قفلی

vocal, melody & guitar: Qaziso
lyrics: reza kazemi
oud: saman gorgin
keyboards, record, mix, mastering & arrangement: arash navid
bass guitars: artin amiri
drums: pooya gholinejad
coverart: mobinasafa
typography: sajjad arabshahi

Flame

Bi Ashiooneh is a live album recorded at 25th Street Recording, Oakland, CA. This live album is a tribute to the memory of Iranian female singers who were forced to leave Iran after 1979 revolution, and died in exile.

Magirash (Live version) مگیرش (اجرای زنده)

تکنوازی تار - استاد محمد رضا لطفی - بیات اصفهان

اجرای تکنوازی (چهارمضراب) سه‌تار استاد «کیهان کلهر» با نام «طُرقه» از آلبوم «شب، سکوت، کویر» با صدای استاد محمدرضا شجریان

سه‌تار استاد کیهان کلهر - طُرقه

Sobhgahi (Hassan Kasai)
Nariman Hodjaty Taar
Amirkasra Zandian Tombak
From album APADANA

Sobhgahi

از آلبوم کنعان

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Christophe Rezai_Mina | کریستف رضاعی _ مینا

Amirkasra Zandian, born in 1985 in Teheran, grew up in a musician family.

His father, Amirhossein Zandian, a magnificent Violinist, Kamancheh-player & composer, his uncle Amir Babak Rokni, master of the Tombak, impressed him already in his childhood. He started playing Tombak at the age of 5 & this decision changed his life.

Today Amirkasra lives in Vienna where he visited the school & has gone to university.

Meeting Nariman Hodjaty, the master of the Persian lute named "Taar", becomes the turning point of his musical career. Sharing music extended not only Amirkasras world of experience, but also connected him deeper with his musical roots. By many years of cooperation the both have become an inseparable musical duet of the persian classical music.

In 2010 Amirkasra got to know Oliver Steger, a brilliant double-bass player. This date is the birth of the project S.O.D.A. Together with the singer Sarah Lisa Bidner and keyboarder Dieter Stemmer they are going to present thier first album in 2012.

As a Percussionist, above all as a Tombak/Daf player Amirkasra is involved in numerous Worldmusic-Projects. He is a creative soloist as well as a loyal Percussionist in ensembles. He himself sees the highest art in the mutual musical communication, hence, his musical sensitiveness is an enrichment for European / Persian ensembles.

آری آغاز انهدام چنین است