When We Dip Magazine
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Dance Music Magazine | Montréal

https://www.whenwedip.com/

Founded in Dublin, Ireland, and now having its main office in Montréal, When We Dip has become a respected magazine for supporting both established and local talent in the arts. The WWD network strives to bring its readers unique and engaging content as we descend over the horizon in search of both great innovation and audio-visual stimulation. 

Label: @wwdxyz

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Please submit track, mix, repost, and Spotify request to : http://tinyurl.com/wwdsubmission

(We listen to everything, if you don't have an answer after two weeks, the submission has been declined)

Hungarian DJ / PRODUCER duo
Working together since 2007 - Mateo&Spirit 
// Booking Contact: mateoandspirit@gmail.com
// Promo's: mateoandspirit@gmail.com

Submit your track for multi-network promotion: https://theartistunion.com/submit



Discover and support the next generation of artists.

We repost dope music on The Artist Union. To be considered, please import your music to our platform first.

Just as rave culture was making its first waves in the UK in 1988, a mad English kid named Lee Reynolds rode his BMX bike across the Atlantic to Los Angeles, carrying with him dreams of big air and sunny skies. He was as wild then as he is now, it’s just that on two wheels, Reynolds’ lack of abandon resulted in broken bones, not broken beats. In 1992, he limped off the ramp one last time and soon found himself lost to electronic psychedelia, and thusly one of the West Coast’s finest DJs began his path to the Desert Hearts movement and the hysteria he now conjures with every performance. 

Now, a quarter century later, Reynolds has a lifetime’s worth of experience bringing the weird and the wonderful to the dancefloor. He earned his chops up and down the West Coast in the dance scene’s dustier institutions––Moontribe, Moonshake, LiB––That’s where he developed his endlessly wide palate, penchant for mysticism, and an understanding that a dance party should be a spiritual experience. 

“When I DJ, I want people to feel ecstatic, in a zone, in the moment, like the only thing that matters is the dance,” he says. “I don’t want to play music that people can dance to, I want to play music that makes people dance. I want it to sound like aliens are about to land on the dancefloor.”

In 2011, It was an encounter with a plucky bunch of San Diegans barely out of their teens that was the calling Lee Reynolds had spent his whole life working towards. Alongside Mikey Lion, Deep Jesus, Marbs, and Porkchop, Reynolds formed Desert Hearts and the rest is history in motion. Over the past three years of bi-annual renegade ragers and relentless touring, “Papa” Lee Reynolds has developed into the patriarch of the fastest growing and most visible cultural movement in all of stateside dance music.

“My real role in Desert Hearts is more on a spiritual level, making sure we spread a positive message and do the right thing,” says Reynolds. Wise words, maybe, but behind the decks, Reynolds is a maniacal presence as he channels his past lives, tastes, adventures, and perspectives into a dancefloor magic that captures you upon first beat and does not release: House, techno, acid, and breaks, they’re all conjured up in a plume of purple haze and that little mad bastard is at the center of it all. 

Dance music now is so often about fast rises and immediate gratification, but Lee Reynolds’ story is a reminder that some beats taste better when slowly fried over the course of 25 years. “I’ve been obsessed with this shit forever and I’ve always believed the madness was coming,” says Reynolds. Well, the madness has commenced, and it seems like it’s here for good––and Lee Reynolds is conducting the score.
- Jemayel Khäwåja

DIONYSUS – The New Album, Out Now. 
Buy / Stream here: dcd.ffm.to/dionysus

@TheNoiseEngine x @TheArtistUnion

It's time to reach further with your music and make some noise. Over time we've teamed up with artists, records labels, events, blogs and creative SoundCloud channels to build a network of music lovers.

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I WRITE PRODUCTION MUSIC FOR:
TV, Film, Video Games, Mobile App's, Internet Videos, Commercials, Short Films, Documentaries, Studio Artists and more!   
http://www.tillparis.com

If you would like to license one of my tracks or need original music contact me till@dreamteammedia.com

Growing up in a musical family, John Vilotti was embedded with harmonic tendencies early on when he learned to play the piano as a kid. Mostly self taught, he realized he was drawn to the melancholy styles of classical composers such as Bruckner, Stravinsky, Rachmaninoff, and Beethoven just to name a few. He began writing and composing music of his own but as he grew older, his pursuits in music fell to the side with school and work becoming a priority. Then, in his early twenties, he was exposed to techno, house & other forms of electronic music that re-ignited his urge to produce and be involved with music again. He quickly developed an obsession with the darker, melodic styles of house and techno with a nostalgic passion that took him back to the classical soundtrack of his childhood. Conventional thinking would have many saying the genres are worlds apart, but John will quickly argue with anybody that there are more similarities between the two, and that both electronic and classical music explore the full range of human emotions. He believes that in either context a single composition or track can enable a listener  to go on a journey that other music styles fail to evoke. To John, electronic music is just a modern version of classical music using the advent of technology. It is this acute musical understanding where he continues to pursue his passion for music as a young, but formidable DJ where he’s proven to be a leader in San Diego’s underdeveloped techno scene.  Even within a modest time span, John has garnered attention from both the local scene and established veterans throughout Southern California’s electronic music community. With a monthly residency at San Diego’s Tech-House & Techno event - Techniche, plus key guest appearances at a growing number of venues and events, John Vilotti has become a modern conductor for electronic music’s new compositions.

Amber Lee Duke is following