Name: Anasisana - Stay (ft. Zhe Pechorin) by Anasisana
Duration: 4 min
Description: Laying out work that has been widely garnered from a long soft chain of a long-awaited path with a different spatial dimension than before.The repetition expanded and went slightly further as the waves slowly covered in forms of collaborating. Dulcet voices threaten to disintegrate the pieces into upheaval and transmitt into the dynamic participation of mellifluous strims.

This Mixtape is a compilation of tracks produced by the participates of the 'Take it from the bird - creating music inspired by the Superb Lyrebird' workshop I lead for Unthinking / Unlearning - an online laboratory and residency, a part of the Year of Germany in Russia 2020/21 and collaboration between Klammklang label, Sound Studies and Sonic Arts (M.A.) at the Universität der Künste Berlin and Sound Art and Sound Studies (M.A.) at HSE Art and Design School, Moscow.

‘The Superb Lyrebird’ is an Australian Native bird, which is capable of mimicking natural and synthetic sounds from its natural environment — Participants created their own music sampling biorhythms and timbres from an animal sound open-access archive.

Track list:
Alexandra Kopelyan - In a Bittern Voice
Isa sO.any - Myai
Alexey Berezhnoy - Flat ES Ecosystem
Anton Anishchanka - Bear Habitat
Ira Afanaseva - Dogs in the yard
Lera Elagina - Kozhuhovo Birds
Masha Alexandrova - Fin 
Ystalost Dimecres - Untitled.

Take it from the bird - creating music inspired by the Superb lyrebird U/U workshop mix tape

Album, OKVLT009, 30th June 2021

‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡

French musicians Alban Mercier(Officium) and Eric Desjeux (Tzii) team up after years of friendship for a 9-tracks collaborative album. Ltd. edition of 70 pro-dubbed tapes and risoprinted cover.

Mixed & mastered by Tioma Tchoulanov. 
Artwork & design by Gaëtan Bizien.
https://okvlt.bandcamp.com/album/watching-myself-forget-with-no-resistance

○ Geoid Color Circle — Enter The Straw

There’s a body of water in the woods near Carrboro. Dappled light on the trail leads you to it. Crunch of leaves underfoot. A river feeds the swimming hole where people plunge, naked and alive. On a chair you sit reminiscing about the future. After a dip, you lay on a big smooth rock - let the sun bake you dry. Then you walk further into the woods.

Like coming upon some keyboardists situated at the mouth of a cave, the entreaties on this record are calming but enigmatic, tinged with melancholy and reflection. Recurring motifs are given room to grow—there’s much space, and the progressions percolate, an auditory mapping of emotional crevices. Sentimentalism given a rougher edge. It lures you in; an orb appears, bright and buzzing. It motions for you to continue. As you do, a fragrance floats through the cave and fills your psyche, like a thousand roses hidden in the dark.

On "Keyboard Suite Vol. 1", MARV imbues analog subtractive and FM synthesis with a distinct physicality. Dub studio techniques and rigorously hand-played performances create an 'environmental' keyboard masterpiece strongly connected to the lineage of 1970s-80s private press ambient and electronic recordings-- but elegantly modern sound design and production methods center the album in the present day. A timeless quality pervades "Keyboard Suite Vol. 1", allowing for easy repeats, marinating the subconscious ache of loss with a dreamily resolute hope.

keyboards and effects ~ Geoff Schilling and Nathan Taylor
french horn (A2) ~ Aaron Smithers
mixdown assistance ~ Glyn Maier
audio finalization ~ Nathan Taylor
design and layout ~ Joe Bastardo (www.josephbastardo.com)

all proceeds to Carolina Abortion Fund (Durham, NC) ~ www.carolinaabortionfund.org

ALSO WILL BE STOCKED BY:

Tobira Records (JP)
All Day Records (US)
Commend (US)
Boomkat (UK)
Industrial Coast (UK)

LP details ~
black vinyl, printed center labels
lacquer cut ~ Amy Dragon
recycled black paper jackets ~ Middle Press
silkscreened with water/soy-based ink ~ Goatmother Industrial
recycled plantable seed paper insert ~ Greenfield Paper, debossed with Braille text* ~ Middle Press
custom scent ~ Meadow Maker Apothecary (www.instagram.com/_meadowmakers_/)

*may not be readable due to paper thickness and texture

*ALL LPS WILL BE SHIPPED OUTSIDE OF JACKET FOR SAFETY*

Keyboard Suite I

MARV - Stable Mate (ENM10)

Teahouse Radio - If I were a garden. Taken from the album “Her Quiet Garden” out on Vrystaete / Enfant Terrible (Vrystaete16 / 2022).

More information and sound previews here: https://www.enfant-terrible.nl/releases/teahouse-radio-her-quiet-garden/

Teahouse Radio - If I were a garden

Laying out work that has been widely garnered from a long soft chain of a long-awaited path with a different spatial dimension than before.The repetition expanded and went slightly further as the waves slowly covered in forms of collaborating. Dulcet voices threaten to disintegrate the pieces into upheaval and transmitt into the dynamic participation of mellifluous strims.

Anasisana - Stay (ft. Zhe Pechorin)

Burning Pyre ripples outward a new aural 'alloy' for Amulet of Tears  — all filtered through the vapor murmurings of a synthesiser and emerging phonography.  The flux as the respective halves float in the immersive aspect of synth drift & cultivates a new modality as an emblem of modernity by syncretic belief.  The mix remains largely fertile in impressive arrangement of electronic ingenuity.  More broadly, Christopher Macarthur has crafted a graceful approach to contemporary ambient and minimalist works across a number of releases for Opal Tapes, Perfect Aesthetics, Vaagner, Eastern Nurseries and Vienna Press under the moniker Burning Pyre.

Amulet of Tears 024: Burning Pyre

Music: @burningpyre

Artwork: @anasisana

Amulet 024: Burning Pyre

STEVE FORS, it's nothing, but still, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2201
Getefold cover, obi strip, limited clear vinyl

// Single release "ground glass" 21. June 2022
// Album release "it's nothing, but still" 19. Aug. 2022

Steve Fors offers deeply physical music on his Hallow Ground debut »it's nothing, but still.« Having already established himself as a composer of visceral drone and noise pieces in various Chicago- and New York-based underground projects, Fors’s first release under his given name is even more dense and evocative than his earlier work. A concept album on the subject of breath, the Siavash Amini-produced record sees the now Swiss-based composer blend field recordings with electronic and acoustic sounds—most notably towering cello drones—to almost overwhelming effect. 

Initially taking inspiration from living with a chronic lung condition, Fors meticulously crafts pieces that transcend his personal experience and reach for something universal. »The album is a study in melancholy and transience,« he explains. »And my intention is that the sounds trigger a memory, an image, a feeling in each of us. While our specific circumstances are momentary and discrete; joy, rage, and despair remain existential to our common experience.«

At first listen, Fors describes moments in time by building on a foundation of simple field recordings—an afternoon in a cathedral, the idling of COVID-19 morgue trucks outside Brooklyn Hospital, or the fleeting sound of wind in the trees—and then progressively overlays electronic and acoustic textures. On repeated plays however, the songs unfold, revealing a complexity, depth, and presence uncommon in current ambient music.

What makes »it's nothing, but still« such a memorable album is that it doesn’t impose anything on the listener, but rather offers them something to get lost in. From the first lush drones on the opener »(good enough) for now,« to the solemn piano chords on the title track, to the glistening cello feedback on »the way to heaven,« Fors’s sentiment about the record rings true. »If we surrender ourselves, these sounds can move us out of our present condition into a distinctly different existence, if only for a moment. If we choose to listen closely, we can experience the superpositioning of both memory and imagination in real time.«
Tracklist:
1.) (good enough) for now (07:28)
2.) ground glass (05:32)
3.) it's nothing, but still (05:02)
4.) unsound structures  (06:26)
5.) lead into aether (05:58)
6.) the way to heaven (05:48)		 
		
Credits:
All songs composed, recorded, performed and mixed by Steve Fors in Zurich 
Produced by Siavash Amini in Tehran, Iran
Mastered by Rafael Anton Irissari at Black Knoll Studio, New York
Cover photography by Jens Knigge
Cover design by Steve Fors
Released by Hallow Ground in 2022

STEVE FORS - ground glass

stream: lnk.to/sable

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sable

The first release of a compilation of remixes from artists of the Ambient Cat label.

Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev with AI
Cover design by Dionis Afonichev (Dionisaf)

Ambient Cat Remixes, Vol. 1

Dionisaf - Sensitive Moments (Brannan Lane  Remix)

The Liberty Tree

Roll the Dice are happy to announce the 4th outing in their series of musical ”meetings”.In this collaboration they hook up with jazz trumpeter Goran Kajfes (Oddjob, Subtropic Arkestra) for another venture into unchartered territory.”This is our take on Jazz, where we wanted the free spirit in composition and playing to meet the somewhat static and rigid experience of programming and sequencers.To tie it all togeheter, artist Fabio Almeida has provided yet another fitting piece of art for the cover.

Anasisana - Stay (ft. Zhe Pechorin)

Anasisana

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