Hior Chronik - Stop Drawing The Fear

Sonata for Guitar No.4 - Encantar

Came across this excellent track from the Scottish post-rock band Mogwai while watching a heartbreaking documentary a few years ago. I encourage you to check out Mogwai and this documentary on heroin addiction: http://vimeo.com/36051132. Check out Mogwai here: http://www.mogwai.co.uk/.

If anyone out there is listening, have yourself a good day, and remember that there's more to life than your suffering. Know that all people inherently strive to be good, despite often coming short of their aspirations. Know that despite conflict, suffering, and troubled times, there are yet good people and greater things to live for. 

Finally, a word of advice in times of great uncertainty: to thine own self be true. Do this one thing, and you will be okay--even when you're not.

Mogwai - I Know You Are, But What Am I?

Taken from his debut album 'Gravity' re-issued by Erased Tapes on June 10.

Order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP084
iTunes: http://snip.ftpromo.net/gravity
Spotify: http://snip.ftpromo.net/onlyinthedark
Bandcamp: http://snip.ftpromo.net/gravitybc
or any other good record store worldwide

In celebration of their latest signing, Erased Tapes are set to re-issue Ben Lukas Boysen’s compelling debut album ‘Gravity’, alongside new album ‘Spells’ on 10th June 2016.

‘Gravity’ was the first album Ben recorded under his own name, merging programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation.

From ‘Only In The Dark’ to the two movements of ‘Nocturne’, it’s a serious, solemn listen. And yet, with pieces like ‘To The Hills’ and ‘Eos’, ‘Gravity’ is an exploration of heights, cliffs and vertigoes. With piano lines and choir-like drones, this record suits its title in all its meanings, as the magnetic force takes us deeper towards the core. Marking a new beginning, this debut reveals a touching, and more melodic side to Ben’s body of work, which he previously only hinted at as HECQ.

Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered the album. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”.

His intricate, humanised programming – enhanced by drummer Achim
Färber, additional synthesisers played by Nils, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Gravity’ as well as its successor ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums.

As HECQ Ben has released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and
Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Gravity strips away the cloaked mysteries of electronic music production to expose the tender side of this musician’s mind." — Headphone Commute

TRACKLIST:

01. Only In The Dark
02. Nocturne 1
03. To The Hills
04. You'll Miss Us One Day
05. Gravity
06. Eos
07. Nocturne 2
08. The Behenian Gospel

Gravity

Only In The Dark

Buy LP/CD/DL

Ben Lukas Boysen - Only In The Dark

Samskeyti

An omnipresent sense of duality lingers, as with the ivory and ebony colours of piano keys, or the birth and decay of seasons.

Zinovia Arvanitidi - Ivory (Ivory, 2018)

Last song from our second album, Í annan heim, 2010.

Svanur

Kin Leonn’s 1st album “Commune” will be out on 21st December 2018 on KITCHEN. LABEL

Preorder the album here on LP/CD/DL: 
https://www.kitchen-label.com/store/no-23-commune-kin-leonn/

“In endless patience, the days abide. They write themselves: blue flourish and tender instinct. They are haunts and reveries and all manner of dwelling. They are seconds; they are years. They are forevermore.”

Commune is the debut full-length album by Singapore born, London-based producer, composer, electronic artist and pianist, Kin Leonn. Heralding a new era of accomplished young musicians in Singapore, Kin Leonnʼs transportive music projects as founding member of electronic act ‘midstʼ, and his genre-melding solo DJ sets, have instituted him as an in-demand music presence in the cityʼs thriving electronic underground.

Affectionately known by peers as the “ambient boy from Singapore”, Kin Leonnʼs arresting dream-music in Commune is sourced from a well of preconscious phrases, an evocative meditation of sorts – perhaps one that transmutes the city dross into a peaceful self-discovery in search of spiritual unity.

Commune is an atmospheric work mostly recorded using upright piano, reverb-soaked guitar, and synthesisers, with altered virtual instruments and other digital elements added later to create a tension between the organic

and the synthetic. The moods are contemplative and the melancholy, almost all-pervasive. However, within this framework, Kin Leonn explores as much ground as he can, from sweeping ambient bliss to understated piano etudes.

Illustrative song titles like Shinrin-yoku and Somewhere evoke inviting landscapes of reflection and resonance. The more electronic, rhythm-oriented cuts – particularly twin centerpieces Visionary and There were days – find common cause with the producerʼs approach of balancing programmed and improvised music, before dissolving into a liberating resolution of harmonics and noise. Quieter moments in Desire #9 and Detached also stun with their hypnotic beauty and spaciousness, revealing the artistʼs cinematically-attuned approach.

This very sense of fluidity and non-structure gives the record its shape-shifting identity, but across 10 songs and 43 minutes, Commune still functions as a single, cohesive piece of music. Itʼs easy to get lost in the album and it’s a pleasantly disorienting sensation. In the closing piano track, Nightlight serves as the coda for the whole album, showing that Kin Leonnʼs strength as a musician isnʼt all about production complexity, but in the emotional nuance he is able to coax from his instruments with sure instinct and enormous sensitivity.

Kin Leonn releases Commune on 21 December 2018  via KITCHEN. LABEL worldwide. Available on 180g transparent vinyl LP, CD and digital formats, with artwork by Jonathan Yong-Ern Lim. This record is mastered and cut by Francesco Donadello at Calyx Mastering in Berlin, Germany

Kin Leonn - There were days (Commune, 2018)

from The Lighthouse Project - released June 2013
Song by amiina

Perth

The Lighthouse Project - Released June 2013
song by amiina

Bíólagið

Mogwai - Take Me Somewhere Nice

amiina is a band based in Reykjavík Iceland. At present the band counts five people - Hildur Ársælsdóttir, María Huld Markan Sigfúsdóttir, Sólrún Sumarliðadóttir, Magnús Trygvason Eliassen and Guðmundur Vignir Karlsson (aka Kippi Kaninus).
The group's origins go back to the late 1990s, when four girls studying string instruments at the Reykjavík College of Music formed a string quartet. The group started out playing classical music, but increasingly moved on to play all sorts of music with various bands in Reykjavík.
In 1999 the quartet joined Icelandic band Sigur Rós on-stage. The collaboration continued for over a decade, with amiina contributing strings to Sigur Rós’ music on tour and in the recording studio on the albums ( ) , Takk, Með suð í eyrum við spilum endalaust and Valtari.
In 2004, amiina’s first EP, AnimaminA, was released, followed by the single “Seoul” (2006), the full-length album Kurr (2007), a Lee Hazlewood collaboration on a 7” vinyl Hilli (at the Top of...) (2008) and the limited release EP Re Minore (2009). In the autumn of 2007, drummer Magnús Trygvason Eliassen joined amiina on tour, adding percussion to the band’s textures. A few months later, collaboration between the electronic artist Kippi Kaninus and amiina was established while preparing a show together for the Reykjavík Arts Festival. The merging of Kippi Kaninus' electronics and rhythms with amiina's sounds and Magnús' percussion became the starting point for more established collaboration between the six musicians.
amiina’s second long playing album, the much acclaimed Puzzle, was released by the band in 2010 in Iceland, getting worldwide distribution the following year. The songs on Puzzle are more rhythmically rugged than amiina's previous work and feature heavier use of electronics. amiina's long-standing fondness for zero-g melodies and open-minded instrumentation, however, continues.
In 2009 amiina started to perform their original soundtracks to pioneering German filmmaker Lotte Reiniger's 1930's silhouette animations of the timeless fairy tales Sleeping Beauty, Cinderella and Aladdin. The so called Animagica program, originally performed at the Branchage film festival in Jersey, has now been put on show at Art festivals around the world.
The band released The Lighthouse Project in 2013, a work centered around some performances given in Icelandic lighthouses.
In between work with amiina and growing ever larger families, band members have also kept themselves busy, recording or touring with other artist such as Sigur Rós, Yann Tiersen, Spiritualized, Efterklang, Damien Rice, Yukihiro Takahasi, Canon Blue, Pétur Ben, Ben Forst Tilbury, Borko, múm, Jónsi & Alex, Kippi Kaninus, adhd, Moses Hightower and Sin Fang to name a few.

amiina's new album - Fantômas - will be released in November 2016. The release is inspired by the 1913 film Fantômas 2, which amiina is currently touring with an original live score.

Perth

amiina

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