lo-fi mixed with a few other genres. this is a genre i occasionally like to make. its fun experimenting with genres with a more complex style of percussion than usual (aka switching between kits semi regularly)

created on may 4th 2022

blue friend

Music by Antti Hannula (Flex)remix by JLD

Hypnopompa

If I Can Get There

Alarm

Admittedly Inspired a bit musically by the gorgeous traditional japanese melody of Sakura, I wanted to write a piece that made me feel the essence ofJapan in some way or what I think about the beauty of the landscapes and the music of Japan.

Melody For Koto

Free Download: http://eternal8bit.cba.pl/

Covers EP (Free Download is in description)

This is a remix of Darci Shaw from The Irregulars and Bitter Sky. Enjoy!
Download the track on Bandcamp: https://mrajaunte.bandcamp.com/track/darci

Thanks again to Kate for commissioning me for this project!

Darci

aka: Sparta Club Chaos Mix XKE VTE

Staying true to my word, here’s a simpler base. I’m again really proud of how this one turned out, as it met it’s goal of being a slightly more aggressive take on this base, with, of course, some classic patterns sprinkled in.

D major note, 140 bpm (thanks captain obvious..)

Sparta Club Chaos Base VTE

This arrangement of Prehistorik Tale is based on Pink's version.

It's made on a C64 with a 6581-r4 sidchip.  
But sounds quite ok on a 8580 too.

Originally this song was made by Jochen Hippel for the
game Prehistoric Tale back in 1990.

Prehistorik Tale

20. Theme of Kaylee
Composed by Ket Ralus & Cilantro.
Arranged by Cilantro.
Done 2023-11-13.


From the Oh So Hero! Act 1 Original Soundtrack
https://ff-f.bandcamp.com/album/oh-so-hero-act-1-original-soundtrack
Buy the album on Bandcamp for a wholesome art pack by series creator Red Emption that is suitable for general audiences!


Oh So Hero! Act 1
Original Soundtrack

Catalog #: FROG-101

Produced by Full Frontal Frog

Audio Director: Ket Ralus
Mastering Engineer: Joshua Slavin
Series Creator & Character Artist: Red Emption


(c) all rights reserved

Theme of Kaylee

This piece investigates dialogs between binarisms. It explores undulations between spectrums of presence/absence, human/machine, acoustic/electronic, instrumental/recorded everyday sound as well as fragmentation/completion.

“Swarming” (2020) is an acousmatic version of my mixed media piece "Childlike only in the depth of innocence" (2019), performed by, Gökçe Göknel (voice), Amy Salsgiver (percussion), Gökhan Bağcı (cello) together with tape.

//

More information about the acoustic version "Childlike Only in The Depth Of Innocence":

On stage, there is a speaker that emits only the voice of the vocal, which stands in the middle of the stage. The instrumentalists (cello and percussion), sit on either side of the “voice”, and the stereo electronics are on an encompassing angle surrounding the performers. The voice what we can call is musically stable and consistent throughout the piece, while all the musical events are in constant flux happening (swarming) around it.

Therefore, the voice is a prominent presence on the aural domain however absent in the visual domain (as it is presented in the form of a speaker). On top of this, in the electronics section, there are samples I have pre-recorded from the players, that are played from the speakers that surround them (in a fixed media format), therefore, the notions which sound is coming from where, who is doing what on stage is questioned: The goal is to play with concepts of real/non-real, presence/non-presence by blurring clear cut boundaries.

Instruments: Voice, Percussion, Cello & Tape.

Performers:
Voice: Gökçe Göknel, 
Percussion: Amy Salsgiver, 
Cello: Gökhan Bağcı

If I Can Get There

Anatomy of the Spirit

Recent comments

pride,partiotism and poltics

Shotgun Thief

kal fisher

Sadio

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