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■Artist : Inner Science (インナー・サイエンス)
 ■Title : Here (ヒア )

■Price / ￥2,100 (+Tax)
 ■Cat# / PLCD-1006 (12tracks、Time 40:20)  
■Format / CD 、DIGITAL
 
■Label / Plain Music
 ■Distribution / Ultra Vibe inc. (JPN)
■JASRAC

■Release Date / 16 SEP 2015

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SHOP & MORE INFOMATION 
(ENG) http://www.plainmusic.jp/info/plcd1006e/
(JPN) http://www.plainmusic.jp/info/plcd1006/

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Inner Science is a project from a Japanese Electronic music producer/ track maker Masumi Nishimura. In addition to his own music production, live performances and DJing, he gets his hands on numerous other activities such as remixing other artists and making sound for events and installations. However, it’s safe to say that his main focus of self expression has always been centered around this solo moniker. “Here” is the seventh studio album from Inner Science following “Self Figment” which came out around a year and a half ago.

At first listen, it reminded of the timeless masterpiece of Sun Electric’s “30.7.94 Live” from 20 years ago. Arguably one of the best works in the history of ambient techno that was recorded live using immense collages and electronic sounds in 1995. “Here” is easily comparable to such an opus in terms of its strength and brilliance of electronic sound expressions.

From electronica to hip hop, techno to avant-electronics… his beeps and bleeps effortlessly skip around over the whole spectrum. The soft illuminated vision he paints with them spreads through the speakers and diffuse into the air as if it conceals all the darkness. A very optimistic world unfolds.

Coming from the hip hop back ground, where he currently stands is entirely unique. His   lucid synthesizer sounds have become a sort of a trademark of Inner Science production. Needless to say, it’s in the combination with his beats and mixing skills that give his signature sounds to shine through.

The 2011 release “Elegant Confections” was accompanied by disc 2 which contained the ambient version of the original. Even before that, he had more ambient inclined outputs under the name Portral where his use of delicate electronic tones were already significant. And with the completion of preceding album “Self Figment” and the first collection of the abstract electronic collages “Assembles 1-4” released last year, his further explorations with electronic sound expressions reach to the peak. (FYI, The second collection of “Assembles” is due to be out this year.)

This is how he returned to his Inner Science project. The electronic excursions he took in “Assembles” are now in the hands of experienced beat maker side of him, and whipped into more musical structures with plenty of room to elegantly dance in.

The term electronica doesn’t do justice to the music that’s presented here.
This album contains audio expressiveness of electronics, and the world that could only be represented by electronic sounds.

It’s music that celebrates life, and the joy of electronics.

(Yusuke Kawamura / OTOTOY)
(Translated by Yuko Asanuma)

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* 店舗により、CD購入特典(未収録5曲のダウンロードコード/発売日から半年間有効)が付属します。特典が付く店舗の情報は決まり次第随時掲載いたします。

*PLAIN MUSIC WEB SHOPにてCDを二週間先行販売。

*OTOTOYにてハイレゾ音源(48khz/24bit)を一週間先行配信販売。

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Track List
01 - Introduction for Here
 02 - Bare 
03 - Fantastic Distance 
 04 - Ivy  
05 - Well 
 06 - Vary 
07 - Winking Rabbit 
08 - Twin Birds
 09 - Not Far From Here 
10 - Neko 
11 - Silent Thing 
 12 - Even More


Here - Teaser / Inner Science (Original Album)

Foundation : Shout Out

Where My Ears Where My Eyes At

track credits:

Alex Clemence - vocals, lyrics, guitar
Chris Merriman - guitar
David Dhonau - synth, bass, guitar, programming
Simon Bland - electronic / live drum kit
Martha Bean - vocals, harmony arrangement
Adrienne Jones - additional vocals
Gwendolyn Rooker - coda vocals and additional lyrics

mastered by Neil Segrott
artwork by Vicki A. Lee and Dayflower

Stuck to You - [Official Visualiser]
https://youtu.be/LS26sO0nIeA
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Be still my child
I should have done better
I’m stuck to you like glue

I never knew I didn’t need it
Woke up that night on the ground too cold
I never knew I didn’t have it
Woke up that night on the ground too old

I’m stuck to you like glue

When they woke up
On the ground too cold
Their feelings burst through
And I spin myself, spin myself around
Then I knew how I spin myself, spin myself around
I just don’t care for it.

Be still my child
I should have done better
I’m stuck to you like glue

I’m stuck to you 
I’m facing you
I’m missing you
you’re shaking too

I’m stuck to you
I’m facing you
I’m missing you
we're shining through

If she knew she lied to herself she'd be angry
Everybody wants to be heard at the same time.

Stuck to You

Kissing Rosy in the Rain

Outside Laughing

Lyrics: 

Held by a transience
And fixed by a meaning 
My words do not define. 

Made into a promise by the fact of my being,
I will come when the clock will chime. 

And by the last light of day 
I will finally be brave enough to face it. 

Ah... Home. Home. 
Ah... Home. Home. Home. 

And as I stood by the door to my communion with myself 
I fear that my feet are turning stone. 

And if I only turned and sprinted 
For the waves of my betrayal, 
All my choices would be swallowed and be gone. 

Ah... Home. Home. 
Ah... Home. Home. Home. 

But I knock and I go in and I must ask you all a question. 
I am here to find an answer, I am here to find an answer,
I am here to find an answer, I am here to find an answer,
I am here to find an answer, I am here to find an answer,
I am here to find an answer.  

Home, home, home.

Home

“Following you / Down this rabbit hole / It’s dark and empty like my hollow soul” sings Ishani on her pitch perfect new single ‘Perfect Life’. It’s a tongue-in-cheek psychedelic allegory of the mind-bending sinkhole of social media where perceptions of life are distorted and distended in a house of mirrors. Built on a thick psychedelic groove, the production is a psychotropic fen of rippling keys, R&B harmonies, trip-hop attitude, and Ishani’s scorching delivery. Her lyrics are anything but as hollow as the ‘Gram fantasies they portray. She channels the disorientation of a speaker lost deep in the deceptive matrix of social media. The song is, in her words, “a story about our collective social media experience and our relationships with our own phones. Whether we want to or not, we are constantly seeing other people’s lives, fantasising about what their world is like, and wasting our own time constantly scrolling, not living, just imagining other people’s lives.” Like previous EP single ‘Ghosting My Soul,’ ‘Perfect Life’ draws on themes of self-isolation and the erosion of selfhood that comes from being isolated this year.

Perfect Life

© Enrico Tiberi
released on 1 March 2021 on Tuna Records

Read Interview:
https://www.indieoteque.com/2021/02/26/in-anteprima-il-nuovo-singolo-di-nrec/?fbclid=IwAR1zm_X1LjI37etvfCVOFaZyADBUC6BDZoQZdxej3b6mzpBsgiuHICvGPxE

Nrec - Doodling

Phree

I'm 26, Australian, and a pianist/singer-songwriter. I'm just learning to call myself a musician. Although I am home now, I'm still in love with Ireland and all I want to do forever is sing.

YouTube: coolishtypegurl

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Amelia Adler

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