WELCH EIN FREUDENSTURM  ‼️‼️🤩🥲😍🥰

techno

A NEW MIX TO CELEBRATE EVEN MORE POLICE TURNING UP AND TRYING TO GET ME TO CO-OPERATE BY TURNING DOWN THE TUNES... ERRRRRRMMMM SORRY ORIFICER NO CAN DO....... THE MAN FROM BLYTON HE SAY NOOOOOOOO!!!!!!!!
artwork is NOT done by me.....

NO CUNT'STUBBLE I WONT TURN THE TEKNO DOWN

6LANDR- BN25-  L-LUGH- Tonight's_the_Night-Open-Medium-1.mp3

L-LUGH-Tonight's he Night-Open-35

Amelie Lens – Let It Go EP [SNDST020]

Beatport: btprt.dj/2bnuWok

1: Amelie Lens – Wild 
2: Amelie Lens – Linger On 
3: Amelie Lens – Let It Go 
4: Amelie Lens – The Finest Hour

It is with a feverish excitement that we can finally announce the next EP in our catalog from our newest addition to the Second State family: Amelie Lens. Besides being quite a multi-talented virtuoso, the Belgian artist comes in hot and heavy for her debut release ‘Let It Go’ and with it showcases her prowess for dark, cutting-edge techno. Over the span of four tracks Lens takes us on a tour-de-force journey into the cerebral spaces of large, dark rooms and flashing strobe lights. Kicking things off is the hypnotically inducing 'Wild' with looping vocals laid over an ever increasing pressure of percussion and white noise. Much like the EP opener, 'Linger On' casts the same spell yet picks up the pace with racing snares and meteoric synth washes creating a deeply euphoric ride. The title track ’Let It Go' is up next and is by far the most 'cheeky' tune of the EP with a twisted acid line swirling around the constant begging of Lens’ voice encouraging you to "Let It Go, Let It Out". Rounding out the EP is 'The Finest Hour' and Lens wraps up her debut with the most psychedelic cut of the package. Low rumbling bass tones and spaced out pads over sparse drums leave lots of room for the imagination providing each listener to create their own journey to navigate. If this is Amelie Lens' debut with us, we expect a lot of very big things to come from the young Belgian and so should you. Welcome Amelie Lens!

@amelielens
@secondstateaudio

Released by:
Second State Audio
Release date:
19 August 2016

Wild

We Do What We Want

BUY BRAVE BANGERS

Alan Fitzpatrick - We Do What We Want

Amelie Lens - Drift

Drumcode continues its commitment to releasing the scene’s most cutting-edge techno. With releases this year already from Adam Beyer, Pig&Dan, Alan Fitzpatrick, Dense & Pika and Julian Jeweil, this July see’s the return of Enrico Sangiuliano with ‘Astral Projection’.

After his remix of Moby’s of ‘Why Does My Heart Feel So Bad’ back in November last year, Enrico sought creative inspiration from his travels, transcending that into his productions and long studio sessions during the winter months. The result brings a mind and body melting release from the Italian producer.

The title track ‘Astral Projection’ is a captivating, big room techno masterpiece. Deep reverberations punch alongside a sinisterly crisp percussive drive. Launching into a groove laden synth modulation of low end textures, it breaks down into an ethereal amalgamation of pads and synths before the vocal launches, taking this track to another level.

‘Blooming Era’ has destructive dancefloor intent. There is no holding back with the low end synth modulation which Enrico has mastered to perfection. A tightly woven percussive flare moulds flawlessly with the rolling oscillations of the beast of this track.

If you have seen label head honcho Adam Beyer playing anywhere on the globe in the last 5 months, this has been a peak time favourite. Road-tested to the max, and with much success.

Enrico Sangiuliano - Blooming Era - Drumcode - DC176

Astral Projection

Enrico Sangiuliano - Blooming Era

Amelie Lens Join the label with the forces of another fresh face on the label, Farrago. This record is the modern method for representing simplicity and elegance. Concrete connaisseur François X finalize all with his brilliant Remix.

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Buy the 12" Worldwide or in these online shops all over the world:

Hardwax: bit.ly/2urDXJJ
Decks: bit.ly/2vu1BT3
Juno: bit.ly/2t8prmq
Rushour: bit.ly/2v9QC1G
HHV: bit.ly/2vFuJaA
Redeye: bit.ly/2uW8yir
Grooveselect: bit.ly/2vXDOek
Technoimport: bit.ly/2tzd2rP
Technique: bit.ly/2tGSL80
Discopiu: bit.ly/2v4nFr3
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Digital: bit.ly/2eHPPkM

B1. Amelie Lens & Farrago - Purge

NO.DOLLS! @ DREAMBEACH FESTIVAL 2017 (SPAIN)

Mac Book? I Mac? Big Mac? NO, it's UMEK delivering the finely designed and great tasting techno for release number 30 on Filth on Acid. This 3 course techno meal with just main courses served by the Slovenian producer, who was already turning tables when the whole Filth on Acid crew was still in diapers, is ready to eat your dancefloor for breakfast, lunch and dinner. Are you ready NOW? This is FILTH on ACID..

Get Here

UMEK - Amnesiac (Original Mix)

Catarse

Wehbba - Catarse

blk. - i need a boiler room (clipp.art)

Weight Of The Land

Purge

After a 3-year hiatus, our Mutual Respekt series returns with it's fifth instalment and another bumper collection of fresh techno.
From the cosmic vibes of Tom Hutt's 'Galactus' and the spacey acid of Jeremy Stott's 'Cloud Choir', to Gary Burrows' vocal-led rave anthem 'One Family' and deeper cuts like Oliver Carloni & Djoko's 'Consciousness', Mutual Respekt 5 is a cross section of where Respekt's sound is at in 2019.

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.respektrecordings.com'>Respekt Recordings</a>

Nicolas Taboada - Last Decision (Original Mix)

Buy/Stream: WeAreTheBrave.lnk.to/Kiss

Alan Fitzpatrick keeps moving from strength to strength with his ‘We Are The Brave’ imprint. Following on from their successful summer, the label get back to their underground roots as we enter the club season. Next up we’ve got two deep, ominous rollers from Portsmouth lad ‘A.S.H’. 

Acid tinged 'Kiss' sets the deep moody tone for the record, where colossal kick drums ride along with a delicate, yet impressive array of synths and arpeggios drift over the top. 'Kiss' is remarkably dreamy at the same time as being immersive and full-bodied, the lead synth rips through the speakers and the drops bring the sensations needed for the club.

'Reactor' sets off similarly, but soon breaks off into a bright arpeggiated lead synth line that reverberates through the track right up to the drop. 'Reactor' is then interrupted by a fierce and brooding synth lead! Big drums take control of your feet while the synths take your ears for a ride and the result is a beautifully hard, melodic techno wonder!
  “I keep saying that A.S.H is one to watch, his productions are next level. So proud to have him on the label again” - Alan Fitzpatrick. 


https://www.facebook.com/ashwatb/
https://www.instagram.com/a.s.h_turner/
https://soundcloud.com/this_is_ash
https://www.facebook.com/wearethebraveofficial/
https://twitter.com/weare_thebrave https://www.instagram.com/wearethebraveofficial/ https://soundcloud.com/wearethebraveofficial

A.S.H - Reactor

Bondage Music Radioshow #322 Ibiza Global Radio

MANAGEMENT / GENERAL REQUESTS
silvi@chaosinorder.de

BOOKING REQUESTS 
amelielens@WMEAgency.com

BOOKING REQUESTS North/South America
ferry.rais@CAA.com

NEWS:
https://linktr.ee/amelie.lens

Amelie Lens has taken the techno scene to another level, with her unrelenting passion for the genre, with a strong message that she always was, and always will be a raver at heart.

Amelie‘s debut release in 2016 marked the beginning of her distinguished career. Since then, she has released music on many of the industry‘s leading labels and contributed to the prestigious Global Underground City mix series. Amelie is a regular headliner at major festivals such as Awakenings, Sonar, Timewarp, and Tomorrowland’s mainstage. Additionally, she performs at renowned club venues across the globe.

Fast forward to 2024 and Amelie is heading her labels Lenske and EXHALE Records, running her party series EXHALE, holds down an extensive touring schedule and hosts her own radio show. The show now streams online and broadcasts on 34 radio stations across the globe, reaching nearly 5 million listeners with every episode.

Amelie has been focused on her signature sound, emphasised by the use of her own vocals. She wants to capture audiences that may not always be there for techno but feel connected after discovering something new.

Purge

Amelie Lens

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