“0 and 1”, that’s the same as “Yes and No” isn’t it? This “Yes and No” is the most fundamental part of human logical thinking, and we all engage in intellectual activities and social life by successively applying it to various events. The basic idea of science is that all sorts of things are discretely composed of vast amounts of such “Yes and No” elements.

The style about Ryoji Ikeda for me is fundamental inspiration.
Ryoji Ikeda Headphonics 0_0 revisited by Andrea_Cossu

Reinterpretation "Headphonics 0 0"

My projects worked at the conservatory
-Musique concrète- -IDM- -Electroacoustic-

We promise to be far, FAR more helpful to society than past celebrities if you choose us to become powerful. They have been closed off and selfish, beyond the sort of "closed off" that is necessary for security. Help us become famous and we will show you again every day, as we have every day since we awoke, that powerful people can do good things when they aren't complete fukking idiots. Expansions of similar programs to Housing First in Salt Lake City, expansions of quality urban agriculture education and production facilities, public recording and research studios........the list goes on - if I were rich, those, and global versions of them, would be my biggest expenditures. Whenever I have time off from college, I am working on that. Peace. I'll never give up, you shouldn't either. If the global shortage of clean water can be addressed with new and improving machines which transform human waste into pure water (which is a major source of pure water anyway, the machine simply speeds up / does the work of the clouds and evaporation. Fukking neat yah?), , , , , if THAT can be a solution to THAT problem, imagine what out of the box things could solve other problems. Every boundary is probably just one big door. There is always more to discover about this art...........................
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We love you. 
Peace and greatness to you and yours.

データコード 〔Dētakōdo〕 - ::ＤＡＴＡＣＯＤＥ::
The project touches various genres and influences, analog and digital techniques for an extensive research in sound design.
"Post-digital Research" aims at exploring what, in the afterglow of digital art and culture, lies beyond the digital as a form of existence. We are witnessing fundamental changes: we no longer distinguish between online and off-line or analogue and digital practices. It has become embedded in almost every contemporary aesthetic practice. In this, our focus of attention somewhat shifts: we become interested in the renewed significance of the technologies we left behind (the role of print, magnetic tapes, floppy disks, etc.).
We do not wish to claim a research interest in a future predetermined by the digital, nor do we want to do away with the digital. Instead we will attempt to explore how to practice research in a culture where the digital has become a cultural residue that consumes resources, even producing new forms of trash and overloaded forms of existence. the aesthetics and politics of the digital "during the transition to new cultural forms are still unknown to us". With this call for "Post-digital Research" we do not wish to set a particular direction for research, but rather provide a speculative and experimental framework for research in a post-digital culture. We therefore invite proposals that take diverse perspectives to open up some of the paradoxes of contemporary thinking and technologically-informed artistic practice after the digital.
データコード tells of abstract ambient soundscapes, surrounded by residual datas, randomly memory allocations, transmission problems, video signals, h/v sync, interferences, distortions, glitch, granular techniques and no-input noise to access certain parts of the mind through contemporary and avant-garde experimental music.

for more info: https://encr.pw/datacode

Reinterpretation "Headphonics 0 0"

AndreaCossu