A globally respected and highly accomplished artist, label boss at the seminal Hot Creations, founder and curator of the worldwide Paradise event series and member of cross-genre band Hot Natured, Jamie Jones has achieved iconic status in the electronic music world. A trendsetter and seasoned tastemaker, the Welsh dance music superstar pioneered his own distinct sound, drawing on his deep knowledge and experience to cultivate DJ sets that weave through a range of diverse, complementary styles selected to energise and enchant the dance floor.

BOOKINGS : 
Worldwide : robert@gembookings.nl
Management: ghayath@form-music.fr

You know Dirtybird for dropping basslines and creating smiles on the dance floor since January 2005.

The fun family vibe of the Dirtybird label can be traced back to a free event started in Golden Gate Park, San Francisco. This new kind of house music went against the smooth vocal house that was popular at the time and derived its influences mostly from hip-hop, drum n bass, and American funk. The free outdoor BBQ party was very rough around the edges but eventually became legendary amongst the people of San Francisco. This event was also a very influential factor in the decision by Claude VonStroke to start the record label in 2005.

Today, Dirtybird has offices in San Francisco and Los Angeles and has expanded into events and tour production. As it grows, the brand continues to expand beyond music into merchandise, licensing and artist management. In 2015, Dirtybird launched the inaugural Dirtybird Campout festival, which has been dubbed “Summer Camp For Adults”, and Dirtybird has been recognized from their achievements by being awarded "Underground Label of the Year" at the International Dance Music Awards, “Label of the Decade” by Mixmag, “Best North American Label” by DJ Mag, and Billboard’s "Top 5 Independent Dance Labels".

Living for the night. 

Contact: md@prime-culture.com

My new Album 'SEROTONIN' is out now: https://armada.lnk.to/Serotonin

Few producers of recent years have exploded onto the underground house scene like Crosstown Rebels’ Russ Yallop. While some producers spend years finding their feet, Russ made a clear statement of intent with ‘I Can’t Wait’ his debut release on Crosstown Rebels, a solid cut of nu-school house that was charted across the board by everyone from Jamie Jones to MANDY, with ‘Rock Me’ on the B-side was picked up by DJ Mag and featured on their ‘Best of British’ covermount compilation. 2011 was a huge year for Russ with releases on Crosstown Rebels' Rebellion, Hot Creations, No.19, and Foot & Mouth under alias B&B. The success of the releases as well as hugely popular podcasts for Ibiza Voice and Pulse Radio took Russ around the world last year, playing in destinations such as..

Few producers of recent years have exploded onto the underground house scene like Crosstown Rebels’ Russ Yallop. While some producers spend years finding their feet, Russ made a clear statement of intent with ‘I Can’t Wait’ his debut release on Crosstown Rebels, a solid cut of nu-school house that was charted across the board by everyone from Jamie Jones to MANDY, with ‘Rock Me’ on the B-side was picked up by DJ Mag and featured on their ‘Best of British’ covermount compilation. 2011 was a huge year for Russ with releases on Crosstown Rebels' Rebellion, Hot Creations, No.19, and Foot & Mouth under alias B&B. The success of the releases as well as hugely popular podcasts for Ibiza Voice and Pulse Radio took Russ around the world last year, playing in destinations such as Brazil and Japan, with festival booking's such as Mexico's BPM and the UK's Secret Garden.

Long-time friend and now a fully-fledged member of Crosstown Rebels, Russ Yallop has been biding his time, honing his production skills for the last few years. Part of a new breed of DJs, with studio skills to match, which includes his close friends Lee Foss, Richy Ahmed and Robert James, Russ Yallop’s sound is infected with warm charm and boundless energy. Fusing fun into dance music again, Russ and his UK-based peers are creating a new strain of house music that is currently taking the worldwide underground by storm, promising bright things for the future.


nadastrom = dave nada & matt nordstrom. 
info: davenada@gmail.com

"Sorry Jar b/w No Comment" :
https://nadastrom.bandcamp.com/album/sorry-jar-b-w-no-comment

Nadastrom - "Jupiter / Chivas" : 
https://pro.beatport.com/release/jupiter-chivas/1691774

Nadastrom LP1:
https://nadastrom.bandcamp.com/album/nadastrom-lp

Nadastrom presents "The Life & Times Of Raphael De La Ghettó:
https://nadastrom.bandcamp.com/album/the-life-and-times-of-raphael-de-la-ghett

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


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