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INDIE-New & hot: Ambient

50 Ceremony Journey

KEXP ~ PACIFIC NOTIONS - part 7

dobrii

Podobne utwory: Stardust MIX

ambient

Audioscenarion 013 [March 2021]

It is an art to see the inevitable with a smile.

Tracklist / Playlist:

00:00 Cliffdiver - River Of Pain
https://cliffdiverambient.bandcamp.com/album/inseparable-from-the-present-moment

02:50 Logic Moon - The Wanderer
https://logicmoon.bandcamp.com/album/star-mapping

08:45 Cliffdiver - No Longer At Hand
https://cliffdiverambient.bandcamp.com/album/no-longer-at-hand

23:03 Gunuph - Winter Nights
https://gunuph.bandcamp.com/album/departures

30:39 Gunuph - Where The Sky Meets The Sun
https://gunuph.bandcamp.com/album/departures

36:18 Ubriaco Separatista - There Is No You To Be Forgotten [Secret Domain]
https://secretdomainlabel.bandcamp.com/album/save-kamchatka-ep-free-dl

44:11 R.Hz - Refraction [Secret Domain]
https://secretdomainlabel.bandcamp.com/album/save-kamchatka-ep-free-dl

54:42 Gunuph - 525 [Ambient Online]
https://ambientonline.bandcamp.com/album/ambient-online-themed-compilation-12-earth

Audioscenarion 013 [March 2021]

From the Distant|Spirals EP on Past inside the Present:
pitp.bandcamp.com/album/distant-spirals

released May 3, 2019

Past Inside the Present 
This is PITP16 | MMXIX Digital Series

PITP

Distant

Logic Moon and Atmøsphäre come together for ‘Fading’, a carefully assembled study of light and dark. One minute light dances in the dark, and the next minute the shadows mime their way across illuminated canvases.

Logic Moon’s deliberately faint compositional style, coupled with Atmøsphäre’s ear for musical space, combine for something noticeably more affective than their previous solo outputs. A captivating and consuming listen.

Available here: bit.ly/39Q7GzJ

Fading

Download

Logic Moon & Atmøsphäre - Celestia

music by Night Note and Marco Lucchi

for the Naviar Haiku project
https://www.naviarrecords.com/2021/04/07/naviarhaiku379-rain-rituals/

aprile 2021

***


松明に雨乞行やよるの嶺
taimatsu ni amagoi-gyoo ya yoru no mine

Tan Taigi

***

rain rituals
in the light of torches -
mountain peaks at night

(tr. Gabi Greve)

Night Note & Marco Lucchi - Amagoi-Gyoo [Naviar Haiku # 379]

Tracklist

01. Moss Covered Technology - Cross Currents
02. Landtitles - Folded Yellow, Framed
03. Marine Eyes -  Roses All Alone
04. Glacis - Four
05. Hiroshi Ebina - Nothing in this universe will be lost
06. Andrew Heath - Urbania 1
07. Taylor Deupree - Mer
08. Halftribe - Nighttime Worlds
09. Andrew Lang - Stark Light
10. Hotel Neon - The Hope of Becoming
11. Morimoto Naoki - A Day
12. Darren Harper - Leaf
13. Emily A. Sprague - Woven

224. Sleep Sunday Podcast (Elm Records)

„Nanu?“ – this little interjection in the German language expresses wonder, surprise and a curiosity for what has just been presented to you. It playfully resembles the title of our release „nanou“, produced by Zurich based trio @ali_dada, whose dreamy and unwinding music has indeed aroused our curiosity, surprised us, made us wonder and keen to dive deeper into their world of soothing soundscapes.

This EP may be seen as a soundtrack for moments in which you feel free from capitalist tension. Catching up on Jenny Odell‘s advice in „How to do nothing - Resisting the Attention Economy“, the mood of the songs may be a dedication to the idea of #NOMO – „the necessity of missing out“. An opposition to the overstimulation of our everyday life: „This idea of doing nothing is trying to give permission to have some emptiness.” We affirmatively embrace this idea as an invitation to pause, recline and laze while listening to those 4 calming songs. It‘s the assent to an idle that has facilitated the realization of this EP for ali dada. Obligation-free time opened up spaces for ideas and sketches to flourish. „zwueschetag“, as a „day in between“ originated in the beginning of the pandemic and describes a tool for ali dada to handle the uncertainties of a life without stability. „345“ is the street number of an off-space (www.345off.space), where the trio has recorded and produced their music, and which provides a vibe that allows them to engage optimistically in these fickle times of live.
In ali dada‘s productions you‘ll ever find a playful combination of elements from various, rather distant genres. References to experimental ambient vibes meet the love for jazzy, psychedelic guitars and warm, mellow hip-hop beats. In extended jam sessions they reflect on how the sounds feel to them and how they actually want the listener to feel. And indeed you seem guided – to slow down, linger and listen carefully. As the 3 musicians are sensible for imperfections and glitches you often can hear tiny, subtle elements, such as snippets or field recordings in the background. It‘s these little acoustic surprises that expand the space for dreaming and shape a cosmos in which you want to close your eyes and drift away in airy realms or sparkling beach water.

who is ali dada?
orlando ludens: guitar, bass, post-prod
mf jaeger/rulla: beats, modular, soundscapes, post-prod
max licht: synths, food, spaces, post-prod

sofia sturm (featured on laguna): harp
mishy misch: advisory board, enabler and important ally

ali dada - zwueschetag

and felt like...

A1 - XIII - L'Abete Al Contrario

B1 - Troth - Calm Of The Shadow

Beautiful Dawn (A place in the sun - Channel 4 UK)

E.M.C. is really glad to present you the next guest of our atmospheres playlist: Logic Moon

Originally from Mainz, Germany, Tobias Lorsbach has a broad music background as a guitar player in a metal band. He also started embracing electronic music since the early 2000s. With the Logic Moon project, Tobias embraced the ambient sounds making converge his music knowledge and taste, with his works being released on labels such as Archives, Archipel, and  spontanMusik, the label he founded.

Join us in this musical journey! Enjoy! 
 
Tracklist
1. @bobby94 Robert Farrugia - Sycamore [@archives-5]
2. Logic Moon - Arcturus
3. @christopherbissonnette - Tragedy, Ecstasy, Doom  [@dronarivm]
4. @phillipwilkerson - The Mirror of God
5. @powlos - Salomé [@faint-faint-music]
6. @soloandata - Diffused [@12k]
7. @w_a_r_m_t_h - Safe [@archives-5]
8. @hilyard - Limbs (Atmøsphäre Recycle) [@ambientologist]
9. @poryahatami - @aaron-martin - @robertoattanasio - Xakelêwe [@dronarivm]
10. @neglectsound - Kayenta

Soundcloud: https://soundcloud.com/logic-moon
Bandcamp: https://logicmoon.bandcamp.com/
Website: https://logic-moon.de/
Facebook: https://www.facebook.com/logicmoonmusic/

spontanMusik: https://soundcloud.com/spontanmusik
Discogs: https://www.discogs.com/label/144509-spontanMusik
Facebook: https://www.facebook.com/spontanmusik/

E.M.C. atmospheres - Logic Moon

New Reality

Spellbound ft. Tonina

2021-05-28

between the lines

Soul

Lillian

Force Majeure

Never Can Say Goodbye

This track was created for the Naviar Haiku group.
389 week haiku
naviarlab.tumblr.com/

2021-06-17

The Ocean In June  ( Naviarhaiku 389 )

This track was created for the Naviar Haiku group.
390 week haiku
naviarlab.tumblr.co

2021-06-24

For That Brief Moment ( Naviarhaiku 390 )

Check me out on YouTube, I've been most active over there: https://www.youtube.com/channel/UCUZig788vzmYdzMphveBp8g

The Fog Ahead

COSMOSCOPE - smarturl.it/cosmoscope

"Lights out. Headphones on. Breathe, and fly"

A deep, ambient, meditative journey through the cosmos.

Free Download

Au5 - Cosmoscope

ÓLAFUR ARNALDS & NILS FRAHM - 'a2' from their forthcoming collaborative EP 'STARE'.

ORDER the Ltd. Edition 10" Vinyl/Download HERE and receive an Erased Tapes 5th Anniversary sticker with it:
http://www.erasedtapes.com/store/index/ERATP042

'A hazy slow-builder that sits nicely equidistant between Arnalds’ solo work and his excellent Kiasmos project' – The Line Of Best Fit

CONTENT

Erased Tapes label mates Ólafur Arnalds and Nils Frahm record and mix their first collaborative record between Reyjkjavík and Berlin as a surprise release for label founder Robert Raths.

The ambient/electronic work ‘Stare’ is a true family effort from Ólafur Arnalds and Nils Frahm with Anne Müller joining in on cello and all graphics by close label-friend and now in-house designer Torsten Posselt of Feld Studios.

This release will be strictly limited and exclusively available on Record Store Day 2012, April 21st. Coinciding with the 5th Anniversary of Erased Tapes, it’s also available from the official Erased Tapes online store and sure to become a must-have for fans of the label and these two artists.


CONTEXT

Words by Nils Frahm: 
‘I heard ‘Eulogy For Evolution’ for the first time 6 years ago and I was totally captivated. Impossible to know back then that I was supposed to meet Ólafur many years later as my label mate. Later when he took me along a tour of his we also noted that we kind of like hanging out together, doing important things like cover versions of long forgotten songs or eating veggie pizza. Also he would join my live set for a jam and I would return the favour by playing along with his set. 

All in all, I fell for Óli and after one memorable jam session we had in Berlin at Roter Salon in 2011, he finally proposed the idea to visit me in my studio in Berlin to work on 'some music'. I was happy and delighted about that idea, so we got together in April 2011 and after having a big pizza, I plugged in some old analogue synths and we played for four days until late in the night. Also queen Anne Müller stopped by after a show with Agnes Obel to record some cello at 5 am in the morning for ‘b1’. Making music together with people is lovely! 
 
The time I spent with Óli in Berlin made me very happy and the music wasn't like anything I have heard before. It was all very reduced and minimal and I felt like I couldn't have done this alone. So we decided to do another 4-day jam at Óli´s E7 studio in Reykjavik. So I flew there in the end of October to repeat the trick and record some out of this world ambient music. It didn't take us too long to write ‘a1’ and ‘a2’.  I can’t wait for the follow up!’

Words by Olafur Arnalds:
 ‘After having toured together and having had many inspiring late night conversations, I decided to visit Nils in his Durton Studio in Berlin for a weekend. We didn't have anything specific in mind, we just wanted to hang out, jam and eat some falafel. That's what we did, but somehow we also made 25 minutes of ambient bliss that weekend. 

After that we quickly decided we had to do the same in my studio in Iceland. Just hang out for a weekend and possibly make some music. So the album became kind of an Iceland vs. Berlin thing. I think you can hear it very well in the sound (side a vs. side b) and that is the most interesting thing about this record for me: that subtle but significant different in the characteristics of the music two people made in Iceland against what the same two people made in Germany. 

I'm not sure why we decided to keep it secret, it just happened. But it sure was fun! I remember a party at Robert's (Erased Tapes founder) flat in Berlin, where me and Nils stood in the corner the whole night whispering about the project. We then delivered the fully mastered record with finished artwork to Robert around the 5th anniversary of the label. It would have been nice to be there to see his face…"

The live video of Nils and Ólafur’s spontaneous improv live set in Berlin last summer won them many fans since, including UK electronic music producer Max Cooper who is now remixing two of his “absolute favourite artists”. Nils and Ólafur will be touring together throughout Europe this spring.

You can watch it here: http://vimeo.com/28631568
 


LABEL: ERASED TAPES RECORDS    UK RELEASE DATE: APRIL 21, 2012
CAT.NO: ERATP042 EP/DL   EAN: 4050486068137

TRACK LISTING:  1. a1  2. a2  3. b1

OFFICIAL WEBSITES:   OLAFURARNALDS.COM   DURTONSTUDIO.COM   ERASEDTAPES.COM 

Stare

Ólafur Arnalds & Nils Frahm - a2

formation variation

title track from forthcoming album called echo's verse. vinyl/digital out on may 15th at rbeny.bandcamp.com (na) or dauw.bandcamp.com (eu)

echo's verse

I HOPE YOU ARE DOING WELL ON YOUR OWN  [tape]

Track taken from the stunning new album 'Parallel Paths'.

Review:

www.fluid-radio.co.uk/2012/10/cello-laptop-edu-comelles-sara-gala%CC%81n-parallel-paths/

Cello + Laptop (Edu Comelles & Sara Galán) - Shoreline

Stations w/ akito misaki

track 4 from Last Birthday
https://7-0-3.bandcamp.com/album/last-birthday

Bandcamp

Last Birthday

I'm thinking of submitting this for a local series of vinyl compilations.

Photo is from http://www.flickr.com/photos/playingwithpsp/3291313767/ by Playingwithbrushes

Veil

@AwakenedSouls remix from “Soledad” by @PepoGalan

https://stereoscenic.bandcamp.com/album/soledad

Soledad

Pepo Galán - Botes (awakened souls remix)

VOY.^.GE / 30min / 2O2O-
-
Sounds by ::..
Joseph Shabason, Liminal, Max Corbacho, Purl, Riverrun, Vladislav Delay ... Unknown

.^.Y.^.^.V.^.^.KII ~ MXOOO1°° (.^.^.^.)

Ambient Nights

Unfold

Christopher Bissonnette - The Wine Dark Sea
Taylor Deupree - Somi
Benoît Pioulard - Sustain Series, (Jupi-ter Edit)
Black Swan & Endless Melancholy -  Blue Tomorrows
Porya Hatami - Aaron Martin - Roberto Attanasio - Pûşper
Shuta Yasukochi - Anxiety
Jeannine Schulz - Tides
Lauge & SENSiTiZER - Feel
Solo Andata -  Painting Dust
anthéne - bur oak (Atmøsphäre Recycle)
Logic Moon - I'm In Your Veins
Jupi/ter - Abu

Stardust MIX

Excerpt from the invisible birds release. 
http://invisiblebirds.org/catalogue/oiseaux003.html

a release of mr. tomonari nozaki. abstract sound projections & melodies using destruction techniques discovered with reel to reel tape-loopsplicings and other analogue romanticisms. mr. nozaki has beginnings in minimal techno and experimental music, and after a slight pausefrom music, has returned in 2012 with some transcendental experimentations into the rarely visited places of "liminality" and "the sublime".

Written and Produced by Tomonari Nozaki 
Artwork and Photography by Matthew Swiezynski

the video of Chapter III (Excerpt)
video made by Ans van de Sluis

[Reviews]
SANTA SANGRE
http://santasangremagazine.wordpress.com/2013/06/23/tomonari-nozaki-une-histoire-de-blue-englishpolish/
ENG: In any film, you’ll come across one or perhaps two moments where the director’s vision burns right out of the celluloid and into your mind. Depending on how effective the said director is at integrating those beats into the rest of the proceedings will determine how good of a production you’re watching. These fleeting, frozen frames are elusive at the very best and illusory at worst. Tomonari Nozaki has, with his album, made the auditory equivalent of a movie that is nothing but those intensely smoldering cinematic yearnings. Each second is an expansive, intuitive descent into what makes our blood curdle, boil and run cold all at once.
Une Histoire de Blue is a profoundly sad, forlorn piece of work. Each chapter a series of regrets, every thunderous wave which breaks upon your ears is a lamentation. What once was, what could have been, where things stand now, the one who never requited what was given them. I hear this kind of artistry rarely in my line of work, it is all too easy to just thrown down a couple layers of formless drone then tinker in a few random noises and call it good. But this release here contains fully-formed, extremely articulate compositions where the field recordings flow imperceptibly into what Nozaki has channeled out of his machinery
Loss is the main arena Nozaki is working within, all of his sounds and structures contain a slowly decaying core; the soundtrack of a satellite descending out of orbit with the lifeless, inert crew forever frozen in place at their stations. Watching. Waiting. Wailing. I cannot help but come away from hearing this with a very heavy heart. The tantalized memories of one person’s understanding of what the color blue can mean. Is this in reference to the film? I could not tell you but the sense of cataclysm and sudden rupture from life are undeniable. We may have both a meditation on all the different meanings of what it is to exist in this realm and also an alternate score to a movie which was easily the strongest act to a three film epic that resonates to this day.
No matter, however, let us return to what Mr. Nozaki has given us. It is described as an excursion into the sublime, which is pretty close to the mark. There are much much more than simple synonymic anagrams going on within these four chapters (the four stages of life? the four cycles of civilization? the four seasons on the calendar?)I’ll leave that with the listeners fortunate enough to hear this… for me they are four exquisitely designed, shape-shifting takes on the very nature of reality. Everything is transitory, this will give you something to hold on to.

PL: W każdym filmie natrafić można na jeden albo dwa momenty, kiedy wizja reżysera przepływa z taśmy celuloidowej wprost do naszego umysłu. Umiejętność reżysera scalania tych ulotnych fragmentów z resztą filmu determinuje jak dobra jest produkcja, którą właśnie oglądasz. Te zwiewne, zatrzymane klatki filmowe w najlepszym przypadku bywają nieuchwytne, w najgorszym iluzoryczne. Płyta Tomonari Nozakiego to dźwiękowy ekwiwalent filmu, właśnie takiej intensywnie się tlącej kinowej tęsknoty. Każda sekunda to ekspansywne, lecz również intuicyjne zejście w stronę tego czegoś, co sprawia, że nasza krew się ścina, gotuje i zamarza jednocześnie.
Une Histoire de Blue to głęboko smutne, rozpaczliwe wręcz dzieło. Każdy rozdział to seria rozczarowań, każda grzmiąca fala, która przetacza się przez uszy jest w istocie lamentem. Co było kiedyś, co mogło być, na czym teraz stoję, co nie zostało oddane. Rzadko słucham tego rodzaju artystycznej ekspresji, bo to zbyt łatwe, wrzucić kilka warstw bezkształtnych dronów, pomajstrować potem przy nich przypadkowymi hałasami i uznać, że to jest dobre. Ale to wydawnictwo zawiera w pełni ukształtowane, konkretnie wyrażone kompozycje, w których nagrania terenowe niepostrzeżenie wplywają w to, co Nozaki wyciąga ze swojej maszynerii.
Przegrana jest areną, na której operuje Nozaki, wszystkie jego dźwięki i struktury zawierają powoli rozkładający się rdzeń; soundtrack dla satelity zstępującej z orbity, z martwą, bezwładną załogą na zawsze zamrożoną w miejscu jej stacjonowania. Obserwując. Czekając. Łkając. Słucham tego z ciężkim sercem i nic nie mogę na to poradzić. To dręczące wspomnienie prób zrozumienia przez pewną osobę jakie jest znaczenie koloru niebieskiego. Czy to odniesienie do filmu? Tego wam nie powiem, ale poczucie swego rodzaju kataklizmu, nagłego przerwania linii życia jest tu niezaprzeczalne. Możemy tę płytę traktować zarówno jako medytację nad tym jak egzystować w tym królestwie, jak i alternatywną ścieżką dźwiękową do pewnego filmu będącego najmocniejszym punktem pewnej epickiej trylogii, która oglądana jest i dyskutowana do dnia dzisiejszego.
Nieważne, wróćmy do tego, co podarował nam pan Nozaki. Określono to jako podróż w wysublimowane, co generalnie jest dość bliskie prawdy. W tych czterech rozdziałach dzieje się o wiele więcej, niż może się wydawać (cztery etapy życia? cztery cykle cywilizacji? cztery pory roku?). Zostawiam to słuchaczom, którzy będą mieli szczęście zapoznać się z tą muzyką… dla mnie to cztery wspaniale zaprojektowane, zmieniające kształt ujęcia jądra natury rzeczywistości. Wszystko przemija, ale dzięki tej muzyce będziecie mieli się czego trzymać.

____________________________________________________________________________________
Vital Weekly 888 
http://modisti.com/13/2013/06/25/vital-weekly-888/
According to the website of Invisible Birds, “mr. nozaki has beginnings in minimal techno and experimental music, and after a slight pause from music, has returned in 2012 with some transcendental experimentations into the rarely visited places of “liminality” and “the sublime”.” I am not sure, but this might be my first encounter with his music. The music here is announced as
“abstract sound projections & melodies using destruction techniques discovered with reel to reel tape-loop splicings and other analogue romanticisms”, which is actually not far from the truth. Not the reel to reel thing, as that is not easy to check upon, but the romantic aspect of the music. I was thinking there is some classical music on those tapes, as a kind of residue (maybe he got the ones from dear departed father?), which he loops around and by adding sound effects makes them a bit more alienated. It reminds me of Jorge Mantis’ The Beautiful Schizophonic with its looped classical music from the 19th century – the romantic era in that music. Occasionally there is a hiccup which I couldn’t figure to be a glitch in the tape, the stretching of samples (so, maybe it includes computers?), or the burning to CDR? These four long and one short pieces work very fine on a grey day: stretched out fields of sounds, passing like slow clouds in the sky, with the occasional crackle being the summer rain drop. Dark but full of hope and light.
Music by Thomas Bel has found its way to here before – see Vital Weekly 663 – when I thought he hadn’t found his own voice yet. Now, a few years later, I hear something new from him, a work that was originally recorded live June 21st 2011 – which is actually exactly two years ago from the day this was written – but ‘re-arranged and edited’ in May of this year. It’s one long piece, of thirty-three minutes and thirty-three seconds, and it sounds like an outdoor concert: rain is pouring down (no doubt on tape and not live), while Bel plays his guitar in a very minimal way. I never know – not being a guitarist myself – if this actually played, or one of those loop devices, but it’s surely very minimal with a bunch of small changes. As the piece evolves there is the addition of some feedback like sounds, and the guitar – now indeed looped – doubles and triples. Blues music? Yes, it could be. It has that dark, laidback Americana blues feeling of desperation and solitude, even when it’s brought to a mighty crescendo in which all air is sucked into the sound effects before its escape towards the end. A fine good solid piece, as dark perhaps as the Nozaki one, but with less light and more despair. In both cases: if you like Machinefabriek or William Basinski, then this is surely worth checking out. (FdW)

[Art into Life product review]
http://www.art-into-life.com/product/3571
Invisible Birdsの限定100部"oiseaux"シリーズの第三弾。テープスプライシングを中心としたアナログの手法にて制作を行う日本人作家Tomonari Nozaki。1曲目は波しぶきを加工した(?)ノイジーなループに始まり(コレがカッコイイ)、その後はテープ独特のヨレた持続音が続くアンビエントな作品集。青ベースのジャケットが美しい。インサート入り。
third release of the limited 100 edition "oiseaux" series of invisible birds. japanese artist tomonari nozaki produces a method of production in analog
with reel to reel tape-loop splicings. first track starts with a noisy loop that has been modified the sea spray (this is cool). then a collection of
ambient tracks with a persistent kink unique tape followed. blue packaging is beautiful

[Aquarius records product review]
Invisible Birds introduces us to another exceptional composer through their ongoing series of limited edition hand-fabricated cd-rs, where we had been previously graced by the langous tones of Arthur De Eriomem and got a brilliant full length out of Thomas Bel. Here, the imprint offers us an album from the Japanese ambient composer Tomonari Nozaki who started out in the techno scene, but grew fascinated with the purely analogue forms of tape loops and and synthesizers. A sense of rhythm and timing is definitely at play in his work, alluding to the beatless Pop Ambient sensibility that Wolfgang Voigt inspired through his classic Gas albums; but the placid, cinematic grandeur of Nozaki's sources harken more to The Caretaker and William Basinski's emotionally laden scores of forgotten dreams. The four lengthy tracks could endlessly cycle through their maudlin melodies that are stretched and swept as if carried away the currents of a cold, gray ocean. Like Basinski, Nozaki is not averse to including the dusty crackle, ferric drop-outs, and tape machined errors in with his composition. They do come across with a greater deal of randomness than on the aggregated decomposition of Basinski's Disintegration Loops; but all of the wooziness and gauzy ambience makes for a beautifully spellbinding listen. Limited to 100 copies. 

[Igloo magazine review]
http://igloomag.com/reviews/tomonari-nozaki-une-histoire-de-bleu-invisible-birds

Prefacing the four, quarter-hour “chapters” of Tomonari Nozaki’s Une histoire de bleu are one hundred and sixty four seconds of ocean waves lapping at an empty beach. Or it could be the never-ending storm on top of Saturn. And it could be made out of surging static electricity. Either way, it is an irenic head-clearer with which to allow his story of blue to unfold. Its description as “abstract sound projections and melodies using destruction techniques discovered with reel to reel tape-loop splicings and other analogue Romanticisms” immediately calls (or shouts) to mind the work of William Basinski and his disintegration loops, and there certainly is shared ground in reaching for the sublime through retrogression.

Like Basinski, Nozaki succeeds magnificently, though without having his tapes dandruff into obscurity in the making, even though they do occasionally and artfully fail. The first chapter of Une histoire de bleu has that classic, far-away Brian Eno sway, while the second is ghostly and desolate as Rapoon. The third chapter has an orchestra sweep, a deep pathos, a cozy autumnal sadness. It is reminiscent of one of the rolling, pastoral landscapes of Andrew Deutsch’s Loops Over Land, just as it leans toward Samuel Barber’s “Adagio for Strings.” “Chapter Four” recalls Basinski with the greatest clarity, graceful and ever falling, ever falling.

Five möbius strips curving into ambient eternity.


buy this album

"une histoire de bleu"excerpt/tomonari nozaki(invisible birds/oiseaux003)

Ennio's Muse

support

Shepherd

Pre-order here:

https://clone.nl/item63207.html

https://one-eye-witness.com/release/1610719551/Lawrence-Le-Doux-Compassion-Lake

https://www.deejay.de/Lawrence_Le_Doux_Compassion_Lake_NOUS021_Vinyl__968190

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https://www.juno.co.uk/products/lawrence-le-doux-compassion-lake/809528-01/

Lawrence Le Doux - Compassion Lake EP - Nous'klaer 021 (previews)

Henrik & Ni!'s tale of the forest: bit.ly/48DxCev

Jupi/ter's temporal exploration: https://bit.ly/47FcP9m

Fionnlagh's story remixed: https://bit.ly/3hdecqL

Meierkord and pals' ode to beauty: https://bit.ly/3TiEaGM

Marco & Henrik's foray into the sublime: https://bit.ly/3F4Okag

Recycled music - Sustain Series, Vol. 3: https://bit.ly/amb-sustain3

Henrik Meierkord & Sole Gipp Ossler's powerful ode to knowledge: https://bit.ly/3aPVWRj

Jolanda Moletta's ode to her female ancestors: https://bit.ly/3M8lLch

Origin ST's climate musings: https://bit.ly/3wOh1Ew

Sven Laux & Logic Moon's deep loss: https://bit.ly/3yLUjvI

Fionnlagh's chilling dystopia: https://bit.ly/2SZvdsi

anthéne's ocean at night: https://bit.ly/3CvnwM9

Free electronics by Fields We Found: bit.ly/3ioQFA7

Recycled music - Sustain Series, Vol. 2: https://bit.ly/34pWYNg

Henrik & Jupi/ter's glowing heart-opener: https://bit.ly/3fH7PIY

Logic Moon & Atmøsphäre's dance in the shadows: https://bit.ly/39Q7GzJ

Jupi/ter's vivid colours: https://bit.ly/3hX3YHu

Henrik Meierkord's most emotive: https://bit.ly/3n8EFnx

Recycled music - Sustain Series, Vol. 1: https://bit.ly/3nW52x3

Henrik's colouring of Jupi/ter's 202: https://spoti.fi/3iAONSM

Julia Gjertsen & Nico Rosenberg's heart-opening ambient piano: https://bit.ly/2FyJ3Lq

Fossil Hunting Collective's pensive introspection: https://bit.ly/2DHB528

Rinnovare's lush double single: https://bit.ly/3ikpmVJ

Chris Otchy's algorithmic labyrinth: https://bit.ly/37SwDZ9

Jupi/ter's first chapter: https://bit.ly/2XegcBc

Still Harbours, aka anthéne & Fossil Hunting Collective: http://bit.ly/2XX1jDy

Henrik Meierkord's winter warmth: http://bit.ly/34mDmaE

Antarctic Wastelands and the icy journey: http://bit.ly/2mTPxLC

Logic Moon & Atmøsphäre - Celestia

Ambientologist