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Hailing from East Kingston, Jamaica, Gavsborg is the founder of Equiknoxx/Equiknoxx Music. He’s been producing for over ten years, with his first success being the Billboard charting single, “Step Out” by Busy Signal.

Gavsborg’s left-field approach to production has afforded him the opportunity to work with a wide variety of artists and labels from different corners of music such as: Sam Morton, Addis Pablo, DDS, Busy Signal and more.

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Woodblocks Festival w/ Gavsborg @ Kiosk Radio 05.09.2025

livwutang sits within a modern continuum of DJs whose sound can't be contained to one particular style or genre - she instead delivers a distinctly eclectic array of exuberant kinetics, introspective strength, & chaotic dexterity to any dancefloor she's a part of.

Woodblocks Festival w/ livwutang @ Kiosk Radio 07.09.2025

https://soundcloud.com/craig-gonzalez
Detroit’s Craig Gonzalez was drawn to vinyl from a young age, captivated by hip hop and the underground party scene of the 1990s. This fascination quickly evolved into a lifelong passion for DJing, driven by a desire to weave rhythmic layers into compelling, personal stories. 

A self-taught artist, Gonzalez’s collection spans the rich musical evolution of Detroit, including techno, house, hip hop, funk, dnb, and a diverse range of other genres. His skills were further honed during his residency at Solar in Ann Arbor, where he shared the decks with renowned artists. Gonzalez has also been a frequent fixture at Movement and other major local events, where he’s shared the stage with legends in the electronic music scene. Since 2022, he has been a resident DJ for the Third Thursday monthly event by Paxahau, further cementing his presence in Detroit’s vibrant nightlife scene. 

Deeply influenced by the musical depth of Detroit and the hypnotic craft of global artists, Gonzalez’s style reflects a rich, interconnected network of like-minded creators. His connection to family, history, and the culture surrounding electronic music gives his sets a profound sensibility, effortlessly translating onto the dance floor.

Resident Advisor: https://www.residentadvisor.net/dj/craiggonzalez
Facebook: https://www.facebook.com/cgonz313/ 
Instagram: https://www.instagram.com/cgonz313/

RND 141 - Craig Gonzalez

Don’t have many rules in life but one of them is that whenever a new mix by Pjenne comes out, to stop what I’m doing immediately and put it on. And probably am not alone here. 

Like many people, Pjenne’s mixes have been go-to’s, essential and always-classy additions to a landscape of noise and clutter. 

Like your favourite mix CD that never left the space•ship stereo. And no matter how many times you listen, it seems to get better and better with each play. They’re timeless, they’re crucial and the amount of care and love poured into each one is apparent as soon as you hear the first blend. 

Often compiled and cooked up over the course of a couple of years, they have the kind of craft and expertise that can only come from doing a weekly radio show for over 6 years, being a staple of her local Naarm scene and being an all-round legend. We’re pleased to report this mix is no different and has been on repeat since it arrived. 

Appreciate this is a bit of a gushy write up, but sometimes you’ve got to say it how it is, and anyone who’s a Pjenne Ultra will understand what a big day this is at space•lab HQ. 

Enjoy!

space•cast 028 - Pjenne

Upon announcement of the next Bait release, Tighe, Pianeti Sintetici & Yogg have all 3 recorded a 20 mins mix each showcasing their own output.

Bait présente Tighe, Pianeti Sintetici & Yogg (100% production mixes) - 1er Octobre 2025

The fire at the center of the floor was more signal than warmth against the countryside chill. Sparks shot upward into the night as dancers circled around, bodies locked into the pulse spilling from the booth. Above Below Festival thrives on these elemental juxtapositions: a rural valley transformed into a site of intensity, a cocoon-like booth channeling waves of sound that felt larger than the space itself. With every kick drum, the edges of the night blurred, and for hours the crowd existed in a suspended orbit around light, heat, and rhythm.

It was here that Timesplitters, Jake and Pat, took hold. Their set drove forward on cavernous bass, but the force alone wasn’t what bound the floor; it was the shifting mid-range voices, synth lines and melodic sequences mutating like smoke from the fire, wrapping dancers in a narrative of tension and release. They approached the set less as selectors and more as authors, tracing the night with a balance of discipline and wildness. Despite their name, there was no split in time, only the sense of one continuous current, shared in firelight, smiles, and unbroken motion.


https://soundcloud.com/timesplittersmusic
https://soundcloud.com/abovebelowfestival


Write up by @gilleswasserman 

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Delayed x Above Below: Timesplitters

Delta Funktionen's set recorded live on Saturday, 20th of September 2025 at BOSC - A short story by Paral·lel in Gualba, Spain.

Delta Funktionen @ BOSC 2025

@kia-sydney & @livwutang
Photo: Carla Lubrano Di Sbaraglione & Raphaël Chêne

Kia & livwutang at pe:rsona 2025

We're ecstatic to present a sensational recording from a deep head, Compliments.

"Here's my two (and a bit) hour set from Field Maneuvers back in August, my favourite festival in the world.

This was by far the most time I've ever spent preparing for a single set or mix—I probably went through 10-15 crates of tracks, obsessing over flow, texture and tempo. Eventually, I landed here: an expression of love for dance music at 174/140 BPM.

After learning the recorder malfunctioned on the night, I quickly re-recorded it to ensure I reflected the flow of the night as closely as possible.


The set represents exactly what I personally wanna hear on massive sound systems right now and is a love letter to the hours danced in that field with my best friends.
Thanks for listening, I'm insanely proud of it." -- @djcompliments

subglow/Live 7: Compliments @ Field Maneuvers '25

The first-ever live recording from an elusive icon of dubby electronic music.

Lore is an underrated quality. Neuroscientists have mapped that music elicits similar feelings in the brain to when we satiate cravings, but what about the psychological impulse that drives listeners of a certain disposition toward everything they don't know?

It's tricky to put your finger on, but artists able to conjure intrigue without overhawking the backstory can really cut through—just ask SAULT, [ar:pi:ar] or Gerald Donald. Then there are those who don't try whatsoever. These are the ones who stay in mind the most.

In 2001, a striking 12" called Ship-Scope emerged through Chain Reaction, credited to Shinichi Atobe, with no other info available. Okay, mulled fans, this is probably a cat-and-mouse game dreamed up by someone on a label with a fine line in foggy obfuscation. Vainqueur on a wind-up? Another Moritz 'n Mark alias?

But no: Atobe was real, and really had posted a demo to Hard Wax. It was that simple. Then he went back to his day job—until, after 13 years of silence, an even better follow-up emerged.

From the near-perfect Butterfly Effect onwards, Atobe has built up one of the most revered catalogues in underground circles. A steady clip of elegant, transportive dub techno and deep electronics has arrived on Demdike Stare's DDS, complimented by the launch of his own label, plastic & sounds, earlier in summer 2025.

Atobe has also made strides into the public domain, DJing intermittently, as well as performing live for the first time in 2023, gracing WWW at the tender age of 52. It's that debut 2023 show heard on RA.1009: a hypnotic yet comparatively pumping set full of Atobe staples, as well as material you won't find anywhere else.

Contact with the big man, as you might anticipate, is glacial: since we first reached out, the RA Mix has changed name, look and rolled over into its second millennium. Still, patience pays off. This is a one-off we're stoked to run. – Gabriel Szatan

@shinichiatobe

Find the interview at https://ra.co/podcast/1028

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