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Satori - In Between Worlds [minimix]

Painting / Photo: Katharina Sophia Ludewig https://www.borderlinecuts.com/

Berlin Hypnotic House XXV - Club Mix II

Frisbee (Quick N Dirty Mix)

Summer is back and we present you number 3 of our "Bella Mar" collection. Sunny and drifting tracks, next to dancefloor hits are on it. Enjoy a great mixture, compiled by Einmusik.

"Bellar Mar 03" will be out July 29th 2016.

Bella Mar 03 | Einmusika080

Anton Dhouran - Hynerase

Connect with WWD on FB >>> facebook.com/wwdofficial

Something Happening Somewhere founder Nuno Dos Santos finally makes his solo EP debut on his very own imprint this March, presenting on the hallowed imprint a standout four track release in the form of 'Trigonometry of Love'. SoHaSo is home to an exquisite back catalogue and this quality EP fits right in. Today, exclusively via When We Dip, we're very excited to bring you a sliver from the record. You can listen in full to 'Dust In Your Eyes', a dreamy deep cut riddled with stimulating textures and carefully crafted atmospheric base. 

Follow: https://soundcloud.com/nunodossantos // https://soundcloud.com/sohaso

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Premiere: Nuno Dos Santos - Dust In Your Eyes [SoHaSo]

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Andhim Feat. Piper Davis - Tosch (Clavis Remix) Radio Edit

'Freddie Frampton makes his debut on Hot Since 82’s acclaimed Knee Deep In Sound imprint with a mighty 3-tracker that follows on from the label boss’ key support for Frampton’s huge ‘Black Betty’. The London producer has a history that stretches back to working alongside legends like Carl Cox at seminal nightclubs in the capital in the early ‘90s, and his resurgent production career is seriously delivering the goods.

Infectious from the word go, ‘When You’re Alone’ kicks off with a loose, shuffling percussive groove punctuated by deft little techy synth notes. Rolling drums create more urgency as a filtered vocal loop slowly eases up. A snippet of a euphoric piano chord refrain gives a taste of what’s to come as the languidly grooving bassline drops in. The first break sees a powerful chord progression play out on the beautifully honed pianos before an unmistakable vocal sample drops in to add more drama. Monotone synth stabs arrive to build the groove further while heavily reverbered hits add atmospheric depths. It’s a big room sound but without being overblown. The pianos and vocals are allowed to take centre stage in the main break before we thrust headfirst back into the stripped-back groove.

'Miss Mouse' kicks off with shaker-style hi-hats and muffled flute notes. A galloping tribal rhythm soon kicks into life, with distorted toms thumping away under heavily swung wooden percussion. Trippy vocal samples arrive to build the atmospherics while throbbing bass note joins the fray. A mini breakdown sees Frampton get busy on his guitar, playing sorrowful chords with an almost flamenco flavour to them. “I’ve had a long love / hate relationship with the guitar throughout my life, and always wanted to fuse the guitar with house. I’ve built a nice little library of seriously old rare vocals which, so after some painstaking audio editing, I took a break, switched to the guitar and the main riff jumped right out at me.” The bluesy vocal reveals itself in ghostly fashion, filtering in and out of focus as the arrangement chops and changes. The haunting feel continues throughout the track as the vocal and guitars combine succinctly, with plenty of space between to let the rhythms flow. “This is the track I’m most proud of” he says. “I think it comes closest to summing up what I’m all about. Where does it fit in today's music scene? I have no idea, and I guess that's another reason why I'm so proud of it.”

Sharp hi-hats and infectious woodblock rhythms start to build the groove on melodic techno track ‘Shine’ before muted, atmospheric sounds and a commanding lead synth cut through the mix. A lead synth unfolds into a slow-burning melodic progression that’s tinged with darkness as tribal percussion builds a meatier groove. Slowly but surely the bass pressure increases as the brooding synth switches to a different pattern and heavenly female wailing takes the track higher. Delicate chord stabs lace the underbelly of the track as we’re plunged into the swirling breakdown, a masterclass in tension and release cuts sharply against the drop.

Hot Since 82 has been pushing Frampton’s sound for a while now, with huge reactions for some of his unreleased material that he dropped in recent sets such as at Cercle’s party in one of the ‘Game Of Thrones’ filming locations. This looks set to be a very fruitful relationship.'

Follow: @freddieframpton // @kneedeepinsound

Premiere: Freddie Frampton - Miss Mouse [Knee Deep In Sound]

Roy Costa - Ramganga (MAN029)

Avatism feat Forest - Different Places

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Superfriends Records (Label Management): peter@superfriends.de


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Andhim Feat. Piper Davis - Tosch (Clavis Remix) Radio Edit

andhim