For his latest project, Al Letson takes all the things that are floating in his head and turns it into a mixtape of delight for you. Errthang is just that, everything from storytelling to radio drama, pop culture reviews to interviews with some of the most interesting people on the planet. It's a vehicle to showcase all of Letson's other talents. The podcast will give you errthang you need, beginning in May of 2015. 

With Pat Metheny, you simply never know what is coming next. But among the many things that make this ever-changing artist so special is the consistent level of commitment and quality that he brings to everything he does. 

Whether purely acoustic or searingly electric, powerfully intense or deeply contemplative, highly composed or totally improvised—or even with some new-fangled contraption of his own design—there is always that unmistakable Metheny sensibility at work that has stood at the forefront of music for what is now approaching four decades. 

The core quartet of Chris, Ben, Antonio, and me played more than 100 concerts over the year that followed the release of our Unity Band record. Over the course of that period, the band became one of those rare combinations of players where the whole is greater than the sum of its parts; it gelled in every way, and that just seemed to beg for expansion and further research.” He continues, “Simultaneously, I had been itching to write using more of a lush and orchestrated kind of concept that went beyond the sonic limits of what a straight-ahead quartet might invoke. But I really didn’t want to lose the energy, focus, and intensity of what this band had developed. I wanted to take it further. If the first Unity Band record was a thoughtful, black and white documentary of four musicians in a recording studio playing, this record is more like the Technicolor, IMAX version of what a band like this could be—but with that hardcore thing still sitting right in the middle of it all.

For more than 15 years, well-respected worship leader Kari Jobe has been using her gifts to lead people into the presence of God. When she began leading worship at age 13, she never imagined she would be nominated for a GRAMMY®, win a Dove Award or be praised by the New York Times. She only knew she had a heart for broken people and a deep desire to lead them to the cross.

Jobe’s third album, Majestic (Capitol CMG), reveals her lifelong passion for the Church. “Worship, for me, has always been such a rescue place in my life,” she says. “When you get down to the very bare bones of worship, it is about us being thankful for the cross and magnifying the name of Jesus above all names. Anything past that is just feel-good music.”

Amiel Davis is following