Clotilde Rullaud is a multifaceted artist whose work spans music, visual arts, and interdisciplinary projects. As an international artist, directrice artistique, vocaliste-flûtiste, producer, and educator, she creates unique works that blend music, dance, and visual arts into innovative performances, concerts, and films.
She released her first albums in 2007 in a duo with guitarist Hugo Lippi, and then in 2011 with the quartet In Extremis, which was ranked among the top 5 albums of the year by The Sunday Times (UK) and in the 2013 NPR Annual Jazz Critics Poll - debut album category (US). After a long tenure on the New York jazz scene, she was named among the top three voices of the year in 2022 and 2023 by Jazz Mag x Jazz News.
Her most recent album, Kananayé (2024), showcases her collaboration with a Burkinabè quartet, blending traditional West African music with modern elements and French chanson. Her duo Madeleine & Salomon, with pianist Alexandre Saada, achieved resounding success in France and internationally with the albums A Woman’s Journey (2016), which garnered 16 awards including 6 for best album in France and the United States, and Eastern Spring (2022), praised by critics with 4T from Télérama, 4 stars from JazzWise (UK), and “Editor’s Choice” from Jazziz (US).
Clotilde is also the author, director, and composer of the XXY diptych, which explores gender injunctions. This project includes an experimental film shown at over 30 international festivals and awarded 5 prizes and nominations, as well as a choreographic and filmic concert for 5 musicians, 5 dancers, and a film.
Co-founder of Tzig’Art, she took on its artistic direction in 2011.

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Randal Collier-Ford is an American musician and producer, known for his menacing and brooding dark ambient soundscapes on records such as 2015's Remnants and 2017's Promethean.

Hailing from the Pacific Northwest state of Oregon, he made his start in 2012 with projects such as the Temple of Algolagnia, Grey Light Shade, and Mors Universa. He put out several records with each project before deciding to reconfigure the repre ntation of his music toward the end of the year, and from thereon in, began to release efforts under his given name. The first such release was 2012's Dark Corners, which was put out by English imprint, Kalpamantra. The label put out two more of Collier- Ford's efforts -- 2013's Queen of Sheba and 2014's Gods Never Never Sleep (the latter's title was presented in traditional Hindi).

He moved over to Cryo Chamber Records in 2015 which took care of all subsequent releases. The first was the Architects album which saw a slight sonic departure from previous releases. While still focusing on the familiar, dark ambient and drone sounds that Collier-Ford had become known for, the producer had begun to incorporate more innovative use of sound design along with frequent rhythm changes to achieve an overall more "cinematic" feel. Cryo Chamber put out a further two releases from the musician; 2015's Remnants and 2017's Promethean. 2017 also saw Colier-Ford independently release the Apex LP.

~ Rob Wacey 


Compositeur, musicien (guitare basse piano, xiao (chinese vertical flute), erhu, percussions, drum machines).

Musique instrumentale, musique de film, jingles pub/radio etc...

Funk jazz soul rock folk psychedelic reggae dub electro ou classique.

Production vintage & old school

Sacem identification :

Code IPI : 00542 25 75 61

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