From  Levontin 7, Tel Aviv. Live with Ilan Volkov, Maya Dunietz, Stephen O'Malley, Eran Sachs, Ram Gabbai, Ana-Maria Avram, Danni Felsteiner, Shmil Frankel, Adam Scheflan, Yoni Silver...

Plutonian Frenzy ( fragment) live in Israel

SUNY Purchase - Bowling Green State University

Composer, pianist and conductor.
After graduating from the National Conservatory of Music in Bucharest, she obtained a degree from Paris Sorbonne in 1992. 
PHD in Musical Esthetics at Sorbonne, Paris (1995)
In 1994 she was awarded the Grand Prize in Composition from the Romanian Academy.
She is considered to be one of the most important Romanian composers of her generation.
Her music is affiliated with the spectral music trend.
She represents the Hyper-Spectral music trend in contemporary avant-garde music. 
Conductor with Iancu Dumitrescu of the Hyperion Ensemble - a chamber music ensemble from Romania, based in Bucharest specialized in the performance of contemporary classical music, more particular as the main promoter in Romania of the Spectral Music trend
Her music is spectral, acousmatic, heterophonic and transformational.
She composed over 200 works, music for soloists, chamber
music, music for symphonic orchestra, electronic and computer assisted music.
Avram received numerous commissions for composition from Radio France, Art Zoyd (France), Les Ateliers UPIC (Paris), Ensemble Lucilin (Luxembourg), Ensemble Mozaik (Berlin), Ensemble Musiques Nouvelles (Mons-Belgium), IMEB-Bourges, Bodo Sinfonietta (Bodo- Norway),  
She was  awarded at Ars Electronica - Linz in 2000 for  the work “Traces, Sillons, Sillages” for ensemble and computer assited sounds.

Founder and President- since 2006- of the Romanian Community of Electro-acoustic and Computer Assisted Music – CREMAC.

Vice-President of the International Community of Electro-acoustic Music – CIME – affiliated to IMC and UNESCO.  

 She is also founder and Artistic Director of several national and international festivals dedicated to experimental, electronic and spectral music trends:

« Acousmania »- in partnership with Romanian Broadcasting Corporation – six editions, from 2002 to 2006

« Musica Nova » – In partnership with the Ploiesti Philharmonic Orchestra 2002-2004
« Spectrum XXI » - dedicated to spectral music trends and held annually in three European capitals. Since 2006 the festival took place in Paris, London, Geneva, Brussels, Berlin, Bucharest, Mons, East Grinstead.

SPECTRUM XXI was financed by institutions such as Romanian Ministry of Culture, Romanian Cultural Institute, Pro Helvetia, European Agency for Culture, Education and Audiovisual – EACEA towards the program Culture 2007-2013.

In 2010 Avram was elected as “Blodget Artist in Residence” at the Harvard
University, Department of music where she taught composition to postgraduate students. She also sustained numerous workshops, lectures and conferences at Harvard University, the  University of Maine, Farmington (USA), Univeristy of Minneapolis-St Paul (USA), Technical University of Istanbul (Istanbul,Turkey), Institute Jacques Dalcroze (Geneva), Centre de Creation Musicale Iannis Xenakis (Paris),  etc…  

Main compositions:

"Quatre Etudes d'Ombre" for bass flûte (1992)
"Axe" for cello (1993)
"Métaboles" for bass clarinet (1985)
"Quatre Etudes orphiques" for female voice, electronics and ensemble (2006)
"Nouvelle Axe" for strings (1997)
"In Nomine Lucis" for orchestra (1992)
"Telesma" for clarinet, percussion and computer sounds (2002)
"Chaosmos" for orchestra (1996)
"Lux Animae" for ensemble and computer assisted sounds (2004)
"Voices of the Desert" for ensemble and computer assisted sounds (2005)
" The Endless Burning Fire" for ensemble and computer sounds (2007)
"Un raggio Ardente e di si chiara luce" for strings (2000)

 Contribution in musicology:

”Ana Maria Avram and Iancu Dumitrescu” - Musicworks Nr 71, 
“Being composer” - MusicWorks nr.76 ( 2000);
“Ana-Maria Avram: an adventure in experimental music” an interview with
Costin Cazaban, Bananafish, Los Angeles no 15 ( 2001)
Jean-Noël Von Der Weid: “La Musique du XX Siècle” - Paris, Hachette, 2004
“ Roumanie Terre du Neuvième Ciel” Interviews with musicologist Harry Halbreich – Bucharest, Axis Mundi, 1992.
“ The Spectral Music at the beginning of XXIst Century” – 2006. CREMAC

 
Her musics are published by Edition Modern, Electrecord, Artgallery, Radio
France
Her compositions were performed") in New York, Los Angeles, Boston, Standford, in Vienna  in the Wien Modern Festival in 1992, 1994, 2003 ) in Paris (several times at Radio France, in Theatre de la Ville) in London (several times at The Royal Festival Hall, LSO St Luke’s, Conway Hall, etc.) Berlin, Nancy, Allicante, Lisbon, Baden-Baden, Darmstadt, Moscow, Belgarde, Istanbul, Minneapolis  etc.
Her works has been commissioned by prestigious international ensembles such as Kronos Quartet (San Francisco) « 20 Jahrhundert » from Vienna, Musiques Nouvelles (Mons), Lucilin (Luxembourg), Mozaik (Berlin),  iO String Quartet ( USA), Bodo Sinfonietta (Norway), soloists from l'Orchestre National de France.  In her own country she worked with the some of the most important groups: The Bucharest Philharmonic Orchestra, Romanian National Orchestra, Romanian Radio Chamber Orchestra, L'Orchestre de Chambre de Roumanie, etc.
« On the Abolition of the Soul » - a Radio France commission was released
on a double CD- Radio France, an anthology of Prix Italia since 1949.











PRESS Fragments

“When Ana-Maria Avram conducts, she sometimes seems to be plucking
stars from the sky, or jabbing into hives, causing thousands of tiny critters to fly up into the air like flurries of gold dust. Avram allows the moment to shape the music. In her view, the analytical approach of serial and structuralist composers in recent decades represents a desacralisation of sound space. The conductor is instead drawn to spectral composition, in which everything develops from the nature of the sounds themselves. Moreover, to Avram, spectralism is not an academic, technologically assisted manipulation of the organism sound. Her work allows the sound to emerge from fluctuating acoustic systems in an interplay between composed and improvised passages, in which the musicians are co-creators in the most literal sense.  According to her, this is how musical activity and inner life can be combined, this is how music can open the doors to other areas of human life. A cursory glance at Avram’s catalogue of works reveals her dedication to the arcane, the archaic, the religious, and even, at times, the occult. Developed over recent years, Lux animae – Licht der Seele is an entire series of works for soloists and ensemble. One inspiration may have been the Rumanian spectralist Horatiu Radulescu’s 1996 work for viola solo, which bears the same title. Radulescu added the following notes to her piece: “Try not to be at all normal”, “always play always a bit little drunk", "all the new colours are beautiful", and "you must end in the air – imagine the sound vibrating in eterno". In comparison, Ana-Maria Avram’s philosophy seems more sober, but also more militant. For her, being modern means ”to be alive and vital. To accept risk. To dare. To think. To dare to think. To free yourself of preconceptions. To believe. To be brave. To be yourself. To know your weaknesses and not give up, by always asking yourself the same fundamental questions.” It follows that she always starts a new work by meditating; a dream that slowly takes concrete shape, until she finally brings it to life in the concert hall.”  Lux Aeterna Concert Ana-Maria Avram at Berghain 11th march 2011 by WanderingStar e.V.


“ De son coté, Ana-Maria Avram, maniant les sonorités de souche spectrale,
d’une tradition plus européenne, et instrumentales en intégrant l’imaginaire du son archétype, tout en privilégiant la structure dont elle exploite les différentes colorations dans un camaieu de résonances. Lignes brouillées, démultipliées, s’intermodulant en une géologie d’harmoniques fluides, l’album de Iancu Dumitrescu and Ana-Maria Avram constitue une parfaite introduction  à l'oeuvre de deux des compositeurs roumains les plus innovateurs and représentatifs de ce siècle”
Serge Belleudy - d’ESPINOSE : CRYSTAL LAKE, 31 Mars 1996


“Both Avram and Dumitrescu are convinced that if they have been able to
open new doors in music, it is because they have made or found precisely those connections bandween musical activity and inner life that remain unarticulated in conventional musical training. This is not, however, simply a matter of theit philosophy and motivation as artists. The psychological reality if their music is directly grounded in a conception of the acoustic reality iof sound.” Tim Hodgkinson, “Musicworks” No 71, Summer 1998,Toronto.


Works also features three compositions by ANA-MARIA AVRAM, born in 
Bucharest in 1961. Wonderful to hear music where textural innovations aren’t employed to colour pre-existing structures, but evolve form in process. On Zodiaque she plays prepared piano opposite Dumitrescu, a percussionist and magnetic tape. Seems like these Romanians are engaged in a similar kind of sonic research to that which resulted in the masterpieces of Giacinto Scelsi and Ennio Morricone : collective endeavour, genuine ‘deep listenning’. The results are similarly overpowering a milion miles from the tootling inconsecuence of most of what passes for New Music in the classical world. BEN WATSON - The WIRE, LONDON, May 1995

“Avram descends musically from a long line of European spectralist composers. 
Listening to her pieces forces one to recall the tradition of composers like Grisey and Murail, and sonically is incredibly reminiscent of earlier proto-spectralists like Giacinto Scelsi. She is most closely associated with fellow Romanian hyper-spectralist Iancu Dumitrescu, with whom Avram works closely as a composer, conductor, and pianist in the Hyperion Ensemble (founded by Dumitrescu in the 1970s). (…)
Spectral music can sometimes seem a bit cold, even mechanical, in its execution. Avram's music is particularly remarkable because of the very real warmth with which she imbues each of her pieces. Whether composing a solo work which she herself performs, or a piece for electronics, pre-recorded tape, and an entire chamber ensemble, Avram has a brilliant flair for the dramatic paired with a sense of subtlety that lends great contrast and excitement to each moment of each of her works.

Like other Romanian contemporary composers, such as Stefan Niculescu and Horatiu Radulescu (as well as, of course, Dumitrescu), Avram focuses on the use of bird calls, wind sounds, bells, and "natural" sounds that mix harmonic and inharmonic elements in the creation of her hyper-spectralist pieces. Her music is wonderfully textural and phenomenally beautiful. These clips included here are just a few examples of the already deep contributions Avram has made, at only age 50, to the world of New Music” .  WFMU Radio Station




VENUS PELLAGATTI XTRAVAGANZA
ROBERT BROOKS
SAM NORDQUIST
AARON BUSHNELL
ELIJAH MCCLAIN
ANTEO ZAMBONI 
SUMMER TAYLOR
AHMED EREKAT
DOMINIQUE REM'MIE FELLS
SARAH GROSSMAN
JAMES SCURLOCK
DAVID MCATEE
EYAD AL-HALAQ
HECTOR GARCIA MENDOZA
GEORGE FLOYD
BREONNA TAYLOR
VICENTE RAMON GUERRERO
MARCI WISE
JOSEPH ROSENBAUM
ANTHONY HUBER
RIAH MILTON
TONY MCDADE 
EUGUI ROY
AHMAUD ARBERY
ASHLYNN LISBY
OLUWATOYIN SALAU 
VICTORIA SIMS
JOHANNA METZGER
ZEZICO GUAJAJARA
ISABEL CABANILLAS
DAVID GLEN WARD
TONY MCDADE
TIFFANY M. MOFIELD
KENNY RICHIE MARTY "MYLEZ" MITCHELL
NÉHÉMIE JOSEPH
NICOLA SACCO
BARTOLOMEO VANZETTI
ANNA LOPIZZO
ATATIANA KOQUICE JEFFERSON
CARY BALL JR.
ROXANA HERNANDEZ
JAKELIN CAAL MAQUIN
FELIPE ALONZO-GOMEZ
DREASJON "SEAN" REED
MCHALE ROSE
JANA LANGE
WILLIE MCCOY
MARIEE JUAREZ
OSMAR EPIFANIO GONZALEZ-GADBA
JEANCARLO JIMENEZ-JOSEPH
HUY CHI TRAN
KALIEF BROWDER
MI'CHANCE DUNLAP-GITTENS
SERGIO ALONSO LOPEZ
KAMYAR SAMIMI
JOSHUA BROWN
GEMMEL MOORE
TIMOTHY DEAN
SAHAR KHODAYARI
DE'VON BAILEY
TONY TIMPA
MARIA DEL PILAR HURTADO
EMILSEN MANYOMA
MOISÉS MOSQUERA MORENO
TEMISTOCLES MACHADO 
ELEAZAR TEQUÍA VITUCAY
HECTOR WILLIAM MINA
ELIJAH AL-AMIN
NINA POP
JENNIFER LAUDE
LAYLEEN POLANCO
PAMELA TURNER
CHYNAL LINDSEY
JOYCE FIENBERG
RICHARD GOTTFRIED
ROSE MALLINGER 
JERRY RABINOWITZ 
CECIL ROSENTHAL 
DAVID ROSENTHAL 
BERNICE SIMON 
SYLVAN SIMON 
DANIEL STEIN 
MOHAMMED ABU KHUDAIR
MOHAMMAD RAMIZ BAKR
AHED ATEF BAKR
ZAKARIYA AHED BAKR
ISMAIL MAHMOUD BAKR
MELVIN WAX 
TIMOTHY CAUGHMAN
LARNELL BRUCE JR
OSCAR JOSE FIGUERA
EMANTIC “EJ” BRADFORD, JR.
TENIYA JONES 
THURMAN BLEVINS
ALEX NIETO
WALTER LUEBCKE
ARMANDO FRANK
RACHEL ALIENE CORRIE
ANTWON ROSE, JR.
LINUS PHILLIP
DIANTE BUTCHIE YARBER
SAHEED VASSEL
DANA MARTIN
ASHANTI CARMON
CLAIRE LEGATO
RACHEL CORRIE
MUHLAYSIA BOOKER
KENNETH CHAMBERLAIN SR.
ADAMA TRAORE
MICHELLE "TAMIKA" WASHINGTON
JAQUARRIUS HOLLAND
DANNY RAY THOMAS
STEPHON CLARK
MARIELLE FRANCO
TOVEET RADCLIFFE
HEATHER HEYER
FRED HAMPTON
LAVENA LYNN JOHNSON
PHILANDO CASTILE
TAMIR RICE
DANROY HENRY
TRAYVON MARTIN
ERIC GARNER
MICHAEL BROWN
WALTER SCOTT
VIOLA LIUZZO
CLAUDIA PATRICIA GOMEZ GONZALEZ
RICKY JOHN BEST
TALIESIN MYRDDIN NAMKAI MECHE
FREDDIE GRAY 
ALTON STERLING
JORDAN EDWARDS
OSCAR RAMIREZ, JR.
LIGE DANIELS
JESSE WASHINGTON
JOSE ANTONIO ELENA RODRIGUEZ
SAM DUBOSE
HENRY SMITH
JOHN HARTFIELD
ELTON MITCHELL
T.A. ALLEN
THOMAS DEVERT
JOE SPINNER JOHNSON
LUTHER HOLBERT
JESSE THORNTON
WILLIAM LITTLE
JEFF BROWN
KEITH BOWEN
GENERAL LEE
THOMAS MILES
GEORGE DORSEY
DOROTHY DORSEY
TARIKA WILSON
DEAUNTA FARROW
SAM HOSE
PATRICK HARMON
SEAN BELL 
ANTHONY LAMAR SMITH
HENRY GLOVER
RONALD MADISON
TIMOTHY STANSBURY
ALBERTA SPRUILL
DEBORAH DANNER
OUSMANE ZONGO
ORLANDO BARLOW
PRINCE JONES
RONALD BEASLEY
EARL MURRAY
PATRICK DORISMOND
MALCOLM FERGUSON
JONATHAN FERRELL
DONTRE HAMILTON
JOHN CRAWFORD III
EZELL FORD
AIYANA JONES
OSCAR GRANT
DANTE PARKER
TANISHA ANDERSON
TYREE WOODSON
VICTOR WHITE III
YVETTE SMITH
MCKENZIE COCHRAN
JORDAN BAKER
ANDY LOPEZ
MIRIAM CAREY
DEION FLUDD
KIMANI GRAY
REYNALDO QUEVAS
SHANTEL DAVIS
TAMON ROBINSON 
SHEREECE FRANCIS
REKIA BOYD 
TROY DAVIS 
AMADOU DIALLO
RAMARLEY GRAHAM
LAQUAN MCDONALD
KENDRICK JOHNSON
LAVENA JOHNSON
MEDGER EVERS
ANDREW GOODMAN 
MICHAEL SCHWERNER 
JAMES CHANEY 
JOHN EARL REESE 
WILLIE EDWARDS JR 
MACK CHARLES PARKER 
MARSH COOK
JOHN BROWN
HERBERT LEE 
ROMAN DUCKSWORTH JR 
WILLIAM LEWIS MOORE 
ADDIE MAE COLLINS 
DENISE MCNAIR 
CAROLE ROBERTSON 
CYNTHIA WESLEY 
VIRGIL WARE 
HENRY HEZEKIAH DEE 
CHARLES MOORE 
LEMUEL PENN 
JIMMIE LEE JACKSON 
JAMES REEB 
ONEAL MOORE 
WILLIE BREWSTER
JONATHAN DANIELS 
VERNON DAHMER 
BEN CHESTER WHITE 
WHARLEST JACKSON
BENJAMIN BROWN 
SAMUEL HAMMOND JR 
DELANO MIDDLETON 
HENRY EZEKIAL SMITH 
NAT TURNER 
ANDY BURKE 
JOHNSON WHITTAKER 
ROBERT ROBINSON 
FRED ALEXANDER 
ROBERT TRUETT
L.B. REED 
CLINTON BRIGGS 
FRANK LIVINGSTON 
BUD JOHNSON 
LUCIUS MCCARTY 
POWELL GREEN 
EARNEST MCGOWAN 
LEE SNELL 
PRECIOUS GRANT 
HUGH JOHNSON
J.C. FARMER 
EUGENE BELLS 
TIMOTHY HOOD 
JAMES STEPHENSON 
ALONZA BROOKS 
DEJUAN GUILLORY 
ROCRAST MACK JR. 
JUSTIN THOMPSON 
DARRIUS STEWART

Richard Carrick, a Guggenheim fellow, writes music of spatial depth and robust stasis, characterized by continual development and the evocation of profound human experiences. Described both as "charming, with exoticism and sheer infectiousness" and "organic and restless" by The New York Times, Carrick's music is influenced by his multicultural background and experiences as well as his commitment to inspire professionals, audiences and youth through composition. Carrick invokes inspiration from concepts such as symmetry, spatial dimension, and transformation, and composes through process, invention, improvisation, and the incorporation of multimedia elements.

His recent CD release, Cycles of Evolution, incorporates pieces commissioned and performed by the NYPHIL BIENNIAL, Either/Or, Sweden’s Ensemble Son, Hotel Elefant, and DZ4. Carrick conducts or performs on all works on this CD, which includes his 'apocalyptic' multimedia work for performers and video, Prisoner's Cinema. Carrick's first recording also on New World Records, the “rich, beguiling” (The New York Times) extended chamber composition Flow Cycle for Strings, translates psychologist Mihaly Csikszentmihalyi's 'flow' principle into sonic terms. Carrick's improvisation-based disc Stone Guitars garnered critical attention in both the new music and guitar worlds, causing American Record Guide to note 'it may change your perception of electric guitar'. 

Carrick’s latest premiere was String Quartet #2 - Space:Time, a Fromm Foundation commission for the MIVOS Quartet, and has upcoming premieres by pianist Marilyn Nonken and others.  A 2015 Gugak International Workshop Fellow, he is currently composing for Korean traditional instruments.  His music has been programmed and presented internationally at festivals including ISCM World Music Days-Switzerland, Mid-American New Music Festival, and Darmstadt Summer Festival, and performed by musicians including the JACK Quartet, Nieuw Ensemble, Sequitur Ensemble, Tony Arnold, Magnus Andersson, Steven Schick, Rohan de Saram, and others. 

Carrick is co-founder and co-artistic director of the contemporary music ensemble Either/Or, declared 'first rate' and ‘a trustworthy purveyor of fresh sounds’ by The New York Times, and winner of the Chamber Music America/ASCAP Award for Adventurous Programming. As conductor and pianist, Carrick has worked with many celebrated composers including Helmut Lachenmann, Jonny Greenwood, Chaya Czernowin, Elliott Sharp, George Lewis, Alvin Lucier, and Rebecca Saunders. Carrick conducting E/O's ambitious presentation of John Cage's Party Pieces brought together 125 renowned composers from around the world. 

Carrick recently taught composition at Columbia and New York Universities and has presented masterclasses and lectures throughout the US, Europe, and Asia. He is a cornerstone of the teaching artist faculty for the New York Philharmonic, through which he has mentored hundreds of young composers internationally. 

Born in Paris of French-Algerian and British descent, Carrick received his BA from Columbia University, PhD from the University of California-San Diego with Brian Ferneyhough, and pursued further studies at IRCAM and the Koninklijk Conservatorium in The Hague.  Recent works distributed by Project Schott New York. www.richardcarrick.com

The Ugly Sound System
gives away
complete mindfucked psychedelia
look-a-like soul sutures
half blues half noise
ready to jerk off
loops for jack-ass-holes
a space psychotic experience
for the Suicide Girls!

Plutonian Frenzy ( fragment) live in Israel

ana-maria-avram-composer