Пропоную до Вашої уваги свій варіант української народної пісні «Підманула, підвела».
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Я казала в понедiлок
Пiдем разом по барвiнок
Ти прийшов мене нема,
Пiдманула, пiдвела.

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

Я казала у вiвторок
Поцiлую разiв сорок
Ти прийшов я не сама,
Пiдманула, пiдвела.

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

Я казала що вночі,
Будемо гулять одні,
Ти прийшов нас ціла хата
Ну хіба ж я винувата?!

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

Я казала у четвер
Приходи я пʼю  портвейн
Ти прийшов я пʼю первак,
Ах, нарешті добрий знак.

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

Я казала, що в пʼятницю
Ми пiдем на вечорниці
Ти прийшов я ледь жива,
Не даремно ніч пройшла.

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

Ну хіба я винувата,
Що красива в мами й тата?
Я ж такою народилась,
І тобі не підкорилась.

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

То було, то було, не-любити,
То було, то було, не-ходити,
То було, то було, тай не знать
Щоб тепер, щоб тепер, сумувать.

Підманула

Unleash the primal force of "Tribal Haka (Maoresee)", a stirring blend of tribal beats and war-like declarations. This track bridges the ancestral spirit of the Haka with a fierce modern twist, combining the raw energy of percussion, electric guitar, and bass guitar to create a sound that's both revolutionary and deeply rooted in tradition.

Featuring a dynamic range of vocals from powerful male chants to haunting female echoes, "Tribal Haka (Maoresee)" invites you on a journey through soundscapes filled with anger, power, and the indomitable spirit of unity and defiance. Crafted with a fusion of alternative rock, metal, industrial, and electronic genres, this piece resonates with an unmistakably angry yet compellingly powerful mood.

Set to the rhythm of war drums at 146 BPM, the track exudes an intense energy that's hard to ignore. The music oscillates subtly between G minor and D minor, creating an ambience of tension and release, driving home the essence of a cultural war declaration.

Whether you're drawn to the innovative blend of musical styles or the raw emotional power of the vocals and instrumentation, "Tribal Haka (Maoresee)" is more than just a song—it's a declaration, a challenge, and a testament to the enduring power of tribal and modern musical fusion. Join me in this audacious journey of sound and spirit that promises to leave you energized, inspired, and ready for battle.

Modern Ancestry

Tribal Haka (Maoresee)

When I composed this piece, I aimed to evoke the essence of our shared humanity, reflected in the tribal traditions that connect us to the earth, to nature, and to a simpler, deeper way of life. "Echoes of the Tribes" is a tribute to the ancient civilizations, the sounds, and the rhythms that, over millennia, have shaped human culture and spirituality.

By blending ethnic elements with modern ones, I sought to create both a contrast and a harmony between the old and the new. The powerful percussion and flute conjure images of ritualistic dances and sacred ceremonies, while the synthesizers introduce a contemporary layer, suggesting that these tribal roots still live on in our collective subconscious.

The listener should experience this melody as both a personal and universal journey. It is an invitation to reflection and introspection, a reminder of our connection to the past and to our cultural roots. I want those who listen to feel a return to origins, to sense the earth's pulse, and to become aware of the constant rhythm of life that binds us all.

Moreover, I intended for the melody to be a source of peace and comfort, offering moments of calm and relaxation in a world that is often hectic. With every note, with every beat of the drum, I hope the listener will be carried away by the wave of emotions, allowing themselves to feel the simple joy and purity that exists in the essence of each of us.

In conclusion, "Echoes of the Tribes" is a piece that speaks of connection, both with ourselves and with all of humanity. It is an echo of the past, reverberating in the present, reminding us that, regardless of technological or cultural evolution, we are all part of the same eternal story.

Echoes And Whispers

Echoes Of The Tribes

In "Echoes Of The Mountains," I aimed to create a piece that blends natural and universal sounds with modern vibrations. At the beginning of the song, I chose to introduce a male voice chanting over an Ambient background, immediately establishing a primal, visceral connection with the listener. This voice, without words but full of emotion, symbolizes an initial call, like an echo from the depths of nature.

I then added female voices that complement this chant in a choral manner, alternating with the male voice. This alternation creates a sort of dialogue, but one based not on words, but on pure emotion. The vocalizations are meant to convey nuances of feeling, to shape a subtle interaction between masculine and feminine energy, like a dance between two entities seeking and completing each other.

I didn’t want to limit this conversation to ordinary language, so I chose to let the music and voices communicate in an abstract way, offering each listener the freedom to interpret the meaning of this dialogue. Without words, the chant takes on a universal dimension, accessible to anyone, regardless of language or culture.

Listener’s Perception:

As a listener, you will be drawn to the first notes of the male chant, which emerges like a deep murmur over a soothing Ambient background. This voice doesn’t tell you what to feel; instead, it opens the door to a world of sensations and emotions. When the female voices enter, you’ll perceive a harmonious interaction, almost like an unheard conversation between two complementary forces.

This alternation between the male and female chants might evoke images of ancient dialogues, perhaps even sacred rituals or natural ceremonies. The entire experience takes on a spiritual depth, even without words, inviting you to lose yourself in the delicate sonorities and interpret each vocal inflexion in your own way.

As the melody evolves, you’ll feel how these voices guide you further into the story, maintaining a balance between peace and intensity, between the familiar and the mysterious. The chant thus becomes a sonic guide through a world where language is unnecessary for understanding—only for feeling.

Echoes Of The Mountains (Chant)

Співачка Ana Danch презентує пісню «Вітер надій». Ця пісня була написана у 2000 році відомим гітаристом, композитором, аранжувальником, лідер-вокалістом рок-групи «Галактика» Вʼячеславом Сінчуком для мене, для юної співачки Уляни Латик. Пісня про кохання, мрії, сподівання без яких неможливе людське життя. Пісня пролежала 24 роки у шафі і отримавши сучасне аранжування вийшла у цей Світ.

В моїм вікні сумний пейзаж забутих днів,
Де твоя тінь мерехтить у відблисках вогнів
В моїх руках всі не дописані листи,
Неначе ждуть у кінці останнього «прости»

За безглуздя слів, 
За моє пусте мовчання 
У країні снів,
Де панує лиш одне кохання 

Вітер надій, листям кружляючим 
Осінь журливу запросив 
Із-під небес, птахом страждаючим
Падав до ніг моїх немов без сил.

Минає день і з ним захмарений пейзаж,
А у очах наших зустрічей пʼянкий міраж 
Можливо ти в цю мить попід вікном стоїш 
І, як колись, подолавши біль мені простиш

Вітер надій, листям кружляючим 
Осінь журливу запросив 
Із-під небес, птахом страждаючим
Падав до ніг моїх немов без сил.

Вітер Надій

Part 5 of my Western Film composition's  Collection
Wonderful Native American's a spritual dance. 
Please see playlist for others.

Spiritual Dance(Western collection part 5)

Lost in Time

Flames of love

posted on the porCh

ASTI PER ME

Il nome ASTI Pronuncialo piano Sei ad ASTI Citta’ alla mano Sei in Piemonte Le Alpi di fronte Terra di vini Qui li respiri In ogni angolo Non serve un pungolo Ti ci trovi E ovunque li scovi Poi qui ti fermi Ammiri gli interni Di ogni Palazzo che nobile e’ … Repubblica antica A evidenziare Qui lo si dica In cattedrale Palii benedetti Ogni cosa vale Li ammiri e mai smetti Sai cosa fare ASTI citta’ piemontese ASTI colline estese ASTI da degustare ASTI la puoi ammirare Col suo Alfieri Sicuro puoi stare Tutti van fieri Del suo ragionare Legato a una sedia In Toscana lui volle Crear la tragedia Per tutte le folle Dall’orologio della sua torre ASTI ha l’orgoglio di ogni citta’ Di apparire senza infierire Vivere in pace senza le guerre 28 parrocchie la rendono santa Ed ogni giorno col gallo lei canta 21 a cavallo si contendono il palio Dal Medioevo lo fanno con gaudio Il lungo corso che porta ai palazzi Oggi risplende coi suoi negozi Dall’autostrada ci puoi arrivare Ad est e ad ovest ci puoi pensare Fermati e gusta questa citta’ La bagna cauda ti allietera’ E lo spumante con le sue bollicine Con le nocciole sempre vicine ASTI citta’ piemontese ASTI colline estese ASTI da degustare ASTI la puoi ammirare



Tortona AL, 25 Marzo 2025 Song n. 898 di WWW.SODALIZIOSMART.IT 
sodaliziosmart@libero.it and www.pililom.com and #EsseEmmeSMart 
Testo e musica di MURATORE Sergio Pseudonimo SIAE: PiLiLom Posizione SIAE 54270 – 0 , 
Sezione: MUSICA Qualifica: Autore parte letteraria e compositore melodista


ASTI PER ME

The Deep Dark Lake Under The Moon

Ana Danch is a Ukrainian singer, songwriter, former lead vocalist of the girl groups 'Десерт' and 'Trishi'.
For collaboration inquiries and bookings, you can reach out to the artist at anadanchteam@gmail.com

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