- Om lyden i kunsten.
Anne Neimann Clement og Rosa Marie Frang dykker hver måned ned i ét hjørne af det kæmpestore og multifacetterede LYDKUNST-landskab.
LYDKUNST PODCAST er støttet af Statens Kunstfond, Koda Kultur og udgives i samarbejde med Kunsten.nu. 

lydkunstpodcast@gmail.com

https://kunsten.nu/journal/featured-categories/podcast/

https://www.facebook.com/lydkunst/

"Fri interplanetarisk udforskning gennem synæstetisk rockmusik" - Dagens Lyd

New album "Vand, Død & Ensomhed" out October 23rd 2020 through Big Oil Recording Company and Joyful Noise Recordings.

 Full lengths  'Himmelrum' and 'Free Camping Romania' out now.

Barmer Boys & Himmelrum "Nagma > Ranaji" out on Amarass Records and Honeyland Records november 2017.

rosyán is the solo project of composer, cellist and improviser Rosanna Lorenzen. With the cello as her central voice and improvisation as her inner compass, she explores the instrument and its possibilities with a playful and open approach, both acoustically and through electronic manipulation, creating unpredictable soundscapes in constant transformation.

In rosyán’s sonic universe, you will meet atmospheric textures, noise dissolving into silence, and different rhythmic structures, moving from fragile, delicate moments to raw and massive sonic layers. Voice and field recordings are occasionally woven into the whole, expanding the narrative of the sound, while she continuously balances between free improvisation and composed elements. rosyán invites you into the space of the moment, pushing the boundaries in a way that challenges our expectations. 

Rosanna Lorenzen works and collaborates across genres, with both other musicians and with visual artists. She has performed in a wide range of settings – from sound wells in Frederiksberg, on a bass-vibrating floor, in a dome in Berlin, sleep concerts and in an 18-meter-high oil tank in Sweden with 25 seconds reverberation, to venues and festivals, including the Cathedral of Copenhagen, SPOT Festival, Copenhagen Jazz Festival, SPOR Festival, and the Danish Radio Concert Hall.

Anders Hjernø is following