 Matt Everson has rapidly established himself as an artist that makes an inimitable impact in whatever he does. A DJ that commands dance floors across the land, a producer that supplies cutting-edge sounds that guarantee adoration from fans and peers alike. Matt Everson is a performer of a superior standard, a no messing, straight to the point, let’s get this party started entertainer. 

Born and raised between the Island of Corsica and Manchester, Matt’s love for dance music soon propelled him onto the North West’s club scene where his formidable style saw him root himself into the local network gaining momentum that quickly saw the likes of Sankeys, Warehouse Project and Bitch regularly calling on his unmistakable talents. 

For a DJ to be included in The Warehouse Project’s line up is an accolade, to be selected five years in a row can do nothing but cement an artist into an exclusive club and Matt Everson is a paid up, fully approved member of the WHP gang which includes the likes of Steve Lawler, Seth Troxler, Carl Cox and Sven Vath.

Matt Everson hasn’t just concurred the UK shores, his outrageous skills have seen him jet off to the likes of France, Corsica, Belgium, Turkey and the party capital of the world; Ibiza at the legendary Bora Bora where some of the scene’s biggest and best names have commanded the sound waves. 

His eclectic love of a plethora of genres inspires each level of every track he produces, creating faultless originality and energy that constructs the pioneering music that has become Matt’s cornerstone. A master in a range of electronic sounds like Deep House, Tech House and Techno which allows him to adapt to any event and please and tease any crowd. 

Advocates of Matt’s productions include Carl Cox, Yousef, Mark Knight, Erick Morillo, Pleasurekraft and Dubfire as well as airtime on Radio 1, Capital FM, Kiss FM and countless online and international radio shows.

Toolroom’s Mark Knight was so impressed with Matt’s talent in the studio, calling them “monster tracks”, that he welcomed him into the elite Toolroom fold. Initially signing two tracks “Face Plant” and “Zalana” which were included in the massively popular “Leaders Of The New School Presents Belocca & Soneec” EP which catapulted Matt into a whole new level. 

Since this life changing opportunity Matt Everson has gone on to have six other smash hit singles on the likes of Monique Musique, Maquina Records and Bamboo Music and has ten of others in the pipeline waiting to be unleashed onto the masses! 

At the close of 2011 his production career has hit further highs with an incredible three tracks being signed to the world renowned Monique Speciale label that has seen the likes of Steve Lawler, Yousef, Nicole Moudaber, Carlo Lio and Santos feature on its glittering discography. “JLR”, “Traumatised” and “Withdrawl Symptoms” which established Matt Everson’s position within the heavyweights of the industry.

K-Klass are responsible for some of the biggest house tracks ever made. They are all about entertaining and playing for the crowd. They play at various events and venues all over the world on a weekly basis, which means it is important that they adapt their music to suit each venue and expose all house music styles they master.

Nights out at the legendary Hacienda “Nude” nights in 1988 led to the meeting of minds and the beginnings of the K-Klass phenomena that lead to regular performances at the Hacienda. From there K-Klass became residents for the worlds biggest dance brands CREAM, playing guest slots all over the world at some of the most prestigious and biggest dance events K-Klass had already gained under-ground support for their acclaimed “Wildlife E.P”, released in 1990 before they unleashed their sound onto a nationwide audience with the release of “Rhythm is a Mystery” (No.3 in U.K.Top 40) and the huge “Let Me Show You” (No.13 in U.K.Top 40)

With countless remixes/ productions under their belt it comes as no surprise that K-Klass won the International Dance Awards in 1995 & were nominated for the USA Grammy Awards in the 2002 remix category. When K-Klass are not behind the decks they spend their time in the studio and have worked alongside most of the biggest and most established artists around, some of these include : The Pet Shop Boys, Kathy Brown, Shake Down, Whitney Houston, Gerri Halliwell, Blondie, Bobby Brown, M-People, Level 42, Kylie Minogue, Rozalla, Sunscreem, Frankie Knuckles, Bizzare Inc, Kathy Sledge, New Order, Janet Jackson, Luther Vandross, Lisa Stansfield and Candi Staton and many, many more.

The last few years K-Klass have continued to create and release big tunes, like “Capture Me” on Nocturnal Groove (Shapeshifters label) “Right & Exact” on Stealth Records, “Bad Boy” on Hotfingers, “Let The Freak” ft. Reza on Mjuzieek Digital,  a collab with Rob Nutek “La Luna” on Whartone Records, “People Of All Nations”on Wazzup, a remake of their K-Klass 1994 hit “What Your Missing” on Lissat & Voltaxx and Marc Fisher’s Tactical Records, their massive rework of Duke’s “So In Love With You”, a smash remix for Eurovision winner Loreen’s single “Crying Out Your Name” for Warner Music Sweden and their latest deep house remix for Nicky Romero’s Protocol imprint on Tritonal & Paris Blohm ft. Sterling Fox – Colors .

Late 2012 the K-Klass have started their own label Klass Action, which will feature releases from up and coming as well as established producers and new K-Klass material. The first release setting the standard was “Rock The House”. Their single with Todd Terry called Just Come proved to be yet another smash and the latest release by Good & Plenty also gained widespread support.

K-Klass are still very much in demand on the production, remix and DJ-ing front, this year celebrating their 25 years in the business, with a K-Klass 25 comp through Newstate, a UK tour and their return as a full LIVE band for the first time in 18 years for an ecstatic Manchester crowd. Check the video HERE. 

Ultimate DJ Moment:

“With over a 2 decade’s of memories to choose from, two of our high light’s that spring to mind would have to be when Graeme Park dropped “Rhythm Is A Mystery” at the world famous Hacienda nightclub back in 1991, and when we where very honored to play the final set in the main room at Cream’s last weekly night in Liverpool which was the 10th birthday. The last record we played was “Let Me Show You”, the Cream self made anthem”

For management:

Get Real! Management / http://www.getrealmanagement.com/
Contact: Bas Jansen
bas@getrealmanagement.com



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