Dana Janssen left Brooklyn in 2010 for the allure of an unknown life on the West Coast. Also a key member of the experimental art rock band Akron/Family, he moved to Portland, OR and shortly thereafter began his new indie-pop project, Dana Buoy. Inspired by his new surroundings and a new romantic interest, it wasn’t long before he wrote and released his full-length debut Summer Bodies in 2012. Conceptually based around the excitement and mystique of finding someone to fall for, Summer Bodies is upbeat and care-free, as has become so characteristic of Dana Buoy’s music. Now with 2014s’ Preacher, a five-song EP, Dana’s youth and attitude are still front and center but with a new depth as a result of growing up and moving on. Written and performed entirely by Dana Buoy himself, and co-produced by Dana and Abe Seiferth, this EP's cathartic pop is more polished than ever. From the head-bob inducing “It’s Alright,” to the warm and fuzzy synths that weave together the title track, Preacher is infectious and real, and ready for every moment to feel good.

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Glass Animals are a Grammy and BRIT-nominated British band whose genre-blending sound and cult-like fandom have made them one of the most exciting acts in global pop. Their third album Dreamland became a cultural multi-platinum selling phenomenon and spawned Heat Waves, the record-breaking single that topped charts worldwide and made history as the first UK band to reach #1 on the Billboard Hot 100 in nearly 30 years. Last year, the band released their fourth critically acclaimed album I Love You So F**ing Much, a sci-fi-infused odyssey about love, connection, and what it means to feel real in a surreal world. It arrived alongside a 44-date world tour that included headlining The O2 Arena in London and Madison Square Gardens in New York. Frontman Dave Bayley — also one of pop’s most in-demand producers — writes and produces every song, often with an experimental DIY edge that blurs the lines between music, tech and visual art. This experimental production is particularly evident in the band’s Fresh Fruit series. Bayley uses these standalone singles to bring in guests and collaborators, giving himself space to play with new sounds. Their live shows are euphoric and surreal, driven by a deep connection with fans built through open-source creativity and unexpected digital drops.

I am Kimbra. This is the music I make. 

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