!!! FREE DOWNLOAD !!!

This is a hybrid bassdrum I made from two 808 and 909 samples 

My goal was to create a kick that combines the best of both worlds – the rich sub bass ooomph of the 808, and the powerful transient of the 909, which cuts through the mix much better than a soft 808.

I first used this kick on my 2020 Bedrock release "Burn Your Love" – check it out!

The Kick is tuned to the note F...

Hannes Bieger 808/909 Frankenstein Kick

Faminski's debut EP on Harabe Black is an impressive release that showcases the producer's potential. The EP features a collection of tracks that are sure to get techno fans moving on the dance floor. 

Support here : https://www.beatport.com/release/solitude/4193582

The EP's opening track sets the tone for the rest of the release, with its infectious melodies and driving beat. From there, the EP continues to impress with its tasteful blend of melodic techno vibes and powerful drums. Each track on the EP has its own unique energy and character, making it a well-rounded and satisfying listening experience. Overall, Faminski's debut EP on Harabe Black is a must-listen for fans of techno and electronic music, and it's clear that the producer has a bright future ahead of them.

Solitude

Buy on Beatport

Faminski - Breathe [Harabe Black]

MOONTALKING 014

Hello friends, we are Moontalk.

We are on a mission. A groovy, ecstatic and passionate house-music-mission. Music with the sole purpose of getting earthlings to move, shake it around and boogie down.

Get in our orbit!

Moontalking | 014

Out now on on Early Morning: https://lnk.to/nntBXY

Sébastien Léger - Gaufrette

all new and unreleased babicz tracks in one mix, lets see what will be released. enjoy 
https://www.youtube.com/watch?v=wonh4rnnzIc

New Hope 2025 Babicz Mix

Sometimes life has to be a bit more brutal—maybe because the weather demands it, or the wrong exit was taken. Or maybe, just maybe, because you accidentally swallowed a piece of paper with a little picture on it.

Rob Acid Live 2025

Chomp the Bit

Mastering by Run Jurassic Mastering
Artwork by Steven Moran (@ekonexus)

Find botanicus on Spotify, Apple Music, and all streaming platforms.
Links here: linktr.ee/botanicusmusic

Free Download

Dragon Phases (feat. Daniel Silver Dragon, Musical Mindset & David Devero)

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

This is something called music. It makes your brain tingle in certain ways that should feel good.  It makes me want to ride a hover craft over the ocean while drinking some mushroom tea.

Deep Blue

Electronic composer - Didgeridoo player - Musician

I started Ancient Fruit as a live hardware performance act, and electronic sound creation project out of Minnesota in 2008. With an interest in sounds like Daft Punk, Aphex Twin, Infected Mushroom, at a young age I started to venture into making music and found people were resonating with it. Slowly I started incorporating different elements of world music, electro, house, dubstep, acid and psytrance with hints of downtempo ambient music over the years. Now with decades under my belt of creating I have really been interested in finding these weird little pockets of sound from different artists and myself that can only be described as experimental. Those little quirky riffs or patterns that have multilayers of complexity which all seem to come together harmoniously. Alot of what I make is inspired by my life in meditation, healing arts, ufos, understanding the deeper parts of life. I also am now venturing into doing more sets for sound healing to create more meditative experiences. 