FREE DOWNLOAD from here:
https://besurelabel.de/downloads
-------------------------------------------------
Below Surface Edit of "Mathew Jonson - Marionette" - inspired by the edit of Adam Beyer, which i heared in the Drumcode Mix 173 from Berghain (Drumcode Total). Since i loved the idea of Adam, but couldn´t find his edit anywhere, I decided to do one by myself.
+++
https://www.soundcloud.com/belowsurface
https://www.facebook.com/belowsurfaceofficial
https://www.youtube.com/user/belowsurfacemedia
https://www.residentadvisor.net/dj/belowsurface
+++
Original Track:
http://www.beatport.com/track/marionette-the-beginning-original-mix/1245596#
Adam Beyer Edit (taken from the Drumcode Mix):
https://www.youtube.com/watch?v=8mx2RQxFwNA

Check my Label

Mathew Jonson - Marionette (Below Surface Edit) | Free download

Graue Eminenz (Original Mix) is now mastered and available on all platforms

Graue Eminenz

The foundational piece for the SnP Records collection, it is a deep and abstract Techno that establishes the narrative tone and the dark and reflective atmosphere inspired by Zuga Zucchini.

Music Shop

A1. Bezaleel & Lucien Jack - Syria PZ  (Original mix)

Released in 1998 on Planete Rouge records
https://planeterouge.bandcamp.com
https://terencefixmer.bandcamp.com

Terence Fixmer :  Electrostatic (1998)

Last

“Some resurrect themselves after near-death experiences in politics,
while others continue to appear politically alive even when they have actually died.”

In time for the 20th anniversary of his label Hospital Productions, Dominick Fernow offers the first release of his Techno-focused moniker Vatican Shadow on Ostgut Ton, following up on his Berghain residency and joining Ostgut Booking in 2016 with his Vatican and Prurient projects.

The Cocteau Twins/This Mortal Coil-channelling, beatless widescreen opener “They Deserve Death” and the two collateral club/dancefloor tracks “Rubbish Of The Floodwaters” and “Weapons Inspection” offset each other by reincarnating the tape manipulation that laid the foundation of Vatican’s first performances with analog hardware and minimalist midi-dissection. Produced in Los Angeles with Josh Eustis, Vatican Shadow’s Rubbish Of The Floodwaters EP casts a full spectrum picture of where the project was born and where it headed.

Buy 12"

Vatican Shadow | Weapons Inspection

Over the past four years, Hayden Payne aka Phase Fatale has earned a reputation as a techno innovator, both for the broad spectrum of dystopian electronics included in DJ sets as well as his deep understanding of synthesis and sound design in his own productions. Having previously released on labels such as Jealous God, Payne made his Unterton debut with last year’s Anubis EP. Since then he has settled into residences at both Berghain in Berlin and Khidi in Tbilisi, released his first LP on Hospital Productions and kicked off his own label BITE with a collaborative EP between himself and Silent Servant.

On his debut 4-track EP for Ostgut Ton, Reverse Fall, The New York native has sharpened the rhythmic contours of his productions, creating an imposing wall of sound within the techno framework. Inspired in part by Crash, J.G. Ballard's dystopian novel on the fetishization of car crashes, Reverse Fall is uncompromising motorized, cybernetic techno – infused with haunting soundtrack-like flourishes reminiscent of films by directors John Carpenter and Dario Argento.

A night drive accelerating at the pace of a dark, melodic bassline and distorted hi-hats. “Reverse Fall” is available across streaming platforms, as a single track and as an instant gratification download with the purchase of the full digital release.

Listen at
Apple Music: https://itunes.apple.com/album/reverse-fall-ep/1394765995
Bandcamp: https://phasefatale.bandcamp.com/track/reverse-fall
Deezer: https://www.deezer.com/de/album/66459102
Spotify: https://open.spotify.com/album/42DjPohwGNsWkjnurRI1iz?si=P9S-wDG0S9yb__2L3l00Cw

Taken from the forthcoming Ostgut Ton EP: Phase Fatale | Reverse Fall [O-TON 113], out July 13, 2018.
Pre-order EP on 12" vinyl or in digital formats: https://phasefatale.bandcamp.com/album/reverse-fall

All info: http://ostgut.de/label/record/219
Artwork: Richard Söderberg, https://www.instagram.com/sabotage999 | Layout: Yusuf Etiman

Catch Phase Fatale on the road: https://www.residentadvisor.net/dj/phasefatale/dates

Phase Fatale |  Reverse Fall

Stroboscopic Artefacts returns with another strong addition to its Totem series, a unique set of releases pressed on transparent 10” vinyl, capturing the essence and effusiveness of multidimensionality of club culture. Bridging the gap between the worlds of sound and material objects, Totem is a series that aims to meld the artistic resonance of each forthcoming release into an emblematic representation of the sounds that are to be presented, clearly within the grooves seen and heard on the 10”. Stepping up for the third release in the series is Berlin legend Efdemin — bringing a three-track journey that is unequivocally enduring and flexible for journeys on-and-off the dancefloor.

While each track shares the same title, the textures and traits are different — with the A1, “Circles” setting things up with pertinent percussion and staccato synth lines; as Efdemin sways towards another side with “Left” — a heady, hedonistic thumper with exuberant melodic bursts; followed by a therapeutic sequel with “Right” — closing out the release with a melange of spacious efficacy, something the Berlin-based producer has been known for throughout his near-two-decade career. Between releasing for the likes of Ostgut Ton, Curle, Dial, and his own imprint Naïf; Efdemin takes on the challenge of Totem’s conceptual subjugation and subverts it with his emotionally honest take on a stimulating and subdural sonic experience within three parts. Narratively dense and expertly-paced, the Totem series carries on with another outer-worldly insertion to its catalog. 

All tracks (w)&(p) by Phillip Sollmann
Graphic concept by Ignazio Mortellaro [OA]
℗ & © Stroboscopic Artefacts 2018
Cat. No SATOTEM003 – all rights reserved
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Pre-order

A1 - Efdemin - Wrong Movements (Circles) [SATOTEM003]

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.


Artwork: northor | Layout: Yusuf Etiman

Scanning Backwards

Buy Album

Phase Fatale | Binding by Oath

The First Siren

I Am Blazing Sound

LF RMX 005

5th New Century (feat. Polina) (Len Faki Hardspace Mix)

Some Techno. Soundcloud of Ancient Methods and the Persephonic Sirens label.

worldwide booking: clara@acheron-booking.com