directly sending my music 
-80%

contact: nasmatgrooves@gmail.com

August moon

Baltic Clouds and Waves [remastered]

Summer is back and we present you number 3 of our "Bella Mar" collection. Sunny and drifting tracks, next to dancefloor hits are on it. Enjoy a great mixture, compiled by Einmusik.

"Bellar Mar 03" will be out July 29th 2016.

Bella Mar 03 | Einmusika080

Anton Dhouran - Hynerase

Vedic > https://soundcloud.com/vedicofficial 
Unica Records > https://soundcloud.com/unica-records / 

Stay Tuned on Fb > www.facebook.com/8daymtl
Follow 8day > @8day-montreal

Vedic proves us why his versatility has earned him support by the likes of Pleasurekraft, Oliver $, Green Velvet, Jaceo, Pig & Dan and many more.

URANIA

Stay Tuned Here!

PREMIERE: Vedic - Ascending [Unica Records]

Spotify: http://spoti.fi/2oHTJ0Q
Deezer: http://bit.ly/2oLLpN9
beatport: http://btprt.dj/2o5UD6h
Vinyl: http://bit.ly/2nzQKST

Andhim Feat. Piper Davis - Tosch (Clavis Remix) Radio Edit

'With ‘Tragedia', Chapter 24 returns with seven stories in sound collected from artists all across the world to bring these themes to life...'

Read More: http://whenwedip.com/2018/10/premiere-several-definitions-chapter-24/

Follow: @several-definitions // @chapter-24

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Seven Stories: Tragedia {SS006}

Premiere: Several Definitions - Roots [Chapter 24]

Although Robert and Sam have been doing music together as umami for almost nine years, „In Exchange For Everything“ is their first album. This name is an actual description of what happened. They literally did not release anything else for two years while working on the album. It was like a spaceship with a broken engine that needed to be fixed. But now it is ready to take off.
The tracks and songs on the album are all trying to capture a specific kind of feeling. The way you feel when you are riding up in an elevator made of glass, see the sunrise on the horizon and know that this is the first day of the rest of your life.
	Some of them are made for the club, like „Behind The Wheel“ or „Stank“. Others have a more laid-back vibe. „Number Of The Beast“, a cover of an Iron Maiden song, is a dance around the bonfire, summoning devils and demons.  „Stars“ is about a journey into the intimacy of really knowing another person, with hammering synths and airy vocals, which are performed by Sam, like all other vocals on the album.
	The one exception to this is are the vocals on "Terra Mount". These are written and performed by Monolink, the only other artist featured on the album. Enchanted organs and choirs accompany his lyrics throughout the song.
	The album ends with the magical "And Stay With Me There Forever", a song that slowly transforms from a small stream of fragile sounds to an avalanche of bass and synths.
All in all, „In Exchange For Everything“ is the big statement umami wanted to make with their first album. Something that shows the whole spectrum of what they want to achieve with this project and a hint about where the journey goes.

More Info & Content:
http://www.truecolorslabel.com
https://www.facebook.com/trueColorsLabel
https://soundcloud.com/truecolorslabel
https://soundcloud.com/umamiinspace

Umami & Monolink - Terra Mount [trueColors]

'Freddie Frampton makes his debut on Hot Since 82’s acclaimed Knee Deep In Sound imprint with a mighty 3-tracker that follows on from the label boss’ key support for Frampton’s huge ‘Black Betty’. The London producer has a history that stretches back to working alongside legends like Carl Cox at seminal nightclubs in the capital in the early ‘90s, and his resurgent production career is seriously delivering the goods.

Infectious from the word go, ‘When You’re Alone’ kicks off with a loose, shuffling percussive groove punctuated by deft little techy synth notes. Rolling drums create more urgency as a filtered vocal loop slowly eases up. A snippet of a euphoric piano chord refrain gives a taste of what’s to come as the languidly grooving bassline drops in. The first break sees a powerful chord progression play out on the beautifully honed pianos before an unmistakable vocal sample drops in to add more drama. Monotone synth stabs arrive to build the groove further while heavily reverbered hits add atmospheric depths. It’s a big room sound but without being overblown. The pianos and vocals are allowed to take centre stage in the main break before we thrust headfirst back into the stripped-back groove.

'Miss Mouse' kicks off with shaker-style hi-hats and muffled flute notes. A galloping tribal rhythm soon kicks into life, with distorted toms thumping away under heavily swung wooden percussion. Trippy vocal samples arrive to build the atmospherics while throbbing bass note joins the fray. A mini breakdown sees Frampton get busy on his guitar, playing sorrowful chords with an almost flamenco flavour to them. “I’ve had a long love / hate relationship with the guitar throughout my life, and always wanted to fuse the guitar with house. I’ve built a nice little library of seriously old rare vocals which, so after some painstaking audio editing, I took a break, switched to the guitar and the main riff jumped right out at me.” The bluesy vocal reveals itself in ghostly fashion, filtering in and out of focus as the arrangement chops and changes. The haunting feel continues throughout the track as the vocal and guitars combine succinctly, with plenty of space between to let the rhythms flow. “This is the track I’m most proud of” he says. “I think it comes closest to summing up what I’m all about. Where does it fit in today's music scene? I have no idea, and I guess that's another reason why I'm so proud of it.”

Sharp hi-hats and infectious woodblock rhythms start to build the groove on melodic techno track ‘Shine’ before muted, atmospheric sounds and a commanding lead synth cut through the mix. A lead synth unfolds into a slow-burning melodic progression that’s tinged with darkness as tribal percussion builds a meatier groove. Slowly but surely the bass pressure increases as the brooding synth switches to a different pattern and heavenly female wailing takes the track higher. Delicate chord stabs lace the underbelly of the track as we’re plunged into the swirling breakdown, a masterclass in tension and release cuts sharply against the drop.

Hot Since 82 has been pushing Frampton’s sound for a while now, with huge reactions for some of his unreleased material that he dropped in recent sets such as at Cercle’s party in one of the ‘Game Of Thrones’ filming locations. This looks set to be a very fruitful relationship.'

Follow: @freddieframpton // @kneedeepinsound

Premiere: Freddie Frampton - Miss Mouse [Knee Deep In Sound]

Avatism feat Forest - Different Places

---- BOOKING CONTACT ----

Bookings // Love Letters: markus@return-booking.com 
Bookings for North and South America: rs@thebullittagency.com
Superfriends Records (Label Management): peter@superfriends.de


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Andhim Feat. Piper Davis - Tosch (Clavis Remix) Radio Edit

andhim