Back once again! James is back after the first Amoss Australia/New Zealand, which was a massive success and we'd like to say a huge thank you to all the promoters and attendees that came down to check out our sound.

But anyway, Episode 21 in the Cranium Session series. This time with loads of new tracks from the likes of SCAR, Bop, Xanadu, Arkaik and many many more. 

We hope you enjoy the podcast, and as always see you next month!

Tracklist

1. Bop - Fragments [Microfunk Music]
2. Clarity - Tendrils [UVB-76]
3. Books - Jagganath [Ortem]
3. Grey Code - Bipolar Traces [dub]
4. Xanadu - Save Yourself [dub]
5. Fuj - Cordon [dub]
6. Mikal - Echoed [Warm Comms]
7. Arkaik - Chu Kou [Dispatch Limited]
8. S.P.Y - Be Strong [CIA]
9 . Abstract Vision - Singularity [Free]
10. Skarpa - Red Dragon [dub]
11. Amoss - Yuzu [Horizons]
12. Protocol & Survey - Untitled [dub]
14. Lynx feat Hellrazor - In My Dreams [Detail]
15. Shoto - Unruly [Mac 2]
16. SCAR - Feel For You [Metalheadz]
17. Zero T - Morning Sex feat. Conrad [2016 remix] [CIA]
18. Fearful - Rocinante part 1 [dub]
19. SCAR - Omnipresent [Metalheadz]
20. Q Project - Champion Sound (DLR’s Jungle Refix) [CIA]
21. Dauntless - Muzzle [Commercial Suicide]
22. Black Sun Empire - Monologue [Obsessions]
23. Amoss - Headrush [Inside]
24. Wingz - The Drill [dub]
25. Incognito - Recoil [dub]
26. Nickbee - Resistance [Ignescent Recordings]
27. Calibre - Under Bars [CIA]
28. SCAR - Caught Up In You [Metalheadz]

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Cranium Session S.1 - 21

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Email: bonxdnb@gmail.com
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27 year old dude from Finland who loves DnB/140 and other types of  electronic music! I also make some wacky mixes and tunes myself :D

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"https://soundcloud.com/n3sb34ts" Dnb Dubstepbeats & 
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Influences: American Underground, Old-Trueschool... 
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Die Synkope (griechisch'; von syn „zugleich“, und kope „Schlag“) ist ein musikalisches Gestaltungsmittel, welches das Betonungsschema eines Taktes aufbricht, indem es eigentlich unbetonte Schläge betont und somit rhythmische Spannung erzeugt.[1] Letztere Spannung wird auch oft dadurch erreicht, dass Melodienoten gegenüber dem Viertelnoten-Grundrhythmus des Taktes verschoben werden, meistens durch Einfügen von Achtelnoten.