Brown Eyed Girl» es una canción del músico norirlandés Van Morrison publicada en el álbum de 1967 Blowin' Your Mind.

Compuesta y grabada en 1967 por Van Morrison y producida por Bert Berns, "Brown Eyed Girl" fue publicada en mayo de 1967 como primer sencillo del álbum Blowin' Your Mind!, debutando en el puesto 8 de la lista estadounidense Cashbox y en el 10 en Billboard Hot 100.
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Paul Williams, creador de Crawdaddy, incluyó "Brown Eyed Girl" en su libro Rock and Roll: The Best 100 Singles,​ escribiendo:

"Iba a decir que es una canción sobre sexo, y lo es, y una canción sobre la juventud y la adolescencia, y la memoria, y es también -mucho y maravillosamente- una canción sobre el cantar".

La versión original de "Brown Eyed Girl" es ampliamente conocida debido a su gran radiodifusión en cadenas de temas clásicos y de "oldies". En este sentido, figura en el puesto 4 de las canciones más puestas por pinchadiscos tanto en 2006 como en 2007.

En 2005, Van Morrison recibió un certificado por la difusión en más de siete millones de ocasiones de "Brown Eyed Girl" a través de canales de radio y televisión de Estados Unidos. Nuevamente en 2007, Morrison fue galardonado con un certificado por la difusión en más de 8 millones de ocasiones de "Brown Eyed Girl". La única canción de un compositor europeo que supera esta cifra corresponde a "Every Breath You Take", de The Police, con 9 millones.

"Brown Eyed Girl" fue también publicada en los álbumes recopilatorios de 1990 The Best of Van Morrison y de 2007 Van Morrison at the Movies - Soundtrack Hits y Still on Top - The Greatest Hits. 

Sendas versiones en directo fueron también publicadas en el álbum de edición limitada de 2006 Live at Austin City Limits Festival y en la reedición del doble álbum en directo de 1974 It's Too Late to Stop Now. Aquí tenemos la versión de The Strex

Brown Eyed Girl

Buy/Download Here -> http://add.tc/P165980

Artist: Audiovoid
Release: Outer Dub EP
Label: Addictech Records
Release Date : August 25th, 2014
Duration: 22:06
Catalog # ADDICTECH083
File Under: Glitch Hop, Drum and Bass, IDM, Dubstep

Audiovoid on Soundcloud : http://goo.gl/6KUmHr
Addictech Records Facebook : http://goo.gl/pDDHuh
Outer Dub EP on Itunes : Link Coming Soon!!

The technical prowess of California's Lindsey Green continues to evolve on his latest EP, and fifth release under the name Audiovoid for Addictech Records. Outer Dub EP presents four smooth, distinctive takes on mid-tempo bass music, drawing on Green's expansive aesthetic that absorbs everything from techno and psy-trance to dubstep and IDM in its quest for music that achieves both home listening satisfaction and dance floor domination.

Opening the EP on a bold note, "Tourettes" twists profane vocals, percussive clicks and zooming race car synths around a gnarly, warping bass line. While its resting glitch-hop tempo is it's main swagger, the peak of the track hints at glitchbass house as Green lets the beat unfold at select times into a brisk 4/4, and the layers of madness fall in place around it. 

"Reese Winter Poon" is a similar cross-genre hybrid. Its peppy organic break hints at drum and bass, with Green teasing its resting 80bpm into the appropriate double-speed tempo at key points. Rather than pushing through into an all-out assault, he steps back to unleash lumbering bass bombs at the drops, keeping the mania ever elusive. The tension created between its jungle and glitch-hop leanings could have come off disorienting or unresolved in lesser hands, but Green keeps the track feeling as playful as its name. With DnB on the rise again, this is the perfect tool to hold together stylistically wide-reaching mixes.

Changing gears after the first two tracks, "Twilight Lurkers" has a pensive, vaguely remorseful vibe, largely due to its processed vocals, bit crushed and pitch shifted, sounding somewhere between exhalations of joy or emotional turmoil. The meat of the track is a clean, propulsive breakbeat, like vintage Botchit & Scarper.

"Outer Dub Source" follows the contemplative "Twilight Lurkers" with a more thoughtful, low-key downtempo track, but takes it to a trippier sci-fi realm care of its techy synths and NASA-esque vocal samples. Initially, the track has a bubbly texture, with moaning, liquid bass and sparse pads. After the drop, reinvigorated bass starts drawing long lines across the piece, an elongated melody that helps foster its sense of space, while the vocals become more prominent in the evolving atmosphere, and, later, a slowly arpeggiated lead creeps up to echo around it. It's a satisfying conclusion to another brilliantly diasporic Audiovoid EP.

Even though this release is available at over 300 outlets, we encourage you to purchase from the Addictech.com store. We are very generous to our artists, and by purchasing from this site you support them directly.

Audiovoid - Tourettes

Walk Of Life Dire Straits

And Introducing, on backup vocals, it’s Mary Wilson! Wilson achieved fame and fortune as one third of Motown powerhouses The Supremes — but the schemings of lead singer Diana Ross shattered Mary’s confidence as the group’s star rose through the 60s. We’re learning about her fulfilled dreams, her dashed hopes, and her long road toward self-actualization in her memoir Dreamgirl: My Life as a Supreme.

Songs In Order:
You Can't Hurry Love(pod dub)
Adam Ant - Where Did Our Love Go
Frankie Lymon & The Teenagers - Why Do Fools Fall In Love
The Marvelettes - Please Mr. Postman
The Miracles - I Gotta Dance To Keep From Crying
The Supremes - Because 
The Supremes - Baby, Baby, Wo Ist Unsere Liebe
The Supremes - Stop! In the Name of Love
The Supremes - Come and Get These Memories
The Magnetic Fields - The Death of Ferdinand de Saussure

And Introducing Podcast

#37 MARY WILSON!

'Jessie's Girl'
Originally written and performed by Rick Springfield
Producer: Keith Olsen
Album: 'Working Class Dog'
Released 1981
© Universal Music Publishing Group

Jessie's Girl - Marcus Peña Cover

One of my favorite songs from when I was a child. Written by Gerry Rafferty in 1978

Winding your way down on Baker Street
Light in your head and dead on your feet
Well, another crazy day
You'll drink the night away
And forget about everything
This city desert makes you feel so cold
It's got so many people, but it's got no soul
And it's taken you so long
To find out you were wrong
When you thought it held everything

You used to think that it was so easy
You used to say that it was so easy
But you're trying, you're trying now
Another year and then you'd be happy
Just one more year and then you'd be happy
But you're crying, you're crying now

Way down the street there's a light in his place
He opens the door, he's got that look on his face
And he asks you where you've been
You tell him who you've seen
And you talk about anything
He's got this dream about buying some land
He's gonna give up the booze and the one-night stands
And then he'll settle down
In some quiet little town
And forget about everything

But you know he'll always keep moving
You know he's never gonna stop moving
'Cause he's rolling, he's the rolling stone
And when you wake up, it's a new morning
The sun is shining, it's a new morning
And you're going, you're going home