https://erratac20series.bandcamp.com/album/vol-36-essaie-de-tourner-sur-toi-m-me
Pocket symphony of orchestral roland SC-55 in the style of Steve Reich by Amédée De Murcia, 2019-2020.

                              

Zone Bleue - Essaie de tourner sur toi-même P.I

erratac20series.bandcamp.com/album/vol-…r-toi-m-me
Pocket symphony of orchestral roland SC-55 in the style of Steve Reich by Amédée De Murcia, 2019-2020.

Zone Bleue - Essaie de tourner sur toi-même P.II

Music for ‘We couldn’t find the door’ - 2019.
Exhibition by Morph Collective at Fey Arts for Bel Animals curated by Chloe Royer.
Photography credit : Romain Darnaud.
https://www.instagram.com/morph.love/

Music for Morph exhibition at Fey Arts, 2019 - Extract n°1

Music for ‘We couldn’t find the door’
Exhibition by Morph Collective at Fey Arts for Bel Animals curated by Chloe Royer
Photography credit : Romain Darnaud
https://www.instagram.com/morph.love/

Music for Morph exhibition at Fey Arts, 2019 - Extract n°2

Music for Morph exhibition at Fey Arts, 2019 - Extract n°3

It Enters Into What We Become by Morph.Love at Het Nieuwe Instituut, Rotterdam, 2021

Disorientation happens when our senses slip off the atlas of common knowledge; it is also an invitation to know differently. Without a visual reference like a stable horizon, humans rely on the non-visual senses to re-ground themselves. It Enters Into What We Become (Centre for Disorientation), a new presentation of work by multidisciplinary design collective Morph.Love in Het Nieuwe Instituut’s Gallery 3, is an invitation to lose ourselves inside a total environment. Eighteen members of the ever-evolving international group explore disorientation by creating a looping sequence of multisensory encounters. Arranged as five porous sections that build and double-back on each other to create an exploratory labyrinth, It Enters Into What We Become meditates on a cryptic healing process that never fully makes itself known. From an exploration of how algorithms alchemise emotional expressions into hard cash, to a chilly digital fire that bucks our sensory codex, and a trippy VR voyage through the body, the exhibition extends this sense of disorientation through a sequence of abstracted wellness rituals. It Enters Into What We Become rejects the linear-progressive spatial flow typical of exhibitions, instead choosing to end where it begins. Following the intense virtual yogic foray into a body grotto, viewers are shuttled through an express passage back to the entrance. Here, the supersensory ‘we’ built throughout the different rooms begins to slacken back into an ‘I’: viewers recover from their intense journey before re-entering the world. Conceived as a collaborative transformative process, Morph.Love’s latest presentation reframes disorientation as an eternal state of becoming. (Photos by Donghwan Kam & Koos, Graphics by Lana Arih)
https://koosbreen.com/projects/it-enters-into-what-we-become/
https://www.instagram.com/morph.love

Music for Morph exhibition at Het Nieuwe Instituut, Rotterdam, 2021 - Extract n°1

Music for Morph exhibition at Het Nieuwe Instituut, Rotterdam, 2021 - Extract n°2

It Enters Into What We Become by Morph.Love at Het Nieuwe Instituut, Rotterdam, 2021

Disorientation happens when our senses slip off the atlas of common knowledge; it is also an invitation to know differently. Without a visual reference like a stable horizon, humans rely on the non-visual senses to re-ground themselves. It Enters Into What We Become (Centre for Disorientation), a new presentation of work by multidisciplinary design collective Morph.Love in Het Nieuwe Instituut’s Gallery 3, is an invitation to lose ourselves inside a total environment. Eighteen members of the ever-evolving international group explore disorientation by creating a looping sequence of multisensory encounters. Arranged as five porous sections that build and double-back on each other to create an exploratory labyrinth, It Enters Into What We Become meditates on a cryptic healing process that never fully makes itself known. From an exploration of how algorithms alchemise emotional expressions into hard cash, to a chilly digital fire that bucks our sensory codex, and a trippy VR voyage through the body, the exhibition extends this sense of disorientation through a sequence of abstracted wellness rituals. It Enters Into What We Become rejects the linear-progressive spatial flow typical of exhibitions, instead choosing to end where it begins. Following the intense virtual yogic foray into a body grotto, viewers are shuttled through an express passage back to the entrance. Here, the supersensory ‘we’ built throughout the different rooms begins to slacken back into an ‘I’: viewers recover from their intense journey before re-entering the world. Conceived as a collaborative transformative process, Morph.Love’s latest presentation reframes disorientation as an eternal state of becoming. (Photos by Donghwan Kam & Koos, Graphics by Lana Arih)
koosbreen.com/projects/it-enters…to-what-we-become/
www.instagram.com/morph.love

Music for Morph exhibition at Het Nieuwe Instituut, Rotterdam, 2021 - Extract n°3

Music for Morph exhibition at Het Nieuwe Instituut, Rotterdam, 2021 - Extract n°4

Music for Morph exhibition at Het Nieuwe Instituut, Rotterdam, 2021 - Extract n°5

Music made for Meta-Movement-Land, a VR installation by Clementine Schmidt & Josse Vessies. 2021

"All reality media is fictional, as though being in the "not real" is the key"
An online post, on an online platform, by an online person.

Meta-Movement-Land is a crossover installation that takes place in 2 dimensions:
the Virtual, through a VR-experience and the Real, by the theatrical installation that surrounds it.

A multi layered drama about our inner persona questioning how we embody our bodies,
envisioning our innards as a garden of life & playing with the dichotomy of contemporary reality.
A reality where the virtual constantly merges with the physical.

The audience will be guided through the whole experience by an actress. Here, in her space, she has decided to close her eyes, to stop looking outward, to detach herself from our era of appearances and image-led self-presentation induced by social media.
Blind, she waits for a presence to connect with & share what she has dreamt up: an alternative representation of herself. Her inner world to re-spark your imaginations for what lies within.

The overall, is framed by a set design & a dramaturgical structure to make VR a collective experience.

We strongly believe Imagination is a tool to rise above ourselves, to surpass the way we represent ourselves and which inherently, induces us to think better of each other, together.

Closing the eyes, as our actress will do, is accepting being in the dark. Like a long night in an empty natural landscape where you don’t see much but finally get to see the stars above you. It is accepting not understanding everything, it is accepting dreams, desires, fantasies and feelings that you didn’t know you had. The refusal to look outward is an invitation to feel, imagine and discover differently. For us this project, through its crossover with performance and new technologies (VR), is an invitation to grasp our audiences self doubts and their insecurities to emphasize the power of Imagination as a tool to understand each other. It is an invitation to trust yourself, trust others and connect differently to one another.
This project is made possible with the help of Stimuleringsfonds and Makershuis tilburg.
Here, we are collaborating with Niek Jonker, Stephane LAB, Xenia Lucy Laffely, Amédée de Murcia & Merit Vessies.

Music for VR installation Meta-Movement-Land, 2021 - Extract n°1

Music made for Meta-Movement-Land, a VR installation by Clementine Schmidt & Josse Vessies, 2021.

"All reality media is fictional, as though being in the "not real" is the key"
An online post, on an online platform, by an online person.

Meta-Movement-Land is a crossover installation that takes place in 2 dimensions:
the Virtual, through a VR-experience and the Real, by the theatrical installation that surrounds it.

A multi layered drama about our inner persona questioning how we embody our bodies,
envisioning our innards as a garden of life & playing with the dichotomy of contemporary reality.
A reality where the virtual constantly merges with the physical.

The audience will be guided through the whole experience by an actress. Here, in her space, she has decided to close her eyes, to stop looking outward, to detach herself from our era of appearances and image-led self-presentation induced by social media.
Blind, she waits for a presence to connect with & share what she has dreamt up: an alternative representation of herself. Her inner world to re-spark your imaginations for what lies within.

The overall, is framed by a set design & a dramaturgical structure to make VR a collective experience.

We strongly believe Imagination is a tool to rise above ourselves, to surpass the way we represent ourselves and which inherently, induces us to think better of each other, together.

Closing the eyes, as our actress will do, is accepting being in the dark. Like a long night in an empty natural landscape where you don’t see much but finally get to see the stars above you. It is accepting not understanding everything, it is accepting dreams, desires, fantasies and feelings that you didn’t know you had. The refusal to look outward is an invitation to feel, imagine and discover differently. For us this project, through its crossover with performance and new technologies (VR), is an invitation to grasp our audiences self doubts and their insecurities to emphasize the power of Imagination as a tool to understand each other. It is an invitation to trust yourself, trust others and connect differently to one another.
This project is made possible with the help of Stimuleringsfonds and Makershuis tilburg.
Here, we are collaborating with Niek Jonker, Stephane LAB, Xenia Lucy Laffely, Amédée de Murcia & Merit Vessies.

Music for VR installation Meta-Movement-Land, 2021 - Extract n°2

Music for VR installation Meta-Movement-Land, 2021 - Extract n°3

Music made for Meta-Movement-Land, a VR installation by Clementine Schmidt & Josse Vessies,2021.

"All reality media is fictional, as though being in the "not real" is the key"
An online post, on an online platform, by an online person.

Meta-Movement-Land is a crossover installation that takes place in 2 dimensions:
the Virtual, through a VR-experience and the Real, by the theatrical installation that surrounds it.

A multi layered drama about our inner persona questioning how we embody our bodies,
envisioning our innards as a garden of life & playing with the dichotomy of contemporary reality.
A reality where the virtual constantly merges with the physical.

The audience will be guided through the whole experience by an actress. Here, in her space, she has decided to close her eyes, to stop looking outward, to detach herself from our era of appearances and image-led self-presentation induced by social media.
Blind, she waits for a presence to connect with & share what she has dreamt up: an alternative representation of herself. Her inner world to re-spark your imaginations for what lies within.

The overall, is framed by a set design & a dramaturgical structure to make VR a collective experience.

We strongly believe Imagination is a tool to rise above ourselves, to surpass the way we represent ourselves and which inherently, induces us to think better of each other, together.

Closing the eyes, as our actress will do, is accepting being in the dark. Like a long night in an empty natural landscape where you don’t see much but finally get to see the stars above you. It is accepting not understanding everything, it is accepting dreams, desires, fantasies and feelings that you didn’t know you had. The refusal to look outward is an invitation to feel, imagine and discover differently. For us this project, through its crossover with performance and new technologies (VR), is an invitation to grasp our audiences self doubts and their insecurities to emphasize the power of Imagination as a tool to understand each other. It is an invitation to trust yourself, trust others and connect differently to one another.
This project is made possible with the help of Stimuleringsfonds and Makershuis tilburg.
Here, we are collaborating with Niek Jonker, Stephane LAB, Xenia Lucy Laffely, Amédée de Murcia & Merit Vessies.

Music for VR installation Meta-Movement-Land, 2021 - Extract n°4

Music for VR installation Meta-Movement-Land, 2021 - Extract n°5

Music for VR installation Meta-Movement-Land, 2021 - Extract n°6

https://youtu.be/xyTERMqymBQ
https://www.mkg-hamburg.de/ausstellungen/anais-borie
Music made for "The Intimacy of a Cyber-Opera Singer" by Anais Borie, MK&G, Hamburg, 2021.
Based on Rameau's "Pygmalion" ouverture.

Anaïs Borie (*1991) presents the final work of her six-month residency at MK&G. With her presentation "The Intimacy of a Cyber-Opera Singer", she invites visitors to immerse themselves in a multidimensional space through sound, light, smell and song as well as works from the MK&G collection , which makes the possibilities and limits of human existence between reality and fiction tangible. The French designer is the first funded resident of the Fund for Young Design, which the Hamburg Art Collections Foundation (SHK) launched in 2020. The aim is to invite young international designers to develop their own work with reference to the MK&G collection. With the residency program, MK&G is reactivating a central founding idea of ​​the house, namely to be a collection of models of excellent design as a source of inspiration for designers.

In a performance, the opera singer Sara Gouzy enters into a dialogue with the exhibits and sings arias and overtures by the French composer Jean-Philippe Rameau (18th century). Rameau's harmonies, which were pioneering in his time, symbolize Anaïs Borie's claim to have a comprehensive effect and to combine craftsmanship with technical innovations.

Music for "The Intimacy of a Cyber-Opera Singer"  MK&G, Hamburg, 2021.

Jingle for Undisciplined podcast by Current Obsession Magazine
https://www.instagram.com/currentobsessionmag/

Jingle for Undisciplined podcast by Current Obsession

Jingle made for Undisciplined podcast by Current Obsession Magazine
www.instagram.com/currentobsessionmag/

Jingle for Undisciplined podcast by Current Obsession - Outro

https://v2.nl/archive/works/crypto-opera
Extract of the musical piece made for Anais Borie's Crypto Opera, created during the V2 summer sessions 2022, Rotterdam

Music made for Crypto Opera, V2 summer sessions 2022

https://kraak.bandcamp.com/album/zone-bleue

Refracted electronics turn inwards to reveal dormant harmonies in a glistening musical spectrum: such is the path chosen by Amédée De Murcia’s Zone Bleue. Known for the dark and dissonant electronics of his Somaticae alter ego, as well as his part in duos Balladur (with Romain de Ferron) and OD Bongo (with C_C), Amédée probes an arena of minimalism that feels like a synthetic orchestra high on emotional turmoil, a musical interpretation of blue skies on a computer background, an AI trying and failing its non-hand at New York School comps, or an improbable nursery room vibe instigated by the touching silliness of machines wanting to emulate the warmth of trumpets, accordions or the human voice. Steve Reichian time stamps and Raymond Scottesque dreaminess take the listener surfing over waves of lapis-lazuli and ultramarine, going deep into a zone of scattered twilight. Perhaps Zone Bleue is just the soundtrack to some forgotten software that Somaticae found on an old hard drive; we might never see it live, but whatever we’re listening to lives its own life.

Zone Bleue - Sur La Tomos Rouge

Zone Bleue - Un Océan D Amitiées

Zone Bleue - Un Coeur Sur Le Crassier

Zone Bleue - Bienvenue Dans La Zone Bleue

Music for Josse Vessies - Nobody's tree of life - 2023

Music for Josse Vessies - Nobody's sanctuary - 2023

Extrait du ciné concert pour le Film Ama-San de Cláudia Varejão.
https://maisondelarchi-lorraine.com/cine-concert-%E2%8F%96-amedee-de-murcia-%E2%8F%91-ama-san-de-claudia-varejao/

Ama-San - Ciné Concert - Maison de L'architecture de Lorraine - 2023

La secte des concerts

Tanzprocesz - 2019 
Buy the CD : http://tanzprocesz.free.fr/tzpadm.htm
Free Download : https://tanzprocesz.bandcamp.com/album/mang-par-les-oiseaux

Mangé par les oiseaux         

Nous voulons rester caché

https://amedeedemurcia.fr/
@somaticae @jazzoux @balladur @edibletrio
Amédée De Murcia pushes rhythmic and synthetic experimentation into uncertain spaces. Between repetitive and microtimbral post-club compositions, sticky sound objects or experimental pop writing, each Amédée De Murcia projects is both radically different and rigorous.

Amédée De Murcia

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