Artist: @martin-cozar
Title: My Mind EP

Track list:
1. 1977
2. My Mind
3. Niksen
4. Lights Out

Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 044
Release Date: December 12, 2025

Buy Link: https://kioskid.bandcamp.com

Follow & Support:

Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic
Bandcamp: kioskid.bandcamp.com/releases
Beatport: beatport.com/label/kiosk-id/80379
IG: instagram.com/kiosk.id

Martin Cozar
SC: https://soundcloud.com/martin-cozar
FB: https://www.facebook.com/martin.cozar
Beatport: https://www.beatport.com/artist/martin-cozar/874521
Spotify: https://open.spotify.com/intl-de/artist/2L7kud2OEMcErUcqhdpvAJ
IG: https://www.instagram.com/martin_cozar/

About:
Argentine-born, Barcelona-based producer Martin Cozar returns to Kiosk ID with his four-tracker ‘My Mind.’ Building on the funky modernism of Resilience—his split EP with Gespona—and a commanding peak-time remix for Manucho’s Idea Reset, Martin Cozar now steps fully into the spotlight with a solo EP that tightens his artistic identity. My Mind delivers razor-sharp groove work, stripped futurism, and a captivating brand of dancefloor energy that shines through inventiveness and viscerality.

Opening track ‘1977’ unfolds like a widescreen dreamscape, with suspended fields of synths arcing over a warmly booming, long-tailed sub-bass. Heaving synth sweeps, melodically intricate arpeggios, and fluttering square waves paint a morphing, hypnotic canvas that floats across the periphery. Deeply meditative, but suited for the almost-peak-time with a throbbing groove and dynamic sub-bass, 1977 is a slow-burning journey that wraps warmly arcing, spaced out melodics around a tight rhythmic core.

‘My Mind’ turns the focus to the floor. Funky and razor-sharp in its sophisticated modernity with stripped-to-the-bone drum structures, the title track channels Martin Cozar’s retro-futurist edge through ominously
squelching basslines and pulsing stabs, arranged in a spacious, expertly crafted, and darkly oscillating Indie Dance framework. Every element clicks into place, yielding a high-voltage groove that radiates raw, physical
energy: stripped-down machine funk with a dark, circuit-bent twist.

With ‘Niksen,’ Martin Cozar crafts an eclectic groover that cycles effortlessly through percussive moods. Crackling with icy atmospherics one moment and sweltering in hazy Western guitars the next, Niksen traverses shifting textures anchored in a stripped lead theme that transforms the tracks’ dynamic soundscapes into pure dancefloor class.

Closing cut ‘Lights Out’ dives into grungier, more tactile territory. Shuffling, blown-out acoustic drums and mangled guitars collide with a peevish lead synth that escalates through morphing iterations, finally exploding into bursts of erupting electricity. Raw and groove-heavy, Lights Out channels untethered energy into a gritty, kinetic framework—tech’n’roll with a beautifully organic feel.

Across ‘My Mind,’ Martin Cozar delivers four distinct tracks—each a self-contained microcosm of motion across gritty floor energy, razor-sharp Indie Dance, and booming after-hour rollers. The result is a hypnotic,
meticulously engineered suite that feels both instinctive and deliberate, and succeeds in walking the fine line between the physical and cerebral demands of the dancefloor.

For over two decades, Atmosphere has maintained a course of rigorous output, releasing over two dozen studio albums, EP’s and collaborative side projects in as many years. In that time, the venerated duo have built a legacy out of bringing honesty, humility and vulnerability to the forefront of their music, continually challenging themselves to evolve without straying too far from their roots. Slug has proven masterful at storytelling and writing compelling narratives, leaving a trail of his own influence while paying homage to the rappers and songwriters that helped shape him. Ant has skillfully molded the soundtracks with inspiration from soul, funk, rock, reggae, and the wizardry of hip-hop’s pioneering DJ’s and producers, creating his own trademark sounds while providing the pulse for songs about life, love, stress and setbacks. At its essence, Atmosphere has been a musical shepherd, and with each new album comes a new journey as they guide generations of listeners through this thing called life.

Deep, innovative, technically sound, forward thinking and dance-floor minded. These are just a few words that describe a Mike Detloff set. Sets comprised of tech-house and techno elements with solid basslines that are thick with a groovy vibe. And although his choice of genres are among the more popular at the moment, Mike says that he’s not a fan of musical trends, but more of the music itself. "Yeah...I've been a fan of the minimalist approach to music for quite some time, but maybe that's because I love "minimalism" in general. I like things that are simplified and not overdone. Most of the really great songs, regardless of genre, are really quite simple in makeup." says Mike.
      
      With technical skill and an ear for picking great tunes, Mike is sorting out a solid DJ career as well as getting adjusted to producing new sounds of his own. Additionally, Mike and friend, and fellow DJ Kean, are forming the foundation for a new creative musical outlet, Technical Music. Their online show Technical Music Presents , which will feature mixes from a deep pool of international talent, is set to launch on Proton Radio as an ongoing monthly in the coming months. This duo has also been keeping a solid monthly club night, London Nights.
      
      An avid music fan nearly all of his life, Mike's musical tastes are deep and broad. ”I’m a fan of all types of music and sounds from Brazilian Raw beats to Acid house to Classic West Coast Jazz to Vintage East Coast Hip Hop.” says Mike. "I'm also really into finding and playing obscure stuff, whether it be a new cut or a classic b-side.Some such favorite influences include classic flavors such as Gangstar, David Bowie and Depeche Mode as well as more modern sounds like Nathan Fake, Sis, Jamie Jones, Hans Thalau and Riccardo Villalobos.
      
      

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