Rhabia is a boundless alchemist of sound & emotion.
From Psytech, Dark- & Bushprog to Zenonesque, Breaks, DnB, to deep hypnotic & primal techno ~
always aiming to make every emotion felt.
Psychedelic & merging journeys with depths, textures and storytelling.

🌕 𝕣𝕖𝕡𝕣𝕖𝕤𝕖𝕟𝕥𝕒𝕥𝕚𝕧𝕖 𝕗𝕠𝕣 𝕌ℕ𝕀𝕍𝔼ℝ𝕊𝔸𝕃 𝕋ℝ𝕀𝔹𝔼 ℝ𝔼ℂ𝕆ℝ𝔻𝕊 𝕒𝕟𝕕 ℙ𝔸𝔻𝔸ℕ𝔾 ℝ𝔼ℂ𝕆ℝ𝔻𝕊.
✨ ℝ𝕖𝕤𝕚𝕕𝕖𝕟𝕥 𝕗𝕠𝕣 ℙ𝕒𝕟𝕘𝕖𝕒 ℙ𝕣𝕠𝕩𝕚𝕞𝕒.
☼ ≈ ۵  (𝕙𝕪𝕓𝕣𝕚𝕕𝕤) | 𝕕𝕛, 𝕤𝕚𝕟𝕘𝕖𝕣 & 𝕡𝕣𝕠𝕕𝕦𝕔𝕖𝕣 ~
𝒂𝒔 𝒎𝒖𝒄𝒉 𝒔𝒕𝒚𝒍𝒆𝒔 𝒂𝒔 𝒎𝒚 𝒉𝒆𝒂𝒓𝒕 𝒉𝒂𝒔 𝒔𝒕𝒐𝒓𝒊𝒆𝒔 𝒕𝒐 𝒕𝒆𝒍𝒍 | 𝒍𝒐𝒗𝒆 𝒊𝒔 𝒕𝒐 𝒇𝒆𝒆𝒍 𝒂𝒍𝒍 𝒆𝒎𝒐𝒕𝒊𝒐𝒏𝒔 𝒄𝒐𝒍𝒍𝒆𝒄𝒕𝒊𝒗𝒆𝒍𝒚
⬇⬇⬇  𝓰𝓲𝓰𝓼ꐕ

Get in touch: booking.rhabia@web.de

2026  ~ tba

𝓹𝓪𝓼𝓽∭
2025
08.02 ᴛᴇᴍᴘᴇꜱᴛ, ʜᴀᴍʙᴜʀɢ
22.03 ꜱᴇᴀꜱᴏɴ ᴇɴᴅ ᴘᴀʀᴛʏ, ᴄʜ
23.03 ꜱᴇᴀꜱᴏɴ ᴇɴᴅ ᴀꜰᴛᴇʀᴘᴀʀᴛʏ, ᴄʜ
18.04 ʙᴇʏᴏɴᴅ ᴛᴇᴄʜɴᴏ, ʙʀᴇᴍᴇɴ
25.04 ᴇxᴘᴇᴅɪᴛɪᴏɴ, ʟᴇɪᴘᴢɪɢ 
30.04 ᴡᴀʟᴘᴜʀɢɪꜱɴᴀᴄʜᴛ ɪɴ ᴄᴏɴᴄᴇʀᴛ ᴡ/ ᴅᴇᴇᴘ ꜰᴜɴᴋ ᴇʟᴇᴄᴛʀᴏɴɪᴄᴀ, ʙʀᴇᴍᴇɴ
31.05 ᴏᴘᴇɴ ᴀɪʀ, ꜱʟ
07.06 ᴢᴜʀᴜ̈ᴄᴋ ᴢᴜ ᴅᴇɴ ᴡᴜʀᴢᴇʟɴ ꜰᴇꜱᴛɪᴠᴀʟ, ɴɪᴇᴅᴇʀɢᴏ̈ʀꜱᴅᴏʀꜰ
29.06 ꜰᴜꜱɪᴏɴ ꜰᴇꜱᴛɪᴠᴀʟ, ʟᴀ̈ʀᴢ
11.07 ᴍꜱ ᴛʀᴇᴜᴇ, ʙʀᴇᴍᴇɴ
10.08 ᴍᴏᴅᴇᴍ ꜰᴇꜱᴛɪᴠᴀʟ, ʜʀ
24.10 ᴄʟᴜʙ ᴄʜᴀʀʟᴏᴛᴛᴇ ꜰᴀᴍɪʟʏ ɢᴀᴛʜᴇʀɪɴɢ, ᴍüɴꜱᴛᴇʀ
31.10 ᴋᴜᴋᴜɴᴇx, ʙʀᴇᴍᴇɴ
15.11 ꜱᴏᴜʟ ꜱᴀᴠᴇ, ʙʀᴇᴍᴇɴ
21.11 𝑥xᴇᴛᴇx𝑥  ᵐᵉᵉᵗˢ 𝗉𝗌ʏ𝗌𝗊 @ ꜱɪꜱʏᴘʜᴏꜱ, ʙᴇʀʟɪɴ

2024
31.03 ꜱᴇᴀꜱᴏɴ ᴇɴᴅ ᴘɪᴢ ᴘɪᴢ, ᴅᴀᴠᴏꜱ ᴄʜ
05.04 ʜᴇʟʟᴏ ᴅᴀʀᴋɴᴇss, ʜᴀᴍʙᴜʀɢ
20.04 ᴘsʏʀᴀᴠᴇ sᴛᴜᴅɪᴏ 56, ᴋᴏʙʟᴇɴᴢ
03.05 ᴋᴇᴛᴏɢᴀ ᴏᴅᴏɴɪᴇɴ, ᴄᴏʟᴏɢɴᴇ
04.05 sᴇᴄʀᴇᴛ ʟᴏᴄᴀᴛɪᴏɴ, ʙᴇʀʟɪɴ 
11.05 ɪɴᴛᴏ ᴛʜᴇ ᴡᴏᴏᴅs, ʙᴀʏᴇʀɴ
18.05 ᴇᴏs ғᴇsᴛɪᴠᴀʟ, ʟɪᴇʀsᴄʜᴇɪᴅ
14.06 ᴀʙꜱᴛʀᴀᴄᴛ, ʙᴇʀʟɪɴ
22.06 ᴘꜱʏᴋᴜᴄᴋ, ʙʀᴇᴍᴇɴ 
13.07 ᴀɴᴛᴀʀɪs ғᴇsᴛɪᴠᴀʟ, ɢᴏʟʟᴇɴʙᴇʀɢ 
20.07 ᴛʀᴀᴜᴍ ʙ ᴏᴘᴇɴ ᴀɪʀ, ʙʀᴇᴍᴇɴ
26.07 ᴍᴀʜᴀɢᴏɴɪ ғᴇsᴛɪᴠᴀʟ, ᴛᴇᴜᴛsᴄʜᴇɴᴛʜᴀʟ
16.08 ʙᴜᴄʜᴛ ᴅᴇʀ ᴛʀᴀ̈ᴜᴍᴇʀ, ꜰʀᴀɴᴋꜰᴜʀᴛ (ᴏᴅᴇʀ)
22.08 ʜᴀᴅʀᴀ ᴛʀᴀɴᴄᴇ ғᴇsᴛɪᴠᴀʟ, ғʀᴀɴᴄᴇ
24.08 ᴍᴏʏɴ ᴍᴏʏɴ ғᴇsᴛɪᴠᴀʟ, ᴏʏᴛᴇɴ
30.08 ᴋᴇᴘᴏᴛᴏᴘɪᴠᴀʟ, ᴛᴇᴜᴄʜᴇʀɴ
08.09 ᴇᴠᴏʟᴜᴛɪᴏɴ ғᴇsᴛɪᴠᴀʟ, ᴋᴀʀsᴛᴀ̈ᴅᴛ
20.09 ᴏᴅᴏɴɪᴇɴ ꜱᴜᴍᴍᴇʀᴄʟᴏꜱɪɴɢ ᴀᴊᴏᴜʀɴᴇʏ, ᴄᴏʟᴏɢɴᴇ
21.09 ᴡᴀʟᴅꜰʀɪᴇᴅᴇɴ, ꜱᴛᴇᴍᴡᴇᴅᴇ
28.09 ᴇʟʏsɪᴜᴍ ᴄɪʀᴄᴜs ᴍᴀxɪᴍᴜs, ᴋᴏʙʟᴇɴᴢ
02.11 ᴛʜᴇ ᴡᴏʙʙʟʏ ᴍᴏʙ, ɴüʀɴʙᴇʀɢ
09.11 ʙᴜɴᴋᴇʀ ʀᴀᴠᴇ, ʙʀᴇᴍᴇɴ

2023
25.11 ʙᴅᴀʏ ʙᴀsʜ, sʟ
17.11  ʙᴜɴᴋᴇʀ ʀᴀᴠᴇ, ʙʀᴇᴍᴇɴ
10.11 ᴇᴏs, ᴋᴏʙʟᴇɴᴢ
28.10 ᴘᴀɴɢᴇᴀ ᴘʀᴏxɪᴍᴀ, ᴋᴏʙʟᴇɴᴢ
21.10 ɴɪɢʜᴛ ᴏғ ʟɪғᴇ sᴘᴇᴅɪᴛɪᴏɴ, ʙʀᴇᴍᴇɴ
30.09 ᴛᴇᴍᴘᴇsᴛ ɪɴɪᴛɪᴀᴛɪᴏɴ sᴜ̈ᴅᴘᴏʟ, ʜᴀᴍʙᴜʀɢ
22.09 ᴀᴊᴏᴜʀɴᴇʏ ᴏᴅᴏɴɪᴇɴ, ᴄᴏʟᴏɢɴᴇ
16.09 ᴘᴀɴɢᴇᴀ ᴘʀᴏxɪᴍᴀ sᴜᴍᴍᴇʀ ᴄʟᴏsɪɴɢ, ᴋᴏʙʟᴇɴᴢ
08.09 ᴇᴏs ꜰᴇꜱᴛɪᴠᴀʟ ғᴛ. ᴘᴀɴɢᴇᴀ ᴘʀᴏxɪᴍᴀ, sʟ
01.09 ᴛᴀʀᴍᴀᴄ ғᴇsᴛɪᴠᴀʟ, ᴀʟʟsᴛᴇᴅᴛ
25.08 ᴋᴇᴘᴏᴛᴏᴘɪᴠᴀʟ ᴘsʏᴛᴏᴘɪᴀ, ᴛᴇᴜᴄʜᴇʀɴ
14.07 ʟᴏᴠᴇ ᴄᴇʟᴇʙʀᴀᴛɪᴏɴ, sʟ 
08.07 ᴘᴀɴɢᴇᴀ ᴘʀᴏxɪᴍᴀ, ᴋᴏʙʟᴇɴᴢ
24.06 ʜᴇʟʟᴏ ᴅᴀʀᴋɴᴇss ᴍɪɴɪ ғᴇsᴛɪᴠᴀʟ, ʜᴀᴍʙᴜʀɢ
08.06 ᴄᴏsᴍɪᴄ ᴄᴏɴᴠᴇʀɢᴇɴᴄᴇ ғᴇsᴛɪᴠᴀʟ, ᴀᴜsᴛʀɪᴀ 
03.06 ғᴇᴇʟ ɴᴀᴛᴜʀᴇ ʀɪᴛᴜᴀʟ, ʙᴇʀʟɪɴ ᴀʀᴇᴀ
26.05 sᴀɴɢᴏᴍᴀ ʀᴇᴄᴏʀᴅs ɴɪɢʜᴛ, ʜᴀʟʟᴇ
20.05 ᴇᴀʀᴛʜᴅᴀʏ, ᴋᴏʙʟᴇɴᴢ
05.05 ʜᴀɪ ɪɴ ᴅᴇɴ ᴍᴀɪ ғᴇsᴛɪᴠᴀʟ, sᴛᴇᴍᴡᴇᴅᴇ

2022
19.11 ᴄʜᴀʀɪᴛʏ ʀᴀᴠᴇ, ɪsʀᴀᴇʟ ᴅᴇsᴇʀᴛ
12.11 ᴛʜᴇ ғʀᴇᴇᴅᴏᴍ ғᴏʀᴇsᴛ, ɪsʀᴀᴇʟ
14.10 ʜɪᴘᴘɪᴇ ᴛɪᴘɪ ɢᴀɢᴀʀɪɴ, ᴛᴇʟ ᴀᴠɪᴠ
16.09 ᴘᴀɴɢᴇᴀ ᴘʀᴏxɪᴍᴀ ғᴇsᴛɪᴠᴀʟ, ᴇᴛᴛʀɪɴɢᴇɴ
03.09 ᴛᴀʀᴍᴀᴄ ғᴇsᴛɪᴠᴀʟ, ᴀʟʟsᴛᴇᴅᴛ
25.08 ᴋᴇᴘᴏᴛᴏᴘɪᴠᴀʟ, ᴛᴇᴜᴄʜᴇʀɴ
01.07 ғᴜsɪᴏɴ ғᴇsᴛɪᴠᴀʟ, ʟᴀ̈ʀᴢ
18.06 ᴘᴀɴɢᴇᴀ ᴘʀᴏxɪᴍᴀ, ᴋᴏʙʟᴇɴᴢ
09.04 ᴘᴀɴɢᴇᴀ ᴘʀᴏxɪᴍᴀ, ᴋᴏʙʟᴇɴᴢ
01.04 ᴋᴇᴛᴏɢᴀ, ᴏᴅᴏɴɪᴇɴ ᴋᴏ̈ʟɴ (ʜʏʙʀɪᴅ)
25.03 ʜᴇʟʟᴏ ᴅᴀʀᴋɴᴇss, ʜᴀᴍʙᴜʀɢ (ʜʏʙʀɪᴅ)
19.03 ᴘᴀɴɢᴇᴀ ᴘʀᴏxɪᴍᴀ, ᴋᴏʙʟᴇɴᴢ (в2в @semilocybe)
12.02 ᴀǫᴜᴇʟᴀʀʀᴇ, ᴛᴇɴᴇʀɪғᴇ sᴏᴜᴛʜ (ʜʏʙʀɪᴅ)
 
2021
31.12 ᴇɴᴛᴇʀɪɴɢ ᴛʜᴇ ɴᴇᴡ ᴄʏᴄʟᴇ, ᴋᴏʙʟᴇɴᴢ
29.10 ʟᴇ ᴢᴏᴏ ғᴀɪᴛ ᴅᴜ sᴋɪ, ғʀᴀɴᴄᴇ
09.10 ᴏᴛᴛ ᴠɪᴛᴀ, ᴋᴏ̈ʟɴ (в2в @jane_tazan)
03.09 + ᴢᴜɢᴠᴏ̈ɢᴇʟ ғᴇsᴛɪᴠᴀʟ, ᴇɪғᴇʟ(ʜʏʙʀɪᴅ)
05.09
28.08 ᴋᴇᴘᴏᴛᴏᴘɪᴠᴀʟ, ᴛᴇᴜᴄʜᴇʀɴ (ʜʏʙʀɪᴅ)

2020
25.09 ꜱᴇᴄʀᴇᴛ ʟᴏᴄᴀᴛɪᴏɴ, ʜʙ
07.08 ᴛƐꜱꜱƏʀᴀᴋᴛ ꜰᴇꜱᴛɪᴠᴀʟ (ʜʏʙʀɪᴅ)
04.07 ꜱᴇᴄʀᴇᴛ ʟᴏᴄᴀᴛɪᴏɴ, ʜʙ (ʜʏʙʀɪᴅ)
27.06 ᴜɴɪᴛᴇᴅ ᴡᴇ ꜱᴛʀᴇᴀᴍ *ɪʀɢᴇɴᴅᴡᴏ (ʜʏʙʀɪᴅ)
04.04 ʟᴀʟᴀʟᴀɴᴅ ᴘʀᴏᴅᴜᴄᴛɪᴏɴꜱ ʟɪᴠᴇꜱᴛʀᴇᴀᴍ (ʜʏʙʀɪᴅ)
22.02 ʀᴇɴᴀɪꜱꜱᴀɴᴄᴇ, ɪʀɢᴇɴᴅᴡᴏ ʜʙ (ʜʏʙʀɪᴅ)
01.02 ꜱᴘᴀᴄᴇʏᴍᴀɴᴇᴄʏ, ʜʙ 
31.01 ʙᴇᴡᴇɢ ᴅɪᴄʜ ᴍᴇʜʀ ɴᴏ³, ᴍꜱ ᴛʀᴇᴜᴇ ʜʙ (ʜʏʙʀɪᴅ)

2019
23.11 ᴇɪɴᴇ ᴀʟʟᴛÄɢʟɪᴄʜᴇ ᴠᴇʀᴡɪʀʀᴜɴɢ, ᴋÖʟɴ (ʜʏʙʀɪᴅ)
18.10 ᴛᴇᴄʜ*ɴɪᴀ, ʜʙ (ʜʏʙʀɪᴅ)
27.09 ꜱᴇᴄʀᴇᴛ ʟᴏᴄᴀᴛɪᴏɴ, ʜʙ
14.09 ᴢɪᴇᴛᴇɴꜱᴛʀᴀꜱꜱᴇɴꜰᴇꜱᴛ, ʜʙ (ʜʏʙʀɪᴅ)
17.08 ꜱʜᴀᴄᴋᴀᴅᴇʟɪᴄ ᴏᴘᴇɴᴀɪʀ, ʜʙ (ʜʏʙʀɪᴅ)
28.07 ᴢᴜɢᴠØɢᴇʟ ꜰᴇꜱᴛɪᴠᴀʟ, ᴇɪꜰᴇʟ (ʟɪᴠᴇ)
05.07 ꜰʟᴜᴛᴡɪᴇꜱᴇɴ - ʙʀᴇᴍɪɴᴀʟᴇ (ʟɪᴠᴇ)
08.06 ᴢᴢᴅᴡ ꜰᴇꜱᴛɪᴠᴀʟ ʙ2ʙ @casimir-music, ɴɪᴇᴅᴇʀɢÖʀꜱᴅᴏʀꜰ (ʜʏʙʀɪᴅ)

I have been making music in my bedroom since early 2000‘s. Played synths in nu metal and industrial rock bands. Played trance in clubs and forests. Played bass, guitars, drums, produced a rock album. Won an international music contest with my band.

This page is dedicated to my solo works recorded since 2005.

Alexsoph is Alexander Walter, born in Kazachastan in 1983 in a musicians family, whose gatherings were always enlivened by life music and dances. He grew up in South Germany. In 2000 he went to his first Psychedelic Party, where he discovered an affinity for Psytrance music and culture. In 2002, he began playing professionally with an uplifting style characterized by pumping groove laden Psytrance.

Promptly he started to push the Goa music scene around the lake of Constance, by creating own events and getting involved in the organisation of many local parties. In 2004 he got to know Boom Shankar and he became member of BMSS Label, supporting the project since the beginning. Together they play as ABS, back to back sets in playful harmony.

Over more than two decades he has expanded his presence at various festivals in Europe and Asia, such as S.U.N. Festival in Hungary, Summer Never Ends in Switzerland, Transition in Spain, Insomnia in Portugal or Belantara in Malaysia.

In the last years, inspired by slower techno beats, he developed a new project, Dalex, a deep powerful hypnothic Psytech.

With an innate ability to read the dance floor and hit the perfect moment, Alexsoph is able to throw down colourful bangers suitable for day or night.

Compilations:
2010 Cosmic Connection ABS
2012 Transmission ABS
2016 Panorama Alexsoph

Økapi is Filippo Paolini, an Italian turntablist and sample cutup artist. Filippo has recorded several solo albums, as well as recording in the duo Metaxu and with the trio Dogon. He has performed live for national Italian State radio broadcasts (RAI) with renowned avant-turntablist, Christian Marclay and collaborates with numerous international artists such as Mike Cooper, Peter Brotzmann, Mike Patton, Matt Gustafson, Zu, Damo Suzuki, Andy EX, Kawabata Makoto, Metamkine…
            ØKapi's album releases illustrate his unique and edgy use of turntables and computer beyond the hip-hop school of chopped up music, creating music that veers from orchestral to lounge with quirky experimental electronics that maintain a delicate and spacious sound throughout.

            His amazing skills at sample mixing are simply outstanding and during Okapi live sets he mixes: techno/broken beat/electro-/8-bit with melodies from Klezmer, polka, children's music, idiot pop and hawaiian classics to name but a few.....

Økapi shop/download:
http://slappress.bandcamp.com

      ----------------------------------------
2013 Dates:
 
Feb 15 2013
CarneMvale
Milano

Feb 16 2013
Senza filtro
Bologna

Mar 27-28-29 - 2013
Satya Festival
Tel Aviv
http://www.satyafestival.com

May 8 - 2013
La Pescheria
Rome

May 18 - 2013
DeFrag
Rome

May 24 - 2013
Ballet Mecanique - Okapi with Rome Symphony Orch.
Nuovo Cinema Palazzo
Rome

May 31- jun 1 - 2013
FoodGallery Festival
Ascoli Piceno

Jun 20-24 2013
Tangra Eco Art Dance Festival 2013
Bulgaria
http://www.tangrafest.com/

Jul 18 2013
Eclettica Festival 2013
Rome - IT
http://www.ecletticafest.com/

Jul 4-9 2013
Freqs of Nature 2013
Berlin, Germany
http://www.freqsofnature.de/en/

Jul 25-29 2013
Yaga Gathering 2013
Lithuania
http://www.yaga.lt/

Aug 1-5 2013
Sonica Festival 2013
Albanella aeolian park (SA)
http://www.sonica-dance-festival.eu

Aug 6-11 2013
O.z.o.r.a. Festival 2013
Hungary
http://www.ozorafestival.eu/

Aug 21-25 2013
Momento Demento. Festival 2013
Croatia
http://www.modemfestival.com/

Sep 5-9 2013
Blackmoon Festival 2013
Near Ancona
http://www.blackmoonfestival.com/

 Booking info: 
http://www.okapi.it/booking/
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            The Økapi is a mammal which was only discovered in 1901 by an acousmatic engineer. It lives wild in the forest of the Itur Region in Upper Zaire. It was named the Okapia Johnstoni and it also commonly known as the "Daft Giraffe of the Forest". One of its strangest characteristics is that it is the only known mammal to wash out its own ears with its tongue: just to catch the weird melodies of nature! He adores those ferocious and vindictive chants that make him sway like ... and he fights relentlessly for the domination and hegemony of incorrect and unlistenable music. He hates talking about music and certain music purists of the Forest are definitely not his friends! In recent years he has played for Dogon tribal rituals and for those more intimate Metaxu deliriums, but he is   considered a solitary mammal and consequently has only published one anthem to protophony for a small label of the American prairies.

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