This Mixtape is a compilation of tracks produced by the participates of the 'Take it from the bird - creating music inspired by the Superb Lyrebird' workshop I lead for Unthinking / Unlearning - an online laboratory and residency, a part of the Year of Germany in Russia 2020/21 and collaboration between Klammklang label, Sound Studies and Sonic Arts (M.A.) at the Universität der Künste Berlin and Sound Art and Sound Studies (M.A.) at HSE Art and Design School, Moscow.

‘The Superb Lyrebird’ is an Australian Native bird, which is capable of mimicking natural and synthetic sounds from its natural environment — Participants created their own music sampling biorhythms and timbres from an animal sound open-access archive.

Track list:
Alexandra Kopelyan - In a Bittern Voice
Isa sO.any - Myai
Alexey Berezhnoy - Flat ES Ecosystem
Anton Anishchanka - Bear Habitat
Ira Afanaseva - Dogs in the yard
Lera Elagina - Kozhuhovo Birds
Masha Alexandrova - Fin 
Ystalost Dimecres - Untitled.

Take it from the bird - creating music inspired by the Superb lyrebird U/U workshop mix tape

Flutter

Ain't docile Automatons, Vol​.​2

Green

▲ ◙ ▲

Dylan Henner (AD 93, Phantom Limb) returns to Dauw with 'performs Raymond Scott’s Soothing Sounds for Baby’, a new album where he reinterprets a selection of Raymond Scott’s iconic work originally released in 1962. The album will be released on May 31 and available on limited edition vinyl and digital. Artwork is provided by Skrew Studio in reference to the original releases.

The contributions of Raymond Scott to our world are immeasurable and pioneering, and his records still sound totally unique. But one could say that, viewed through the lens of what we now understand to be "ambient" music, the meaning of his compositions have changed since their inception. Now, we (mistakenly or not) see them as archival or documentarian pieces preserving an era of early electronic music and the capabilities and limitations of the technology of its time. It has become an artefact, a means to an end. So, with huge reverence to Scott's foresight and genius, Dylan Henner wanted to recontextualise those same ideas into the mindset and studio of a musician in 2024, to create a version of what Scott left us that corresponds with Henner's own perception of this music's purpose: soothing baby. He returned to the original records only once or twice, transcribing melodies and taking notes on timbre, before setting off his own journey.

“I didn't want to take too much from Scott or his music, as it is untouchable, both creatively and culturally. But I wanted to offer my baby (and any babies whose parents play this record) something soothing and meaningful of my own.” Dylan Henner

All music composed by Raymond Scott, performed and produced by Dylan Henner
Mastered by Ian Hawgood
Artwork & design by Skrew Studio

Dylan Henner - Lullaby

From DUP SYS' new album "Pure Materials", available now on tape and digital from Muzan Editions:
https://muzaneditions.bandcamp.com/album/pure-materials

DUP SYS - Ryudotai (Fluid)

[PCLVA 017] Seventeenth Listen

Haste (Label: People Can Listen)

https://soundcloud.com/cortecxxx

Up next on Bricolage is the debut EP from Cortecx. 

Ryan Doherty is a Scottish producer, Glasgow born and bred, now based in Hong Kong. Cortecx has slowly but surely worked on evolving his techniques and process for several years now and has sculpted a unique take on all things rhythmic based along the way.

If you are familiar with our "Turadh" compilation from last year then you may be aware of his phenomenal track, "Reflections".

The "Above The Clouds" EP takes things up a notch. Cerebral techno that pulls you in to another dimension. We start things off with a bubbly and edgeless ambient soundscape that gently sinks its way into your consciousness. After that we enter the darker side of Cortecx with two shadowy and dynamic tracks that bring his relentless and powerful percussive elements to the forefront. The weighty rhythms propel both tracks skyward in a meticulous manner while the mysterious layers of sound design add an extra enigmatic elements to the already hypnotic mood that glimmers throughout.

Cortecx closes out proceedings with the astonishing "Plasma". An epic journey that best encapsulates his talents for mixing atmospherics and tempo. A sonic excursion of thumping kicks that come shrouded in emotive tones and crystalline pads. A mesmerizing ending to a stellar debut release. 

Available @ https://bricolageglasgow.bandcamp.com/album/above-the-clouds-bc086

Above The Clouds (bc086)

Cortecx - Plasma (from the "Above The Clouds" EP)

4 Sara L

This is a remix of the Don’t tap the Glass AI thing from Twitter believe it or not

You also get some advice from the man himself

AMBIENT ASMR; TYLER WARNS YOU ABOUT THE ICE CAVES (DTG ambient remix)

Mikron – Embers, taken from their LP Severance.

Severance

Mikron - Embers

Felicity Mangan is an Australian sound artist and composer based in Berlin, Germany.  In different situations such as solo performances and collaborative projects, Felicity samples and plays her field recordings and found sounds to create quasi-bioacoustic music.

Felicity has released several solo publications, one on Longform Editions titled Stereo’frog’ic, a play on the word stereophonic –  presenting a sound piece, crafted from found recordings of frogs, insects and other ‘vocal’ animals wavering about in a stereo field. As well as Creepy Crawly (Mappa Editions) and Bell Metal Reeds (One Instrument). More recently Wet on Wet (Klangklamm/Warm Winters Ltd.), Train Tracks Recorded and Editing by Felicity Mangan (Possible Motive) and a single Körner Park (Care of Editions). As well as a former duo project release with Stine Janvin Native Instrument - Camo (Shelter Press). Felicity has presented projects in many different settings including Technosphärenklänge CTM/HKW, Sonic Act Academy and Sound design for 100 Climate Conversation for the Power House Museum, Sydney, Australia.

Take it from the bird - creating music inspired by the Superb lyrebird U/U workshop mix tape

Felicity Mangan

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