Just a bit of fun :)
respect to everyone x x

K N O P F L E R E F F E K T

The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel.
Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.

https://ad93.lnk.to/TheWayOfTime

released June 20, 2025 via AD 93

Artwork and design by Lucas Dupuy and Pavel Milyakov
Vinyl mastering by Stefan Betke

Biosphere - The Way Of Time

isness I is·​ness I ˈiznə̇s
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We are pleased to drop the second chapter of the Isness sublabel, which begins to chart its own course. “Drownded EP”is signed by Philadelphia-based Tom Croke (4rd, Bewwip) and Steve Hackett operating under the Night Owl Committee alias. They are taking a deep dive into eclectic productions that will touch your mind and soul, combining laid-back beats with dreamy electronix, jazzy melodies and dusty drums. The groove that we instantly fell in love with when we heard their demo's for the first time. Expect a trip from lo-fi psychedelia to cosmic jazz vibes. Simply unbeatable stuff for introspective nights. MUST.
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PREORDER 12" VINYL + DIGITAL: https://tinyurl.com/582nzfar
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A1   SNOW MULES                                  05:55  
A2   COPSE CIRCUIT                               02:16
A3   NITROXIDATION (BEWWWHIIOP)                  02:37
A4   CHESTER GROOVE                              02:47
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B1   WILD BLUE                                   04:30
B2   CYCLES                                      02:18
B3   IN DEPTH                                    04:02
B4   1960s PRESSURIZED COMPARTMENT INTELLIGENCE  03:26
— 
C+P Isness 2025. All rights reserved. Isness is a division of Analogical Force.
Written, recorded, and mixed by Tom Croke and Steve Hackett in West Philadelphia, US                      
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón.
Design by Geometric Love, UK
—  
www.analogicalforce.com

Buy Now

[IS2] NIGHT OWL COMMITTEE 'DROWNDED EP' [2025]

I’ve been experimenting further with re-tuning everything I own into Carnatic scales and using chance operations in my sequencing to control slides, accents and reverb and delay sends.

I used to use maxmsp to retune synths using midi guitar mode and pitch bend on each channel with a snazzy custom patch I built but now oddsound just does it all for me. I think they built weird scales into live itself now but oddsound MTS does it better. I've become slightly obsessed with the bhairavi raga scales, they're dreamy. 

Is anyone else really suffering with live 12? It crashes all the time for me when any project reaches over a few tracks in size...

Pang Remold

NOBD presents its first official release and kicks off a collection that marks the birth of its project. This single is part of NOBD - PRELUDE, a series conceived as an introduction to the artist’s sonic universe, a space of raw exploration with a kickless electronic aesthetic, focused on sound design, texture, and implicit rhythm.

Comprar track

NOBD - Humans used to know how to make love

Adepta Editions | AE-14
Limited Edition 8" Lathe Cut Vinyl + Digital 
BUY LINK: https://adepta.bandcamp.com/
Label: Adepta Editions (https://soundcloud.com/adepta)
https://www.instagram.com/adepta_editions
> Self Oscillate (https://soundcloud.com/user152947)

We are very excited to announce the latest offering in our AE series, an 8-inch lathe cut vinyl from Self Oscillate, the solo project of Ingo Zobel, who has been making electronic music for more than three decades and is probably best known for his work within the group Drøn. The new release, AE-14, moves beyond a simple collection of IDM tracks, offering an emotional dive into a universe of elegant glitches that creates a vast, deeply-felt sonic landscape.

BUY LINK

PREMIERE : Self Oscillate - Yearning For Summer

@oh-mr-james makes a powerful debut on Analogical Force with I'm Not Here, a six-track EP of intense dancefloor anthems forged from years of live performance. Capturing the tension of modern disconnection—always online, never present—this release cuts through the noise as a bold statement from the Cornish Braindance scene. Out on Madrid’s leading label for braindance, breakcore, acid, and experimental electronics, it marks a fearless new chapter in electronic music.

Amidst a sea of mediocrity and plagiarism, I'm Not Here stands as a testament to the uniqueness of the Cornish Braindance scene, which has given rise to some of the greatest producers in electronic dance music. Here, Benjamin James demonstrates that he is the torchbearer of that legacy, delivering anthems for a world spiraling in self-alienation—where identity flickers between screens and silence.
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PREORDER 12" YELLOW VINYL + DIGITAL: https://tinyurl.com/3pxhs5pb
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A1   SOMETIMES                                 02:34  
A2   I’M NOT HERE                              04:59
A3   THE BISHOP                                04:09

B1   GROUND CONTROL ACID                       03:27
B2   PARASYMPATHETIC                           03:42
B3   DESK ACID TWO                             03:54
—
C+P Analogical Force 2025. All rights reserved. 
Written and produced by Benjamin James Wood,Wales / Cornwall
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón
Design by Geometric Love, UK
Distributed by Clone, Rotterdam 
—
www.analogicalforce.com

[AF063] OH MR JAMES 'I'M NOT HERE EP' [2025]

The Second half of this track reminds me of 'The Kiss' by The Cure xxx

Xphor

Not sure if it's the over-commercialization of everything, but I've been thinking about edits a lot lately. I used to make a ton of them and they were fun, but as they've become more and more the standard for what gets played out, I've more or less stopped making them.

When everything is an edit, what is the point. Do we really need another version of "My Neck, My Back"? Probably not, but here's two more. I feel like 'Some Edits & Shit' might add to that problem, but for me, it's really just turning a page and leaving some things behind.

Looking back, some of these are embarrassing, and some of them are really fucking cool. There is something to be said about allowing yourself to grow as a human while understanding that it is ok to come from a place. Even if that place feels embarrassing or alien years later. Maybe there was something interesting about the time or place or just the way I threw ideas together back then.

My only regret is not making a Creed edit. Maybe next time.

Free DL

Deadboy - If U Want Me (Wheez-ie Remix)

One shot😎🦼

The Brink

Independent record label. 
Based in Madrid, run by Pervert. 
𝕍𝕠𝕚𝕔𝕖 𝕗𝕠𝕣 𝕥𝕙𝕖 𝕧𝕠𝕚𝕔𝕖𝕝𝕖𝕤𝕤
isness I is·​ness I ˈiznə̇s
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Distribution: www.clone.nl