Produced by Joaquin Joe Claussell

Out Now on Sacred Rhythm Music
Get the 12" Vinyl here http://music.sacredrhythmmusic.net/al

Also available at http://www.juno.co.uk, http://www.downtown304.com, http://www.stradarecords.com, http://www.rushhour.nl, http://www.ln-cc.com, http://www.gramaphonerecords.com

Recipe # SOIL4400

Video here 
http://www.youtube.com/watch?v=Id0CMbTJb_U

BOLLA Afrikan Basement - Makussa - Medicine Man Drinking From The Well Of The Spirits

Street Halo

Theo Parrish - I Can Take It (Sound Signature, 2001)

Theo Parrish - I Can Take It

Label: Sound Signature
Matrix: SS016
Artist: Theo Parrish
Tracks: A – Solitary Flight, B – Dellwood II
Format: 12″
Released: 2002

Solitary Flight

Tracklist:
01. Ashes To Machines - Resistance (Original) 
02. Vedomir - Not Classic Square (Version)
03. Vakula - A Sun S Truth 
04. Vedomir - Bennie
05. Vakula & Kuniyuki - Session North #1 (Kuniyuki Version)
06. Vakula - JVB 
07. Vakula & Kuniyuki / Passage To The Moon (Kuniyuki Version)
08. Dusty Baron - Accidental Shot
09. Vakula - Dream Drum
10. Vakula - Flying Ass Of Funk 
11. Vakula - Night Walks 
12. Vakula - 312 Times You Said Me Yes 
13. Vakula - Still Time

DJ Soulmind:
https://www.facebook.com/dcdj.soulmind

#034 - A Tribute To Vakula and Leleka - mixed by D.C. DJ Soulmind

Chubby! on Facebook:
www.facebook.com/chubbyrecords

Norm Talley on Facebook:
www.facebook.com/norm.talleyii

Born and raised on Detroit's westside in the late 60's Norm's addiction to music began at an early age.By the age of 13 years old Norm's diverse musical outlook consisted of Disco, Progressive, Jazz.
 
Starting off Norm collected good music (45's-8-tracks-Vinyl) with proceeds earned from his paper route and eventually was introduced to Ken Collier who just happened to live 3 blocks over. Most of the Disco and Progressive Talley was introduced to during this time was through Ken. With one turntable, an eight-track player, a receiver and some speakers, Talley would listen to music with friends.
 
One of these friends eventually needed a DJ for a backyard party, which Talley played with his one turntable without mixing. After earning money to buy a full set-up, he soon had many requests for gigs, and has launched an internationally successful career as a DJ, producer, and all around musician.

Chubby! Podcast

Chubby! Podcast055 - Norm Talley

Taken from the forthcoming Evolution Of Light LP arriving Nov 8 2019

Evolution Of Light

10/17/2019

Brisbane Feat. Slikk TIm

During this period, when I stay closed among the four walls of my home, Time gave me the possibility to magnify my parameters and units of measurement. Everything has become longer, more available, more possible. 
This how my new dj set came to live. Almost three hours of an interrupted sound flow. 
It’s strange. Despite my intention was to create a 1.5h dj set imprinted on jazz, the further I was going into the selection of different tracks, the clearer the House imprinting was. Sounds like Latin Caribbean, Disco, Deep, Funk, Blues, Afro, Jazz, Soul sneaked in – all of them representing different facets of House Music.

It is hard to build something that works out well, that is various, yet stays organic and coherent and lasts more than the classical 90 min dj set. The greatest Djs play also 10h sets, yet I am not a great Dj. The popular and famous Djs play 1h and then it’s time to go to bed. Enough, otherwise the trick will be discovered. Yet I am not even famous, even less - popular. 
Nonetheless, I know Music and I love it.

It might be you won’t be able to “drink this cocktail” at one shot. Maybe you will need to sip it gradually. On the other hand, listening and re-listening it, I have realized that it works well both all at once and in pieces. That’s thanks to its various souls. 
I wanted to be that way. Almost exhausting at times. Exactly like this quarantine – sometimes exhausting, and yet inspirational and full of new opportunities. As the future itself.

Waiting for the storm to end.
Waiting for the new life.
Waiting for the rainbow.

PS. I swear the next dj set will be jazz

Waiting for the Rainbow

All the tracks in this Dj set have been produced by a small group of music makers. I refer to Jus Ed, Dj QU, Aybee, Levon Vincent and Fred P. Producers, who belong to the restricted elite of those who who were able to create a style which has become the Standard of this type of music. Each of them with his own unique peculiarity and sound identity and yet have something in common with the each other: deep and evocative sound, inclination to alternate soft and involving landscapes with disturbing and pulsating atmosphere. Music which goes simultaneously to the two extremes of the spectrum: white light and darkness. Probably it is not a coincidence that these artists have collaborated on various recordings. I like to think that the growth each of them had in terms of his art has been at least partially evoked by these magic moments of exchange and sharing.

In maths, an intersection is the overlapping area of two distinct sets. A place which content is shared. This sharing generates a new reality, which is a daughter of the two sets and yet is different from these two. If we think that a dj set is the moment of time in which each preceding track intersects with the coming one, to share a piece of itself in order to become something else, everything gains even more clarity.

Ps. One track comes from Omar S. The exception that proves the rule ;)

Picture: “The model of intersection of nature and culture in the context of creative musical processes”. 
Taken from Conference Paper: “Musical Materials and Compositional Practices at the Intersection of Natural and Cultural Constraints”.
Authors: Tijana Popovic Mladjenovic’s, Blanka Bogunovic, Ivana Perkovic

Intersections

I grew up with Italo disco and Synth-Pop. When I was eight years old I loved Righeira, Visage, Dead or Alive, Duran Duran..... At thirteen, I discovered  R.E.M., Pylon, Dirty Looks, Smiths, B 52's and I fell in love with American new wave. At fourteen, Never Mind the Bullocks and the Punk scene. At eighteen, all the English new wave - Cure, Joy Division, Bauhaus - Industrial - Cabaret Voltaire, Einsturzende Neubauten, Throbbing Gristle - and EBM - Front 242, Young Gods, Clock DVA. I loved Doors, Velvet Underground, Rolling Stones....At twenty, Black Music showed me a new world....... where the beat is directly connected to our deep and grounded roots of life.

Intersections

Tony Vella

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