From the compilation:
Afrobeat Airways 2 - Return Flight to Ghana 1974-1983
Release Date: September 17th, 2013
(click below for promotional pictures and additonal information)

http://bit.ly/15AR6bg

From the coastal cities of Accra and Cape Coast, basked in a tropical sound heavily influenced by highlife, to the semi-Saharan cities of Tamalé and Bolgatanga (part of a self-proclaimed ‘Islamic Funk Belt’) via the central city of Kumasi, Analog Africa (http://analogafrica.blogspot.com/) has criss-crossed Ghana in search of rare tracks, part of its ongoing, hard-grooving mission to bring the soul, funk, and vintage local pop out of obscurity and into its deserved international place.

Building on the success of the first installment in 2009, Afrobeat Airways 2 (Analog Africa; release: September 17, 2013) is a selection of 13 ultra-rare tracks by some of the musical giants who had created a movement that rocked the West African nation throughout the ‘70s: legendary singer K. Frimpong; Nana Ampedu (leader of the mighty African Brothers Band); Gyedu-Blay Ambolley and his superb guest appearance with The Complex Sounds; afrobeat star Ebo Taylor, backing his son in an unreleased track called ‘Children Don’t Cry’; the enigmatic Rob and his unique blend of twisted afrofunk; innovative drummer De Frank; and Uppers International, with their raw Islamic funk style. More obscure artists such as Los Issufu and his Moslems, Waza Afrika 76 and Tony Sarfo and his Funky Afrosibi make northern hemisphere debuts, adding to a rich list of Ghanaian artists whose music could be transferred seamlessly to any dancefloor in the world.

As with all Analog Africa releases, this is about more than just the sounds. It’s about the place, time, and people who shaped the scene. To document this, the accompanying 44-page booklet of Afrobeat Airways 2 features an introductory essay written by Afropop Worldwide editor Banning Eyre, exploring the development of soul, funk and afrobeat during the ‘60s and ‘70s in Ghana. The remaining 30 pages are packed with interviews and biographies of the artists and producers involved in the creation of this wonderful music.

Additionally, the Analog Africa team have managed to track down the photographers of the famous Modern Photo studios, located at the front of Accra’s legendary TipToe, a venue notorious for organizing unforgettable dance competitions, ‘Miss Tip Toe’ contests and the most in-demand highlife and afrobeat gigs of the day. 400 negatives have been lent to the Analog Africa team. Samy Ben Redjeb selected 50 of the most expressive pictures to document this little-known but striking musical scene.

AJA WONDO - Uppers International

TERANGA BEAT proudly presents the ROYAL BAND de THIÈS in their first ever and entirely unreleased 1979 recording. Singers and composers JAMES GADIAGA & SECKA will guide you through the sweet melodies, wicked rhythms and vocal traditions of Senegalese music, in a fabulous performance that combines MBALAX with AFRO-JAZZ.

While many bands in the world claimed the title of “Pacesetters” none can stand next to ROYAL BAND de THIÈS. The 9-member band with its dynamite percussion and horn sections will twist you like tornado! Tracks like "HOMMAGE À MBAYE FALL" will take you on a musical journey to the cultural crossroads of Senegal, West Africa’s meeting point of European, Latin American and African musical traditions. This real-time, two-microphone recording gives the impression that the group is playing live in front of you, making it hard to believe it dates back 33 years ago!

The liner notes of the double gatefold LP and CD booklet include more interesting details, outlining JAMES's & SECKA's musical careers along with the past and present of the band. We hope you will enjoy!


Royal Band de Thiès - Hommage À Mbaye Fall

Brownswood are delighted to announce that we have signed Cuban singer Daymé Arocena.
Daymé was part of the Havana Cultura Mix project, which saw Gilles Peterson mentoring selected producers from around the world to make a record in Cuba with local musicians. She auditioned, prompting all producers to decide they wanted to work with her... In the end, she sung on three tracks on the album, including the massive "U Knew Before”. Seeing huge potential in her, Gilles invited her to London to perform at the album launch event, where she enchanted the packed out audience, and it was decided she should record a solo project for Brownswood Recordings / Havana Cultura. The announcement brought out a loud, rich, infectious laugh instantly recognizable as Dayme’s deep and chocolaty voice. “My first record, here,” she squeals. “It’s a crazy dream.”

Credits: 
Vocals & Campana - Daymé Arocena 
Produced by Simbad 
Thumb Pianos, Bass Cajon, Djembe,  Shakers, Small Percussions, 
CP 70 & B3 Organ - Simbad  


itunes

Daymé Arocena - Madres

Akalé Wubé songs from the album "Sost" available for streaming.

Anbessa (feat. Manu Dibango)

1973 afro-cuban sounds from enigmatic Guinean percussionist/singer Amara Touré on Frankfurt-based label Analog Africa.

Read more: http://www.stampthewax.com/2015/06/30/premiere-amara-toure-temedy/

Follow:
@analog-africa

Buy Now

Premiere: Amara Touré - Temedy

Africa 45, number 10 - http://www.mrbongo.com/products/alemayehu-eshete-telantena-zare-girma-beyene-ene-negn-bay-manesh-7

A: Alèmayèhu Eshèté - Telantena Zaré

The second time Eshete - aka the Ethiopian James Brown aka Abyssinian Elvis - has appeared in the series to date. This time in jazzier form. Upbeat piano, guitar and distinctive vocals accompanied by tough but subtle drums.

Originally released on 7” on Amha Records AE 780 in 1974. Needless to say, it’s nigh on impossible to find.



B: Girma Bèyènè - Ene Negn bay manesh

Reminiscent of the great works of Mulatu, ‘Ene Negn bay manesh’ is a beautifully deep groover, featuring Beyene’s vocal - unusual for him; he usually recorded instrumentals - subtle guitar, organ and horn lines.

Originally released, once again, on Ethipion label Amha Records AE 210, in 1969.

BUY VINYL

Girma Beyene - Ene Negn Bay Manesh

To bookend the Collocutor -'Instead' project Contours offered up this On the Corner Banger. The next chapter for Collocutor begins here and one for the next Vs 12". 

Contours Vs Collocutor - Agama

@nilamaye are an Afro-Colombian band who fully embrace their musical heritage and traditions. Their Las Flores Del Sol LP is a late contender for our favourite album of 2016, and 'Regresa Pues' is its crowning glory. Out on @bongojoerecordshop.

Read more & buy: http://www.stampthewax.com/2016/12/22/nilamaye-regresa-pues/
Listen on Youtube: bit.ly/nilamaye

Listen on Youtube

Nilamayé - Regresa Pues (STW Premiere)

This is a selected playlist of tracks from the World Music scene.  To see videos and more visit www.ExoticMusic.Org

Kokoroko Afrobeat Collective - Colonial Mentality

Akalé Wubé songs from the album "Mata" available for streaming.

Dodo

Mulatu Astatke (born 1943; surname sometimes spelled Astatqé) is an Ethiopian musician and arranger best known as the father of Ethio-jazz.

Mulatu Astatke & The Heliocentrics - An Epic Story

*Analog Africa - The Future Of Music Happened Decades Ago*

AJA WONDO - Uppers International

Analog Africa

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