Brooklyn based independent record label, established 2007 A.D. 

Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution, the national museum of the United States. We are part of the Smithsonian Center for Folklife and Cultural Heritage, located in Washington, D.C. 

We are dedicated to supporting cultural diversity and increased understanding among peoples through the documentation, preservation, and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of audio recordings and educational materials we seek to strengthen people's engagement with their own cultural heritage and to enhance their awareness and appreciation of the cultural heritage of others.

The Smithsonian may archive materials posted on this website pursuant to its document retention policies. By posting content, you are giving the Smithsonian and those authorized by the Smithsonian permission to use or modify it for any educational, promotional, or other standard museum purpose, in media of all kinds whether now known or later developed. For more on the Smithsonian's terms of use and privacy policies visit: http://www.si.edu/termsofuse 

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Mass Appeal Records is the label division of the burgeoning media group and creative agency, Mass Appeal. Birthed in 2014 alongside music legend Nasir “Nas” Jones, the label solidified itself as a powerful platform that shines light on DIY artists passionately upholding the foundational pillars of Hip Hop. Merging the classic with the contemporary, at Mass Appeal Records, we share the very same enthusiasm that our artists possess. We are as devoted to promoting the music, as our artists are to creating it. We pridefully collaborate and share real music, from real people.

TNW's Daily Dose is 24 hours of tech news broken down to a 5 minute podcast. Load it up as you walk out the door and you'll be caught up before you get to work.

Weekly show delivering a unique outlook on the Premier League, Irish and European football and other big topics from around the football world.

Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is. The World is heard on over 300 stations across North America.

Ryan Boos is a multidisciplinary artist working across writing, visual art, and music. His creative practice weaves together sound, image, and language to explore themes of spirituality, perception, and transformation.

In 2012, he founded Hazy Acres, originally conceived as a platform for underground artists. Over time, it evolved into an experimental writing space for his own poetry and prose—serving as a hub for creative expression and expansion.

Musically, Boos is best known for his project Nomadic Firs, under which he has released several full-length albums and has been remixed by a divers group of Artists, most notably the grammy award winning, ODESZA. His sonic palette blends lo-fi textures, ambient pop, and electronic experimentation. With his singing coming largely from an improvisational discipline.

He has also composed music for film and produces under the side project Open Channel, releasing two EPs and a series of singles that push his sound into more atmospheric and instrumental territories.

As a visual artist, Boos works at the intersection of painting, photography, collage, and text. He digitally manipulates his work along with found materials, creating layered, immersive images that reflect a creative and open approach to design. In 2025 he expanded his visual arts by launching the Etsy shop, Healers Canvas.

Boos began his journey in the arts as a promoter and DJ in Kalamazoo, MI, where he organized The Reggae Sound System and co-founded various independent production collectives. Focused on house, techno, and dub, these events served as a catalyst for his ongoing collaborations with artists and musicians in the underground scene.

We're not the best, but we're pretty good.

BREAKING BEATS SINCE 1988. I refuse to compromise or follow trends when it comes to my sound. My music is purely for entertainment.
Booking: booking@allisrhythm.com 
http://www.guycalledgerald.com

In nine albums and over fifty releases that span a 30-year career, A Guy Called Gerald has built a genre busting body of work that stands out for consistent innovation, excellence and refusal to compromise.

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