Lyin' To Yourself

Cupid

Esta canción fue compuesta e interpretada por Luis León, un artista emergente e independiente de Quito, Ecuador. La grabación se realizó en RJ Records Estudios bajo mi dirección, y posteriormente fue mezclada y masterizada en mi Home Studio ubicado en Quito, cuidando cada detalle para resaltar la identidad sonora del artista.

This song was written and performed by Luis León, an emerging independent artist from Quito, Ecuador. It was recorded at RJ Records Studios under my direction, and later mixed and mastered in my Home Studio in Quito, with close attention to detail to highlight the artist’s unique sound.

Te Conozco de Antes

save my heart

Middle Seat to Memphis

En este episodio muy especial de Songmess Chile estamos conversando con el cantautor, productor y artista visual, Diego Lorenzini. Así es, el fundador del emblemático sello de folk y música experimental Uva Robot llega a repasar su larga e ilustre carrera, desde proezas performeras como su caminata con Sancho la tortuga, hasta su decisión de mudarse a Barcelona siguiendo el faro del amor. Este episodio abarca icónicos proyectos de Lorenzini como Los VariosArtistas y Tus Amigos Nuevos, la dualidad entre su labor como dibujante y su práctica musical, bts de lo que será su próximo disco, “¿Y?”, futuras fechas y mucho más!

Es un enorme honor recibir a Diego Lorenzini en el Songmess Podcast y les invitamos a que completen este universo sonoro también escuchando nuestras entrevistas con Chini.png, Niña Tormenta, Simón Campusano y Rosario Alfonso.

Playlist

Diego Lorenzini - “Romance del Enamorado y La Muerte”
Diego Lorenzini, Rosario Alfonso - “Es Broma, En Serio”
Los VariosArtistas - “Tortuga”
Chini and The Technicians - “Te Vienen a Ver”
Niña Tormenta - “A la Mar Fui Por Naranjas”
Diego Lorenzini - “Motor Psico”
Diego Lorenzini - “Sí Po”
Tus Amigos Nuevos - “La Novedad”
Diego Lorenzini, Erlend Øye - “Me Voy a Valparaíso”
Diego Lorenzini, Simón Campusano - “Estoy Loco y no es por Tí”


Diego Lorenzini Spotify: https://open.spotify.com/artist/58ogXGbkmpbFtAbePMPiQ4?si=zl7Env1VR-m4MeRbWzDjVw

Diego Lorenzini YouTube: https://www.youtube.com/@undiegolorenzini

Diego Lorenzini Instagram: https://www.instagram.com/undiegolorenzini/?hl=en

Uva Robot Bandcamp: https://uvarobot.bandcamp.com/

Uva Robot Instagram: https://www.instagram.com/uvarobot/?hl=en

Los VariosArtistas Spotify: https://open.spotify.com/artist/3sm797peH8uvo5fg1i3MsV?si=K-sgBOViRN67BVU-bT_aAw

Tus Amigos Nuevos Spotify: https://open.spotify.com/artist/4dqL8obu05HTocAZNPJvfc?si=isdlZY6lTVKg9yFTxwZZFg

Tus Amigos Nuevos Instagram: https://www.instagram.com/tusamigosnuevos/?hl=en

Richard Villegas Instagram: www.instagram.com/rixinyc/?hl=en

Songmess Instagram: www.instagram.com/songmess/?hl=es-la

Songmess Facebook: www.facebook.com/songmess/?ref=settings

Songmess Twitter / X: twitter.com/songmess

Songmess Merch: via DM

#BOPS Playlist: https://open.spotify.com/playlist/2sdavi01h3AA5531D4fhGB?si=d09735b91c2c4da4

Subscribe to Songmess on Spotify, Apple Podcasts, Stitcher, Google Play or SoundCloud, find us on Facebook, Twitter and Instagram, and contact us at songmessmusic@gmail.com.

Ep. 619 - Diego Lorenzini

Performed by ives.
Written by Olivia Jones
Produced by Mark Perkins & Olivia Jones
Mixed by Mark Perkins
Mastered by Paul Gold

Artwork by Peter Furlong & Pippa Haslam


Babylon

Light Through the Pane

믹싱을 하지 않았고 ..
마스터링도 하지 않았고 ...

가사를 썼고 .. 곡을 만들었다 !!

Plan demo.mp3

An Incantation

Does the universe have the authority
To backdate an apology?
If I holler loud and wide 
Will it echo down through time
To when it was required?

In my defence is ignorance
I didn’t know your history
But although I couldn’t know
In your words you let it show
You were trying to let me know
 
I’m sorry
I’m sorry
I’m sorry
So sorry

This is an incantation
A call for redemption
Destined for dead ears
Yet I’m willing you to hear

Does the universe have the machinery
To broadcast my apology?
From this very special day
Your anniversary
Can it mend the past for me?

In my defence my ignorance
I didn’t know your tragedy
But although I couldn’t know
In your arms you made it show
Those injuries of old

I’m sorry
I’m sorry
I’m sorry
So sorry

This is an incantation
A call for redemption
Destined for dead ears
Yet I’m willing you to hear

This is an incantation
Begging exculpation
Falling on dead ears
How I’m wishing you could hear

I’m sorry
I’m sorry
I’m sorry
So sorry

Written, performed and produced by Oliver Shaw

An Incantation (Extended Version)

Cyber Chord is an AI-generated music project that pushes the boundaries of creativity. Our lyrics are meticulously crafted using a combination of AI programs with human input, ensuring a unique blend of artificial intelligence and human touch. The music is then composed and refined using Suno, resulting in polished final pieces.

Cyber Chord enjoys experimenting with various genres, with a primary focus on country, rock, and Christian pop. Their music explores a wide range of topics, showcasing the versatility and adaptability of their AI-driven creative process.

Thanks for listening!

Drawing from a wide range of influences, including everything from hardcore punk to honky-tonk, singer-songwriter Pat Hatt crafts his own brand of Americana with songs that give listeners a sense of heartfelt humility and grit.

In 2023, Hatt released “High Is Gone” and “On The Mend,” stripped down indie-folk songs showcasing his knack for intimate storytelling, coupled with an acoustic guitar and twangy croon. In April 2025, he released an alt-country/folk single, “Catch a Serpent,” which was recorded at Tiny Telephone in Oakland, California with Maryam Qudus (La Luz, Spacemoth) and mastered by Grammy-Award winning Pete Lyman (Jason Isbell, Tyler Childers). 

In July 2025, Hatt will be releasing his newest five-song EP, produced and mixed by Alex Newport (City and Colour, Death Cab For Cutie, Bloc Party) at Tiny Creatures Studio in Joshua Tree, California. With a full band behind him, he delves into the rootsy, heartland rock sounds of Petty and Springsteen while weaving in elements of his own background in punk and indie rock. 

With a new sound and fervor, this EP defines a new era for Hatt’s career.

Artist. Author. Cartographer. Conservationist. Designer. Filmmaker. Historian. Musician. Scientist. Soldier. These are but a few of the labels I have been called over the course of my life. However, I feel that there is one word that most accurately describes my true nature: Explorer.

Worldview is the alias of Oliver Shaw, an Oxford UK-based songwriter, performer and producer mingling rock, pop, dance and folk with insightful lyrics and an overarching melodic sensibility. Oliver began playing in bands, including one with Coldplay’s bassist-to-be, then spent several years honing a one-man band approach in his home studio, writing, singing and playing everything in the manner of Stevie Wonder, early Prince or World Party. Oliver then adopted a new format mixing live instruments and PC as Worldview, playing dates in Oxford and London and releasing the album Our Condition in 2008; Oxfordshire Music Scene wrote: “Worldview's aptly titled 'Our Condition' takes a snapshot view of modern living, with its raw honest exploration of life today...It's a strong offering with music that combines the ballads of REM with the dance beats of Duran Duran". The album track 'Entitlement' was later featured in the major BBC drama The Driver starring David Morrissey, broadcast in autumn 2014. The recent financial crisis was the subject of 2009's single, 'Party’s Over' which featured on the diverse personal and political album Schoolboy Errors, released in February 2012. This and other album highlights were aired on radio shows and podcasts worldwide, and Oliver discussed the album and his musical path in the UK's Vents Magazine. Now largely a studio act, Worldview's 2014 album Pop Philosophy was a mature reflection on life, loss and mortality in melodic, guitar-led rock songs with elements of electro, folk and funk. In its album review Skope Magazine concluded: “Pop Philosophy takes the basics of pop music, the hooks, the delivery, the thoughtfulness, and perfects them”. 
After a six year hiatus Worldview returned with Young Eyes Burning Bright. The rock/pop album’s ten songs addressed twin, related themes: midlife regrets and lessons and mortality and bereavement. Musically an established love of the sounds and songwriting of the 1960s was augmented by a belated reconnection with his formative ‘80s and ‘90s influences. Music blog The Static Dive wrote: “From the opening percussive arpeggios, live drums and analog synth of ‘Under the Bonnet’ to the New Order vibes on tracks like ‘A Rothko And Your Face,’ he blends modern Indie with the classic sounds of the pioneers of Rock and Pop. More often than not, the Worldview sound mixes dramatically different styles to create something entirely new. From the melancholy Americana Alt-Pop of “It’s What Happens’ to the cool experimentation of ‘Certain Love,’ it’s a great listen.”
The new album Everything Is Temporary is a collection of songs exploring topics of loss, nostalgia, changed times, and the vagaries of success; the common thread being contingency and impermanence.  These eleven tracks are a melodic, eclectic mixture of rock, pop and folk, incorporating everything from Moogs to musical boxes, Telecasters to Theremins, vocoders to violins, and ukuleles to uilleann pipes. Everything Is Temporary is released on digital platforms on 17th January 2025.

A bilingual podcast serving Latin American indie music with a side of mess, hosted by Richard Villegas. Email: songmessmusic@gmail.com

Audio Engineer since 2015. Mixing and Mastering is the part of producing I love the most.

New tracks tagged #Singer-Songwriter