJ horrorsklop start listen and be interesed for what is more dark muzic in 2000 year
in 2004 start to play music.
my favorite was be twisted minds from hell records at 2006 and after in 2008 apuruami records.
now i play dark psy and psy core!
tnx to Apuruami and all old school artist i learn a lot from them!!!
madness newer die!!!

                         VIVA ZAPATA
      👀👊👊👊anti fašist action!!!👊👊👊👀

       💀APURÚAMI RECORDS 💀

https://soundcloud.com/apuruami_records