multi kulti

From the liner notes of our 2-disc Ebo Taylor retrospective, Life Stories:

Ebo acknowledges the influence of US jazz rockers Blood Sweat & Tears and
– less obviously, perhaps – Deep Purple on this easy going mid-tempo
piece, written a few years before it was recorded, when Osibisa and
various ‘blaxploitation’ themes were hip. “I was trying to fuse rock and jazz together with highlife,” Ebo recalls. “This kind of music was ahead of its time – not very popular when we recorded it!”

Life Stories

Peace On Earth

Ebo Taylor- Peace On Earth

TERANGA BEAT proudly presents DIEUF-DIEUL de THIÈS in their first ever edition. Three singers ASSANE CAMARA, BASSIROU SARR and GORA MBAYE together with their chef d'orchestre and guitar player PAPE SECK (an ex-member of GUELEWAR) compose traditional rhythms from all the regions of Senegal, with fuzz guitars, horn sections and hallucinatory percussion. 

The result is an explosive mixture of an Electric Psychedelic sound with the wisdom and superiority of the musical traditions of the region, a crossover of AFRO-MANDING and AFRO-JAZZ, in which each singer guides the 13-member band in a different direction. Even today this 32 year old recording sounds futuristic and it is really rather weird that DIEUF-DIEUL never had the chance to release an actual album. 

Aw Sa Yone Vol.1 includes the biggest part of their second recording and the double LP comes in a special edition with a Silkscreen print cover with a large poster & included in the CD booklet photos and liner notes outlining the group member's careers. 

There was no other group in Senegal with such a variety of cultural background and a strong identity. Senegalese music at its BEST! We hope you will enjoy.


Dieuf-Dieul de Thies - Aling Na Djimbe

From the upcoming album 'Jaiyede Afro' by Orlando Julius and The Heliocentrics, out September 8th on Strut. 
Pre-order now via iTunes and receive "Buje Buje" instantly: http://geni.us/JaiyedeAfro

Jake Ferguson of The Heliocentrics on "In The Middle:"
"We’ve all been big fans of James Brown since we’ve been involved in music and have played ‘In The Middle’ regularly on our live tours. It felt like a natural fit for the Orlando project, particularly as we have added an Afro swing to the track. We first played the track with Orlando at a London gig last year and he got into it in the studio straight away – his sax solo here was the very first take. James Brown and his band loved Orlando when they saw him play in Ibadan back in the ‘60s and the two of them met up and talked at J.B.’s hotel. So, for lots of reasons, this felt like a natural one to include.”

More from Strut:
https://www.facebook.com/StrutRecords
https://www.youtube.com/user/strutrecords
http://strut-records.com

More from Orlando Julius:
https://www.facebook.com/OrlandoJuliusOfficial

More from The Heliocentrics:
https://www.facebook.com/pages/The-Heliocentrics/159461737458324

Jaiyede Afro

In The Middle

Orlando Julius & The Heliocentrics - "In The Middle"

Saxon lee & The Shadows international: Mind your buisness ( Dj Julien Lebrun edit)

Track taken from Toto's forthcoming album 'Tambolero', released 29th June.

Discover more - https://realworldrecords.com/tambolero/

Pre order via:
iTunes - http://smarturl.it/Tambolero-iTunes
Amazon - http://smarturl.it/Tambolero-Amazon
Google Play - http://smarturl.it/Tambolero-Google

Singer, dancer and teacher, Totó La Momposina's entire life has been dedicated to representing the music of Colombia’s Caribbean coastline, where African, Indigenous Indian and Spanish cultures mingle to create a unique musical tradition. ‘Tambolero’, originally released in 1993 as ‘La Candela Viva’, has been re-created and re-imagined for 2015 as part of Real World Records’ Gold series.

El Pescador (Cumbia)

A tribute to the fisherman working the coasts and rivers of Colombia. A sense of respect, affection and appreciation is revealed in the words of the hard, yet humble, task of the fisherman, in touch with nature. El Pescador was composed by José Barros, from El Banco, celebrated creator of many well-loved Colombian songs.

Totó La Momposina y sus Tambores - El Pescador

June 23rd marks the arrival of the long-awaited proper reissue of Amara Toure’s groundbreaking Afro-latin studio works captured between 1973 and 1980. Analog Africa has prepared a special gatefold double LP version on 140g vinyl, encompassing the three singles he recorded under the Black and White ensemble between 1973 and 1976 along with the highly coveted Orchestre Massako group’s stunning 1980 LP Accompagné Par L’Orchestre Massako. This is the entire known works of the mystic composer and it is stated in the press that after he recorded Accompagné Par L’Orchestre Massako, he would never been seen again and his whereabouts are unknown to this day. Breaking ground out of the rich legacy and musician development system Dakar, Senegal, producer Ibra Kasseì created, the origins of Ibra’s movement begins in the late ’50s when fusion music around the world was beginning to stretch outside of sketch forms. Cuban styles of son montuno and patchanga were infused with local folk traditions and modern instrumentation of each successive generation, producing a hybrid of West African and Caribbean music that is intoxicating and hypnotic in every rhythm, harmony and overtone. Senegal was buzzing with new creativity through the ’60s and beyond, met with an array of highly advanced musicians and visionaries. Nightlife music for those that wanted something beyond the radio hits and presented with a passionate essence that connected many people in the region of the time.

Amara Toure was brought up in a progressive movement unlike any other and by the time he was able to head his own groups and record his own content from the experience he gained networking with Ibra Kassei, African music had finally hit a global scale. When you open up the lid on the musicians who never made it outside of the regions known for strong music activity, an overwhelming list of artists come up and there is no question that Amara Toure ranks amongst the top of these creators. Originally from Guinea-Conakry, Amara Toure remained underground and raw during his tenure producing records, creating some of the most earth-shattering grooves and harmonies from any West African artist ever. To have his works in one album from the exceptional team at Analog Africa is a dream come true, updating pre-existing copies of originals that run in the triple digit numbers amongst hardcore collectors and doing a great job at preserving the analog warmth of the originals. The singles material was recorded in Cameroon while the 1980 content was done in Libreville, Gabon. Absolutely breathtaking guitar, percussion and horn heavy music that is timeless without question. For the vinyl junkies, this one has been pressed on deluxe gatefold double LP as a 140-gram vinyl and is presented in four-color screenprinted covers and also comes with a screenprinted poster. Limited edition to 1,500 copies, so order now if you want to secure a vinyl copy as these will surely run out quickly. Analog Africa does various reprints on back catalog titles out of print but these are never announced ahead of time. One can only hope they will run multiple campaigns for these prints as this music is too good for words.

Get it HERE

Salamouti  - Amara Touré et l´Orchestre Massako

Been working all day? Been sweating all week? Time to throw down the hammer and have a dansi time! 

In the spotlights: The irresistible dance music coming out of East Africa! Kenyan Benga, Congolese Rumba's, Muziki Wa Dansi from Tanzania, they all have something in common: Untamable Hi-hat samurai's, tireless guitar terriers, scattering songbirds forming a tidal wave of uplifting dance music. 

Umoja picked some their favorite songs & elements and went for a session to add some Umoja flavours. Keeping a wide range of tempo's and moods, there should be something for all your moves and moments. Put on your brightest socks, sprinkle some glitters and join the Dansi! 

Much love, 
Umoja

Download & Support

Les Mangelepa - N'kimba (Umoja Edit)

In partnership with Teranga beat, the current leading label for Senegalese music, Analog Africa proudly offer an insight into the musical adventures that were taking place in the major Senegalese cities during the 60s and 70s. 

It all started in 2009 when Adamantios Kafetzis travelled from Greece to Senegal with a brand new tape machine that he used to digitise the musical treasures he had discovered in the city of Thiés. These treasures took the form of reel tapes, and had been recorded by sound engineer Moussa Diallo, who had spent the previous four decades immortalising, onto magnetic tape, the bands that would later perform in his club, the legendary Sangomar. 

300 Senegalese songs that nobody had ever heard before were discovered - Five of them were selected for this compilation. 

Thanks to its history of outside influences, Senegal – the western point of Africa - had become a musical melting pot.  
Cuban and American sailors had brought Son Montuno from Cuba, Jazz from New Orleans and American soul tunes: sounds that were swiftly embraced and adopted by urban dance bands and intuitively merged with local music styles.

One band in particular excelled at this fusion. 1960 marks the formation of Le Star Band de Dakar, a milestone that left an indelible imprint on Dakar’s musical landscape. Indeed, the whole country was soon grooving to their intoxicating mixture of Afro Cuban rhythms and Wolof-language lyrics. 

The 1970s brought a new generation of stellar bands like Le Sahel, Orchestre Laye Thiam, Number One de Dakar, Orchestra Baobab, Dieuf Dieul de Thies, Xalam 1 who fused traditional Senegalese percussion instruments such Sabra, Tama and Bougarabou with organs and keyboards, giving birth to new hybrids. Merging the folkloric and the experimental, these sounds, embraced by the youth, took centre stage and gave the previously dominant Cuban music a run for its money.

With this burst of musical and artistic creativity, driven predominantly by the modern vision of President Senghor, Dakar began attracting international stars. The Jackson Five, James Brown, Tabou Combo (Haiti), Celia Cruz (Cuba) and an array of African stars like Tabu Ley Rochereau (Congo), Manu Dibango (Cameroon) and Bembeya Jazz (Guinée) joined in with the local scene, improvising jam sessions and bringing new flavours to a music scene that was always open to new inspirations and influences. Johnny Pacheco immortalised his passion for the city with a song called “Dakar, Punto Final”.

4 years in the making, this compilation, reflects the unique fusion of Funk, Mbalax, Cuban Son and Mandingue sounds that helped transform Dakar into West Africa´s most vibrant city. 

The comprehensive booklet that comes with the CD - 44 pages or with the 2xLP - 12 pages LP size booklet - are a precious document attesting to the decades of transformation that led to modern Senegalese music. Featuring biographies of music producers and a legendary record cover designer, as well as the life stories of all the groups represented here, the booklet also includes a fantastic selection of photos that have never seen before.


Mariama - Orchestre Fangóól (Leave a comment for Max Dia  - Singer/Composer - I will forward)

Africa 45, number 10 - http://www.mrbongo.com/products/alemayehu-eshete-telantena-zare-girma-beyene-ene-negn-bay-manesh-7

A: Alèmayèhu Eshèté - Telantena Zaré

The second time Eshete - aka the Ethiopian James Brown aka Abyssinian Elvis - has appeared in the series to date. This time in jazzier form. Upbeat piano, guitar and distinctive vocals accompanied by tough but subtle drums.

Originally released on 7” on Amha Records AE 780 in 1974. Needless to say, it’s nigh on impossible to find.



B: Girma Bèyènè - Ene Negn bay manesh

Reminiscent of the great works of Mulatu, ‘Ene Negn bay manesh’ is a beautifully deep groover, featuring Beyene’s vocal - unusual for him; he usually recorded instrumentals - subtle guitar, organ and horn lines.

Originally released, once again, on Ethipion label Amha Records AE 210, in 1969.

BUY VINYL

Girma Beyene - Ene Negn Bay Manesh

Marijata - I Walk Alone

Reissue of ultra rare 7" from cult Orchestre Rail Band with:
- ”Moko Diolo" on side A, a beautiful long trippy deep afro jazz with very funky rhythms sections, great garage sounding guitar and fantastic hypnotic voices!
- “Tama Diyara Mali Deun La" on B side is a massive funky afro track with killer sax solo. For sure a real crowd shaker with killer breaks. 

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Along with the Bembeya Jazz or Orchestra Baobab, the Rail Band of Bamako is one of the most prolific bands in all of West Africa. This legendary orchestra has launched, among others, the careers of Salif Keita, Mory Kanté and Djélimady Tounkara and has bequeathed in just fifteen years one of the most important work in Malian and West African music.

Encouraged by his superiors at the Ministry of Transport, the station master Aly Diallo, remarkable multi-instrumentalist is charged with developing a modern and eclectic band to animate the Buffet of the station.
Named the Orchestre Rail Band du Buffet Hôtel de la gare de Bamako, the orchestra is officially created in October 1969 under the leadership of conductor, saxophonist and trumpeter Tidiani Koné, an outstanding and unsung musician who was both a griot and a jazzman. Nicknamed the “Malian Miles Davis”, Tidiani Koné embodies by itself the wonderful modernity and adaptability of Malian music. His idea was to bring Malian music out of what he felt was the dead-end cycle of Afro-Cuban and European imitations. He also was the first to understand that Salif Keita’s voice was pure gold and did not miss the chance to recruit the young albino singer.

The Rail Band was established to « explore and propel the Mandingo repertoire in order to aim at the neo-classicism of the African chanson ». In combining Mandingo and Bambara folklore, Congolese rumba, and American Rhythm’n’Blues with French Pop and hints of Calypso, the orchestra’s sound became the soundtrack of a golden decade in Mali’s music from 1970 to the early 1980s and paved the way for numerous West African orchestras to follow.

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MORE INFOS / BUY: http://www.gomagringa.com/pd-3049da-7-orchestre-rail-band-de-bamako.html?ct=&p=1&s=1

GG7-004 | Orchestre Rail Band de Bamako "Tamadiara"

Batsumi - Lishonile

Keira will be available on Soundway Records Sept 2016. Pre-order here http://smarturl.it/SussoDirect

Mariama - Orchestre Fangóól (Leave a comment for Max Dia - Singer/Composer - I will forward)

Analog Africa

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