Melodic Techno / Indie Dance

Based in Berlin
Producer & Singer.

find more from DB1 at https://soundcloud.com/mod_85
modular synth jams at 170bpm






songwriter, producer, artist
from UK
www.elsahewitt.com

syn3rgy EP is OUT NOW! for orders please contact us at ketemta@gmail.com or mise.en.scene11@gmail.com

ket3m (Shay Nassi & Tom Kemeny) are currently located in Tel Aviv, Israel.
The project of ket3m espouses experiments in minimalism, abstraction and deconstruction of sound mathematical patterns.

for booking please contact us @ ketemta@gmail.com

http://www.discogs.com/wzrdryAV-Medicinal-Circuits/release/6361399

http://www.discogs.com/wzrdryAV-Pacific-Greyscale/release/4206860

http://www.discogs.com/WZRDRY-SKRS-Magnetic-Haze/release/4263187

http://www.discogs.com/wzrdryAV-Octophase-Meditation-EP/release/3658686

http://www.discogs.com/wzrdryAV-Seekers-International-Smoked-Out/release/4639871

http://www.discogs.com/wzrdryAV-Seekers-International-Wave-Language-EP/release/4639857

http://www.discogs.com/Sipreano-With-Decaf-And-
The-Stunt-Man-Sipreano-With-Decaf-And-The-Stunt-Man/release/1009114

http://www.discogs.com/Various-The-Taurus-Incident-Incidental-Music/release/1073966

http://www.discogs.com/Decaf-Sedation-Level-C/release/4850176

http://www.discogs.com/Decaf-Stuck-In-The-Nineties/release/2424577

Artist Bio:

As a child of the 1980s, Vancouver-born producer Kelly Claude Nairn (WzrdryAV) was hypnotized by the results of New York City resourcefulness: raw, sparse, drum machine hip-hop and later, the eclectic sample-based rap of the 1990s. Raised by a new age mom and jazz freak artist dad, pillaging the family record cabinet for inspiration was a natural progression. Two turntables, mixer, and a sampler later, Kelly was soon making deft left-field instrumentals. Concurrent w/ electro-acoustic study under granular synthesis pioneer Barry Truax at Simon Fraser University, field recordings, audio collage, sound object manipulation, and slightly unhinged ambient works were added to his expanding cache. Foundation and technique in place, by the new millennium, the beat maker was putting a revelatory breakthrough into practice, “sample anything.” From big screen cinema and late night VHS sessions to TV sign off music and nature sounds, nothing was off limits. This not only led to the creation of WZRDRY (Kelly’s imprint and artistic umbrella), but a range of productions released internationally on vinyl, cassette tape, and compact disc.
 
Today, Kelly combines his academic background w/ a personal self-taught approach, equally informed by British Columbia’s street meets tree topped mountains and oceanic reflections. Utilizing analog and digital equipment, new tracks aim to create a place/atmosphere/mood via magnetic programming and universal rhythms. While deliberate melodies are uncommon, repeating fragments of tones/chords and foggy loops/drones manifest themselves in the most unexpected ways. “I’m putting together and playing back sounds for the audience that I find evocative for my own escapism,” states the producer, encouraging listeners to join the trip and interpret, as they will. The music of WzrdryAV goes beyond the increasingly fast-paced cultural landscape, gradually slowing the pace and returning some long forgotten feeling to auditory expression. Touching on the influence of Jamaican dub and Detroit techno in his oeuvre, “It’s about facing limitations by looking within to work in different ways and develop one’s creativity.” Here’s to the future… Listen, live, and learn!



mise_en_scene on facebook: http://www.facebook.com/pages/Mise_En_Scene/159859704040506

Florina Speth, born 1983 in the mountains near Salzburg, started playing the cello and piano at the age of 6 and began studying music at the “University Mozarteum Salzburg” when she was just 11. She won several prices playing solo and string quartett ensembles, was part of orchestras like Bayerisches Landesjugend Orchester and Salzburger Junge Philarmonie all over Europe. Always keenly interested in contemporary music, she was part of performing ensembles in lots of world premieres.

In her PhD she investigated the role of sound in robotic rehabilitation. She has been working as Postdoctoral researcher on Music, Machines and the Human hand. She has been working as a futurist, writing books on the 22nd century and future of health. These days she holds a professorship in Digital Health in which she tackles the humane tech-potentials for the silver society.

She loves bridging experimental arts with science to get inspiring output. In current live performances she works with cello and synths.

contact: florina.spethATgmail.com

an epic label is following