This Mixtape is a compilation of tracks produced by the participates of the 'Take it from the bird - creating music inspired by the Superb Lyrebird' workshop I lead for Unthinking / Unlearning - an online laboratory and residency, a part of the Year of Germany in Russia 2020/21 and collaboration between Klammklang label, Sound Studies and Sonic Arts (M.A.) at the Universität der Künste Berlin and Sound Art and Sound Studies (M.A.) at HSE Art and Design School, Moscow.

‘The Superb Lyrebird’ is an Australian Native bird, which is capable of mimicking natural and synthetic sounds from its natural environment — Participants created their own music sampling biorhythms and timbres from an animal sound open-access archive.

Track list:
Alexandra Kopelyan - In a Bittern Voice
Isa sO.any - Myai
Alexey Berezhnoy - Flat ES Ecosystem
Anton Anishchanka - Bear Habitat
Ira Afanaseva - Dogs in the yard
Lera Elagina - Kozhuhovo Birds
Masha Alexandrova - Fin 
Ystalost Dimecres - Untitled.

Take it from the bird - creating music inspired by the Superb lyrebird U/U workshop mix tape

1. Duck

Jangel

MUSIQUE INFINIE, Earth, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2401, EAN: 0602343041797

Tracklist:
1. Creation (14:25)
2. Destruction (12:53)

Credits:
Composition and production by Musique Infinie
Mixing and mastering by Suoni Speziali
Photos by Jean-Marc Avila
Design by Laurin Huber
Essay by Laurin Huber

Supported by Popkredit Zürich and Kanton Zürich.

Earth

Musique Infinie - Creation (HG2401)

[PCLVA 017] Seventeenth Listen

Haste (Label: People Can Listen)

WATERFALL 
for mixed ensemble and electronics

for music we'd like to hear, 28th June 2024

performed by:
Lara Agar (electronics)
Maddie Ashman (vc.)
Christian Drew (e. guitr.)
The Fargions (e.gtr + organ)

WATERFALL

The Chariot

Do Make Say Think • "End Of Music"

LP and cassette tape available directly from: IMPREC.com

LP is pressed in a hand numbered edition of 300
(White copies #'d 1-100. Black copies #'d 1-200)
Paste on covers screen printed by Monoroid
Mastered by Tom Eaton at Sound &amp; Substance
Produced and designed by John Brien at Imprec

Florescere&nbsp;by Jonathan Bousquet is a powerful debut exploring a tapestry of electronic textures, compositional structures, and themes. Bousquet demonstrates a unique ability to forge a cohesive sonic world, employing a diverse array of techniques and sound sources.&nbsp;Florescere&nbsp;is a thoughtfully crafted album revealing itself slowly through rich harmonies and memorable melodies, rewarding repeated listening.

From the opening chimes of Recurrence, the album invites listeners into a multi-layered musical narrative, exploring the dualities of movement and stillness. The second track, How to Make an Exit, investigates form through themes of resolution, entrances, and exits. As the album progresses, Divisible Machine examines how time is measured and how personal perception can alter these measurements, expanding or contracting them.

Listeners are then drawn into Enveloper, a soundscape that evokes a sense of omnipresent time and presence through overtones and an electronic choir. The title track, Florescere, marks a new beginning beyond the constraints of place and time, characterized by jubilant sequences and a resolute low end. The A-side concludes with And the Void Becomes Eloquent, a cyclical composition where repetitions gradually move toward their undoing. The work concludes with a profound sense of rest and ethereal pause on the B-side track, Being, Becoming.

Available on black vinyl, white vinyl, and cassette tape, Florescere features six tracks on side A that blend intricate rhythms and lush textures. Side B presents a 30-minute drone piece, offering a contemplative journey through ambient soundscapes.

Designed by John Brien and mastered by Tom Eaton, each detail of Florescere reflects Bousquet's commitment to crafting a unique auditory and visual experience. With striking letter-pressed sleeves by Monoroid, the album is a tactile delight.

Bousquet - Divisible Machine - From Florescere LP

PRE-ORDER

30,000 PICTURES OF OUR SUN

snf04 : giuseppe ielasi "even when they speak of space" out dec.15th 2017.

music for whistling, microphone and digital degradation. 
recorded in november 2016 and august 2017. 
to be played at low volume.

www.senufoeditions.com

snf04 : giuseppe ielasi "even when they speak of space" part 1

Felicity Mangan is an Australian sound artist and composer based in Berlin, Germany.  In different situations such as solo performances and collaborative projects, Felicity samples and plays her field recordings and found sounds to create quasi-bioacoustic music.

Felicity has released several solo publications, one on Longform Editions titled Stereo’frog’ic, a play on the word stereophonic –  presenting a sound piece, crafted from found recordings of frogs, insects and other ‘vocal’ animals wavering about in a stereo field. As well as Creepy Crawly (Mappa Editions) and Bell Metal Reeds (One Instrument). More recently Wet on Wet (Klangklamm/Warm Winters Ltd.), Train Tracks Recorded and Editing by Felicity Mangan (Possible Motive) and a single Körner Park (Care of Editions). As well as a former duo project release with Stine Janvin Native Instrument - Camo (Shelter Press). Felicity has presented projects in many different settings including Technosphärenklänge CTM/HKW, Sonic Act Academy and Sound design for 100 Climate Conversation for the Power House Museum, Sydney, Australia.