A journey through misty dancefloor psychedelia and international club sounds from @yu_su.

More info and tracklist here: https://www.factmag.com/2021/03/15/yu-su-fact-mix/

Fact Mixes

Fact Mix 799: Yu Su (Mar '21)

Spectra 4/4/24

For Viscera 130, Yu Su joins the series with a live recording taken from our party on the 14th December at the one and only Love Inn.

"Kaifeng-born, now London-based Yu Su is a musician, DJ, sound artist and occasional chef. As one of the most prominent Chinese artists with a highly unique voice working across the globe in the last 5 years, her output covers all the ground you’d expect and more. Her multiple critically acclaimed records on UK’s Technicolor (Ninja Tune), Netherlands’s Music from Memory and China’s own Bie Records has seen her nominated for Canada’s Polaris Prize. She has co-produced music with John Carroll Kirby, Duval Timothy and is known for remix works for Parquet Courts, King Gizzard and The Lizard Wizard, and many more. As a DJ, she is unpredictable, idiosyncratic; just “casually having the dance floor transfixed” have put her on the spotlights at clubs and festivals internationally like Dekmantel, Glastonbury, Boiler Room, iii Points, Nuits Sonores, Rainbow Disco Club, Phonox and so on. She has also recently been featured on the cover of Mixmag magazine, marking the first Chinese cover star. She has composed for feature films and fashion brands like Sacai, Jimmy Choo and London/Shanghai based SAMUEL GUÌ YANG."

Enjoy!

@yu_su

Yu Su | 130

Next up on the GROOVE Podcast is Maayan Nidam (@maayan). For interview and track list, check bit.ly/MaaPod

GROOVE Podcast 442 – Maayan Nidam

Damian Lazarus with Totally Enormous Extinct Dinosaurs & A-Trak: Falling Down – 2025
Pas de Deux: Cardiocleptomanie – 2011
Headman: Live 120 (Richard Sen remix) – 2024
4LLP4 CH1N0: Mercurial Law – 2025
Cel: Neustart Generation – 2024
Pearl River Sound: MPC Beat – 2025
Theus Mago & Colossio: Mandato Nocturno – 2024
Evelyn: Second Flesh – 2024
Mia Mendi: Enter Machina (Moonwalk remix) – 2024
Nilu (DK): Impulse – 2025
SIRS: Woman (My Friend Dario's Food for Woofers remix) – 2025
Robert Drewek vs Tomie Nevada: Down with the Bass – 2024
Kasper Bjørke: Conversations (Johannes Albert Disco mix) – 2025
Josh Ludlow: New Transition (extended) – 2025
Lumi: Who Am I? – 2024
Scartip: Humble – 2025
Alexander Bogdanov: About You (Special Zip rmx) – 2024
Aksel & Aino: Rain Laden – 2024
Rhythm of Paradise: Resistance – 2024
DJ T: Funk on You – 2005
Floorplan: Like Dat (extended) – 2024
Mishell: Get Up on This – 2025
Faris: SFD013 – 2025
Luke Alessi: After Five – 2024
Robag Wruhme: Kapox Graphén – 2023
Moy: CYG X-1 – 2024
Scotia: Pillow Priestess – 2024
Konerytmi: Avaruukisko – 2024
Janeret: Advanced – 2023
Vanligt Folk: V – 2025
Roska: Warming – 2024
Oceanvs Orientalis: Conritmo – 2024
Thomas Garcia and Dillon Marinez: Vibe – 2023
Ant Mill: I Guess Not – 2024
Kaval: Kingda Ka – 2024
Greta Levska Break It – 2023
Ox7gen: Simula Endzone – 2024
Dream Sequence: Class Mixing – 2024
Eden Burns: Head on Dub – 2025
Villager: Oracle Eye – 2024
Bodhi: Popit – 2024
Orlando Voorn: Balancing – 2023
Caiv: Göbekli Tepe – 2024
Jackmaster: Ode 2 U – 2024
Tom Place: In2Me – 2021
Lutsu: Tuff Stuff – 2025
EID 55558 . 55: Space Banshee (Unklevon remix) – 2025
Laksa: Leo – 2024
Sully & Sâlo: Nights (Vocal) – 2023
Moonchild featuring John Medeski: Sleepy Hollow – 2014

(Dispatches from) the Poison Treehouse no.6

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure.

Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it.

The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why.

Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force.

Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS.

RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed.

@laurelhalo

Find the full interview at ra.co/podcast/992

RA.992 Laurel Halo

Night time field recording in Playa Santa Puerto Rico.

2025-07-01 19.36.41

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. Full send — this one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century. A masterclass, and entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like a racecar.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for the longhaul.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Download + Interview:  http://truantsblog.com/2018/truancy-volume-201-yu-su/

Soundcloud: @yu_su

To immerse yourself in Yu Su’s music is to give way to sensation, like closing your eyes to better feel the warmth of the sun. There’s a purity and lightness that emits from her melodies in which keys, woodwinds and drums melt into effortless rhythms. Organically groovy and powerfully transportive, Yu Su’s productions float between coasts, inspiring moments of reflection with their meditative quality. The Vancouver-based Chinese artist holds a unique perspective and highly personal voice, and has quickly gained recognition within the electronic music scene with releases on labels such as Arcane, Genero, PPU and Wichelrode. In addition to her solo work, Yu Su also produces under the moniker You’re Me alongside partner Scott Gailey, creating more experimental and downtempo takes on house music. As a DJ, Yu Su crafts evocative musical narratives which touch on memories and introspections, providing a small window into her world with every mix.

Recorded with the idea of representing the person she’s become over the past year, Truancy Volume 201 is a powerful reflection on Yu Su’s direct experience with loss and love. Opening with a Liszt piece which stands for her childhood, then moving on to an improvised midi-keyboard duet with her partner, through one of her very first records purchased after seriously getting into music, and ending with a track from a favorite director’s film A Brighter Summer Day, the mix, in Yu Su’s words, “wasn’t really curated by me, but for me.” It’s an honor to share this serene mix and a pleasure to have had some words with the brilliant artist.

http://truantsblog.com

Truancy Volume 201: Yu Su

this might be my last show on no fun but enjoy!

Yu Su on No Fun Radio 01/25/2019

Recording of Yu Su's Berlin debut at Oscillate earlier this year.  

Revisit her playful and contagiously groovy selections ッ

Thanks so much for playing @yu_su !

(Dispatches from) the Poison Treehouse no.6

AMES-AF