Dengarkan suara hati yang terbelenggu dunia
Membuka matamu menatap
Membuka mulutmu mengucap

Lepas segala dendam yang menutupi wajahmu
Berikan sinarnya tak jengah
Biarkan sinarnya merekah

Lewati setiap derasnya hingar bingar hidupmu
Kuatkan tanganmu menggengam
Bulatkan sikapmu bertahan

Lalui sgala gelapnya jalan yang berliku kejam
Berikan sinarmu tak jengah
Biarkan sinarmu merekah

Aaaaaahh menaklukan duniaa
Aaaaaahh takkan pernah menyerah
Menaklukkan dunia
Takkkan pernah menyerah

Dunia. (demo)

lirik

Dalam diam tenang, kumenuju berang.
Sesak dalam nafas, menaha amarah.
Mununggu sejenak, sebuah harapan.
Tak pernah terucap, rasa yang tertanam.

Dengar merasakan, cerita membekas.
Perlahan mencoba, tak kembali juga.
Telah berubah, tak mengenal.
Kembalikan dirimu, seperti yang dulu.

Jika hari esok kau tak kembali lagi disini.
Apa yang telah terjadi tak akan pernah berarti.
Jika memang kemarin kau datang kembali lagi disini.
Semua yang terjadi mungkinkah akan berarti?

Sanctuary Moon - Dejavu

Dunia

waktu berlalu, melebur, bergulir cepat
usia melaju, apakabarmu kawan?
hidup tak mudah, janganlah menyerah
tuk taklukkan dunia

dunia...

dunia...

dunia...

dunia...

lantang bernyanyi, berani, tertawa lepas
masih ingatkah dirimu kawan?
berlari, mengejar semua impian dan harapan
tuk taklukkan dunia

dunia...

dunia...

dunia...

dunia...

('Dunia' adalah lagu tentang 'Harapan', adalah penting menjaga agar semangat itu tetap menyala setelah diri kita lelah dihajar usia. Mengingat harapan apa yang pernah kita impikan disaat kita muda... menjadi "Hidup" dan "Merdeka".)

Dunia

All songs performed and written by Bret Lanahan, Will Teague, Max Dietrich, and Eric Dudley
Produced / Engineered by Jon Markson at The Animal Farm (NJ)
Mastered by Dan Coutant at Sunroom Audio
Artwork by David Van

Violent Picture / Violent Sound

Joy Thief

From the album, Shed
Available on iTunes: s1dm.my/18yMzLg
CD/LP available here: s1dm.my/19XMleF

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Title Fight - "Shed"

Wooden House

All Tracks Written by Tay
Produced and Performed by Death Of Heather
Mixed and Mastered by Rungroche Uptampotiwat
Cover image by Patty Paine

Drained

Pretty Things

Self-titled

Langkah

Kesal

West Bay native Tony Molina has been following a fascinating trajectory on his recent string of releases. Early entries like the "6 Songs EP" and "Dissed And Dismissed" LP combined the best bits of Weezer/Teenage Fanclub-style power-pop with Tony's smart, touching songs, shredding guitar pyrotechnics and ironclad DIY HC roots. 2016's "Confront The Truth" EP flipped the script in a big way, leaving the guitar crunch behind in favor of mostly acoustic arrangements that owe as much to "Horizontal"-era Bee Gees and the Fanclub's mellower moments as they do to Georges Harrison and Martin. It's a masterful record, packing more melodic flair and emotional truth into 11 minutes than most bands manage in an hour.

Now Tony is back with his brilliant, long-awaited album "Kill The Lights." The ten songs on "Kill The Lights" continue in his evolution towards stripping the songs back to reveal each one's emotional and melodic core. But where "Confront The Truth" was mostly acoustic, "Kill The Lights" adds back some full band arrangements to brilliant effect. Album opener "Nothing I Can Say" is a lovely 12-string pop tune that would sit snugly in The Byrds' songbook - it's that good. "Wrong Town" is gentle and subtly wrenching, recalling prime Elliott Smith in its simple truth. "Afraid To Go Outside" expands on some of the pastoral early Bee Gees/Kaleidoscope/Tomorrow flavor revealed on "Confront," aided by some great organ lines. "Now That She's Gone" features some gorgeous guitar finger-picking, while "Jasper's Theme" is a rootsy mid-tempo groover that leans towards Gram-era Byrds. 

Everywhere on "Kill The Lights" we hear Tony synthesizing his influences with great skill and intention; these classic folk and pop styles are being employed in the service of stellar songs and universal lyrical truths rather than just as aesthetic filigree. This is why beautiful, elegant songs like "When She Leaves" and "Before You Go" aren't really so far from Molina's punk roots -- they reflect a dedication to craft combined with an intense commitment to self-expression that transcends simplistic genre boundaries. The sonic palette may be shifting, but the tunes are all Tony and we should all be grateful for that.

Dunia. (demo)

äme.