Vnimatelnost'

Tracklist
Madteo - Lockdown Hero 2020
Kirk Barley - Ark
Kirk Barley - Drift
Super Numeri - Coastal Bird Scene 1 &2
Andrew Peckler - Discription Of Rain (Over Frisland)
Domenico de Clario - Shaker Road June
Oliver Coates - Lyra
Triosk - Visions
Sim Card Hølder -  Bluesreturnr (Bonus)
Gustavo Chab - Invisible Shapes
Nala Sinephro - Space 1.8 (Space 1 & Space 7)
Jan Jelinek - Trust The Words Of Stevie
Gajek - The Shapes Of Pipes To Come
Scout Niblett - Relax (Kidnapped By Neptune)
Tanita Tikaram - For All These Years

Møød Mix Vøl.1

A Candy-floss islet
At one glance poisonous
Nestle in the curve of the roots
Sylph is hiding sharp tooth

In the narrow cave
Hollow river gobbles the ruins

Air marches in servitude
Blown curves of early clouds
& the sight of the candy-floss
Remains as a white ribbon.

In the time we strive to forget unattainable voice, all splendor and great temptations are almost always the result of being conscious. Even a small shudder will break the sea, while the silenced rapture of aliveness can be construed in a world where the wind can be a guest and the trees are full nests. We stand argus-eyed, close by the horizon behind us, moving forward to the wave that will repeat itself endlessly.

'Ephemerides' reveals the duality of humming drones and natural sounds as mellifluous curl grinds in noise by the hands of Samuele Larese under his moniker - Lessons in Hate - within reposeful atmosphere of the mountains, which remains the basis for the record as it is orchestral-like, carried out by the forest.

Ephemerides

Lessons in Hate - Outer Space

@usofusofusofusof
art by @geklaper
tracklist for first half https://ibb.co/HhGTKk9

Blinx w/ mos fet & usof [Internet Public Radio Sept 2022]

The latest release by Australian, Berlin-based artist Felicity Mangan collects a series of works created during 2020 and 2021 and reveals the artist’s fascination with all things water and other related phenomena. Featuring a wide scope of works – a recording of a performance utilising biorhythms and timbres collected from river banks sits next to a monophonic installation piece inspired by both amphibians and amphitheaters or recordings of a human-frog conversation – ‘Wet On Wet’ is fascinating both in concept and sonics, continuing to expand on Mangan’s previous interest in biophonic patterns, quasi-bioacoustics and aural illusions.

Wet On Wet

Felicity Mangan – Digging The Pedospheric Vibes I

Ondulation
A travers les échelles
La matière s’agite
Et vapo
-transpire
des fleuves aériens
Nuages
Qui
S’écoulent
Sans précipitation

~ Sound piece I did last year about flying rivers ~
Tried to imagine how their water cycle would sound from inside, at different scales

Bloup bloup

Support on Bandcamp

Les Rivières Volantes

Live recording @ the Future Intel headquarters in The Hague. Streaming live on Youtube, Facebook and futureintelradio.com.

Anni Nöps ╚═ Future Intel ═╗ 10 02 2023

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'A Seagull's Hymn'
Electric guitar - Felix-Florian Tödtloff
Drums – Will Ballantyne
Bass – KIM KHAN
Chains & vocals – Ican Harem

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

TRANCE BAND - A Seagull's Hymn

Ambient soundscapes for your pleasure. Relax, chillout and enjoy.

AMBIENT - SHAKOTAN HANTO

A Long Walk Into The Ocean

Futuristic Textures is a free sample pack I created for Flame Sound.

The pack includes 52 WAV files, built around 13 core textures, each provided with multiple variations. All sounds were designed in Vital and are derived from an upcoming Vital sound bank that will be released on Flame Sound in early January 2026. This pack is a free preview of the types of sounds you'll find in the full collection.

The samples are delivered in standard WAV format, allowing you to use them in any DAW or sampler without requiring Vital to be installed. Simply drag and drop them into your project, or load them into your favorite sampler or sample-based instrument for further shaping and layering.

Futuristic Textures leans toward gritty, sci-fi, and thriller-inspired sound design, making it instantly usable for cinematic work. At the same time, the textures work just as well in electronic, ambient, experimental, and atmospheric music, where subtle movement and texture are key for adding a sense of mood and emotional depth to your tracks.

Download here: 
https://flamesound.gumroad.com/l/futuristic-textures/FUTURISTICTEXTURES

Lessons in Hate - Outer Space

Amulet of Tears