Best of BeSinger

Clouds ☁️

Winter 2024-25

Best of SoundCloud November 2024

Favs By BeSinger

Gratitude Pie: Thanks for all the playlists and comments on Funk'n Blisters Pt. 2

OPEN YOUR SPIRIT WHEN A DANDELION DIES

Michele Ansani

Be Singer

C'était un grand plaisir pour moi de chercher l'histoire pour accompagner cette belle musique passionnée de MingMonk.
Merci beaucoup, mon ami!
https://soundcloud.com/mingmonk
Composition originale: https://soundcloud.com/mingmonk/maria-sans-voix
Such a pleasure finding a story for this beautiful, passionate music from MingMonk. Thanks so much, my friend!

Maria - MingMonk (+ltp)

Opener of live concerts of the Art Rock band Common Ground in which I formerly played - decades ago ;-)  We played some original tracks like 'A Lovely Day' which can be found on my SC page as well as some covers of the bands Rush, It Bites and Marillion.

Sorry for the bad sound quality. Recorded 1990 with a 4 channel mixer and a stereo tape recorder ;-)

Common Ground - Intro 1990 (remastered)

A Flash of Lightning, Behind a Mountain

Dandelion Too

Lyrics:
Muy Fuego
Look at those shoulders
That mamacita could go
Throughing boulders
For fun
You’d had better run
Before she treats you like she did that
Honey bun

Chase me instead
I like to live life on the 
Knife's edge

Mi Dios
Where did you find that dress?
Edith Head would be
So impressed
Muchacha loca
I am the man for you
Now put down that anvil and listen to

My spiel
As I kneel
And take out my comb to
Address my hair

Hold me tight
Well not quite that tight
I need to breathe
And I’m here to stay
You are my 
Living Dream

Kiss me now
And when you get a chance 
Could you please 
Put me down

Oh mi chica
You are my spicy
Paprika 
Can’t you see that I
Need ya
Don’t run away
You’re too fast
I can’t catch you
I’d be gassed
Don’t ruin my day

Look at those wrists
Put a bat in her hand and
Watch the hits

Muy Fuego
That mamacite es Fuego
Bonita chica

Muy Fuego

And so you leave without goodbye
Time stood still for quite a while
50 moons were damned to shine
Then you dropped by with a timid smile

We're on different roads, it seems
expectations, like haunting dreams.
You ordered some reflection of your own kind,
but he is somebody, not just a child

Your silence screams, your absence loud,
In your shadow, i am just a clown.
Finding your consent, always in vain,
tired of dealing with this constant strain.

And so you leave without goodbye
Time stood still for quite a while
50 moons were damned to shine
Then you dropped by with a timid smile






Artwork: M. Hutka

Demo Songs 2024

50 Moons

it is in fact no Gretsch $ Its a Harley Benton... :-D

Improvised L-guitar, excuse the flaws.

Funk with New Friend Gretsch

Nothing More

Feel the wind in your face
Blowing across the bay
You stand up tall
With your back against the wall

Watch the waves raging
And the seagulls chasing
You’re so done with seeing
What the world has become

All that is left
Is here with me
Nothing more nothing less
Just me and my fear

Through the eye of the storm
There comes a barque
It carries a load 
So precious but worn 

And when the day was done
And darkness had been gone 
You’re starring stunned at
Heaven’s vault in the sun

All that is left
Is here with me
Nothing more nothing less
Just me and my fear

Nothing More

Originally a poem which was written by my beloved one. I thought in return I would like to make a little song out of it, so this is my humble attempt.



Wie Sonnenlicht
Du bist wie das Sonnenlicht am Morgen.
Flutest den Raum,
rüttelst mich sanft aus einem Traum,
bist der immer helle Impuls zum Erwachen.
Du bist wie das Sonnenlicht am Mittag.
Stehst im Zenit.
Und was auch immer geschieht,
Du bleibst der intensive Schein über meinem Schatten.
Du bist wie das Sonnenlicht am Abend,
das am Horizont noch schaut.
Entgleitest sanft meiner Haut
als ein warmer Strahl der Verlässlichkeit.

Über Nacht bis zum Morgen.

Über Nacht bis zum Morgen.

Wie Sonnenlicht
Du bist wie das Sonnenlicht bei Nacht,
vom Mond reflektiert.
Der wachende Schein, der mich flankiert,
auf dem Weg aus den dunkelsten Stunden.
Du bist wie das Sonnenlicht

Über Nacht bis zum Morgen.






Like sunlight
You are like  sunlight in the morning.
Flood the room,
gently shake me out of a dream,
you are the ever-bright impulse to awaken.
You are like  sunlight at noon.
You're at the zenith.
And whatever happens,
You remain the intense glow above my shadow.
You're like sunlight in the evening,
that still looks over the horizon.
Gently slipping away from my skin
as a warm ray of reliability.

Overnight until morning.

Overnight until morning.

Like sunlight
You're like sunlight at night,
reflected by the moon.
The watchful glow that flanks me,
on the way out of the darkest hours.
You're like the sunlight

Overnight until morning.

lyrics Maria Caroline Hutka

Wie Sonnenlicht

Unlike our previous two collabs, Dan does lyrics, vocals and lead guitars on an instrumental by me.
I made a 7/4 track for him, knowing he can sail odd waves, and here you are the fantastic result !!

https://soundcloud.com/user-276716031: lyrics, vocals, guitar solos and fills, percussion, artwork on logo by WouWou
https://soundcloud.com/ruizzoidman21centurions: instrumental idea, rhythm guitars, bass, drums

Verse 1:
A promise was made
And It shouldn’t fade
The words were spoken
Then they was broken

We were in the bright sunshine
I thought she was mine
It’s not something you can pawn
And asa now she is gone

I was here forever beau
It was years ago

Verse 2:
But I thought it still held
Like a solid weld

A promise is a promise
Even for a doubting Thomas
It should carry some weight
It doesn’t have an expiration date

But a last I find
That things can unwind
And we are not together
In this Summer weather

Verse 3:
She made her assurance
But I had no insurance
From the broken promise she made
Yes our romance began to fade

Now I am in the dark
What was there was just a spark
Now I Don’t know
Which way to go

No direction in my life
Yes I’m living in such strife
Wondering if life means anything
My joy has no more spring

I am that sad guy you passed by
Not noticing the tears in his eyes

B E T R A Y A L (with Daniel Lockhart)

Lost Son 

So how could I know
The things you didn’t tell me were making you 
so unbelievably lonely and sad 

So why couldn’t you show me
the thoughts you kept inside 
your fortress of gold held by a legion of wardens


My son, my son, where did you go?
I miss you more than you could ever know
I pray for your safety every day
Hoping you'll find your way back to me someday


So I should have known
The path you had to choose was the one of your own 
be guided by angels on all your ways


My son, my son, where did you go?
I miss you more than you could ever know
I pray for your safety every day
Hoping you'll find your way back to me someday



Cover Artwork: M. Besinger 06.07.1955 (dad)

Lost Son

Dedicated to 29 years old police officer Rouven Laur who lost his life today in Mannheim being stabbed down by an islamistic attacker while trying to save the life of another victim of this terror attack. Rest in peace, may you be never forgotten.
written in 1994

Pulseless (2024)

'green nails'
https://www.instagram.com/one.man.verity.show/reel/C9JVNvzuc-u/

lyrics: Scotty & Gems

Baby, paint your nails green today,
naked on the couch as I play with my lady.
As the sun shines through the curtains delicately. 
And the birdsongs that surround us match my melody. 

Greeeeen naaails.
And soooo free.
Come back one day and make me feel this way.
One day.





green nails

Frank did the tune, I played a little flute and bass clarinet.

One By One

In the most honoring memories of the legend J. Cash who (from above) may excuse my humble try.

Original written by Trent Reznor. Cover performed by J. Cash.

Hurt (Cover - J. Cash)

In 410 A.C. Romans left the rule of Britain. The date and the reasons are still and always a matter of debate among historians; however, in 2010, when it may have been 1600 years since that event and to commemorate it, 500 lighthouses were lit along the route of Hadrian's Wall, from east to west (cover image).
The first draft of the track is not recent (I didn't like it so much) and can be found here: https://soundcloud.com/michele-ansani/departure-from-britannia. I recovered audio material that I had discarded at the time (recording quality not optimal) and added some stuff.
Vocals by Ginevra Ansani and Arthouse Acoustic (samples). Flute by Trey Eley (Soul Surplus samples).

------

Composed by Michele Ansani (2017-2024).
Posted on SoundCloud: 2024, August 19.

Departure from Britannia (final version) *

In this final version (here the draft: https://soundcloud.com/michele-ansani/sunday-derby) I have the honour of adding the contribution of Manuel Pietra (take a listen to his tracks: https://soundcloud.com/mozartwolfy81), my friend and my daughter's piano teacher, in the first and in the last part of the piece.
For those (like me) born in the late 1950s and raised in Milan in the 1960s, Sunday of derby (AC Milan vs. FC Internazionale) was the most beautiful and most feared day of the year. The three sections of the piece correspond to three easily understood moments: before the match (Saturday night and Sunday morning); during the match (Sunday afternoon); after the match (Sunday evening and Sunday night). All imperfections (as usual) are mine.
As it's clear in the end of the second part of the piece, my team won the match that time (so many years ago ...). I'm sorry to say that Manuel is a fan of the other Milan team, the one that lost the game in the circumstance mentioned ...

Michele Ansani: piano, keyboards, guitars (and arrangement).
Manuel Pietra: piano.
Stadium effects from Pixabay

Cover picture: L. S. Lowry, 'Going to the match' (1953).

------
Composed by Michele Ansani (part 2) and Manuel Pietra (part 1 and 3 not depending from part 2)
Posted on SoundCloud: 2024, September 2.

Sunday Derby (extended version) **

Reminiscence of Chief Joseph and the Nez Percé war 1877.
Some words about the historical background can be found here:
https://www.britannica.com/biography/Chief-Joseph

The lyrics are in part an excerpt of the original words which Chief Joseph spoke to his followers of the Nez Percé, when they finally surrendered on October 5th, 1877.


In the shadows of our fears,
We’ve shed too many tears.
Now it’s time to break free,
From the chains of enmity.

From the battles we have faced,
We’ve learned the costs of hate.
But in forgiveness we’ll find strength
To go beyond this war at end.

What he told me before
I have in my heart. 
I am tired of fighting. 
Our chiefs are dying.

Maybe I shall find them among the dead.
Hear me, my chiefs, I am tired.
My heart is sad and sick 
From where the sun now stands
I will fight no more forever.

The storm raged hard and broke our souls
The years of war did take their toll  
The face of yours turned into grey
No saving shores in any way 

What he told me before
I have in my heart. 
I am tired of fighting. 
Our chiefs are dying.
Maybe I shall find them among the dead.
Hear me, my chiefs, I am tired.
My heart is sad and sick.
From where the sun now stands 
I will fight no more forever.

Fight No More Forever

The initial melody could be famous, but I don't know who (where and when) composed it. It was the melody of the carillon (in the picture) that some friends gave to my daughter, who was just born. We sung (adding words) and played it for years, even and especially after the music box broke, not to forget it. 
The piece is dedicated to her, who is now 18. The melody of the music box is followed by some (very posed) arias representing the successive stages of her life, childhood and adolescence. The carillon's melody resumes at the end: because I am sure she still hears it, deep down, and that it accompanies her as life goes on.

------

Composed by Michele Ansani (2006-2024).
Posted on SoundCloud: 2024, September 10

My daughter's carillon (song for her 18th birthday) *

Jon Lock: Original Music: Bass, Drums, Organ, Horns, Vocals, Lyrics
https://soundcloud.com/jon-lock-5
https://jonlock.bandcamp.com/music
The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

Funky as oily ass soggy french fries
Funky as stinky bass fishy pot pies  
Funky as poopy grass squishy with flies 
We be keep it funky and we shittin’ no lies 
Would it be funky if the bips didn’t bop, oh
Would it be funky if the hips didn’t hop, whoa
Would it be funky if the bass didn’t pop, no
Would I be a junky if I didn’t want it to stop, yea
He got blisters on his fingers and they starting to peel
He got two big blisters and it’s starting to get real
He gotta keep ‘em outta water if he want ’em to heal
Wear them gloves in the shower and when washing yo meal

Uh oh, who had the funk and then let the funk go
Uh oh, yo here we go, the funk is on the loose footloose and deucin’ on the flo’

Dip dip scoodley dip, cool whip all over my chips
Sippin’ on limp shrimp, wimps are the news skool pimps 
A plop a glop a top my new flip flop design
A crop a hops and a drop a slop for my swine 
Yo we got the flu shot that you got but we caught 
The new-dle two-dle funk crew-dle bug-adoodle  
Jibber Jabber don’t stop a hey hey hey a all day
Now come on over I’ll scoot right over and stay while Jon plays 
Funky see funky do funky spunky skunky crew
Funky rhymes funky lines funky crunky drunky times
Funky might makes funky right funky pluky dynamite 
Funky here funky there funky spunky everywhere

Wow, now that is damn funky, can you smell that bass, whew we, smells like burnt liver on hot summer day, Jon is on Fyre!

Why’s it funky when you haven’t funked for a week and then you start to itch ’n tweek 
And your knees be gettin’ soft ’n weak as the pressure reaches to a peak 
And a little bit starts to drip and leak  
That’s TMI
He got funk like pumpkins got pie 
Funk like bumpkins get by
Funk like stuck in deny
All funk like skunk ’n gettin’ high
Funkin’ til the day that we die

Uh oh, who had the funk and then let the funk go
Uh oh, yo here we go, the funk is on the loose footloose and deucin’ on the flo

The funk 
It be 
Booming
Out the 
Trunk a hunk a junk ol’ clunk a mine
A chunka chunka went the bass and I got a fine
Combine with my divine design, rewind inclined to be funkinsteined 
I declined, I tor’ it up in yo face 
You turned up the bass
That’s right, you could hear it all over the place 
Funky is as funky does do you has pizazz
Funky is too funky that’s true and we has en masse
Funky is what funky wants how does he slap that bass
We be keep it funky now common shake that azz
Funky like a rusty spike infection on my toe
Funky like a crusty tyke with boogies out the nose 
Funky like my musty psych with dusty old pillows 
We be make it funky ’n got the stank to show
Will it still be funky if we, what
Spayed it with some poo-pourri,  hell yea
Will it still be funky if we, what
Made it from som’in’ all bourgeoisie, hell no

That’s what I been tryin’ to tell ya, the funks gotta be made from something nasty, it’s gotta be inta something kinky, it’s gotta talk all dirty, breath be stankin’ ’n such 

Uh oh, who had the funk and then let the funk go
Uh oh, yo here we go, the funk is on the loose footloose and deucin’ on the flo

Yea, so what do you think Jon, you feeling that?
Oh yea
Alright, alright, alright, yo since you supplied me with that mad funky beat, I figured I’d go all mad scientist and flip what you sent me, and maybe you can lay down some of them golden vocals of yours
How’s that sound?
Sounds good

Well, the Couch King baby
Let’s turn the clock back to ’65
That’s where I like to hide out
It’s the place I really thrive
Well look out
Take your time now
This funk moves like a big fat cow
Yea, the Couch King baby
I tried to run but I could not hide
I tried to run 
But I could not find a place to hide

Funk'n Blisters

Jon Lock, Russ Sinfield, and the Couch King -Funk'n Blisters

It's a special honor that my dear friend Michele Ansani asked me if I would like to work on a song he wrote years ago called 'Alla Fine della Fine delle Fini' (To the end of the end of the ends) which is a great track. When I listened to it I said to Michele that I thought the song is already finished and asked what I supposedly could do with it. He said, that he wasn't going to publish it and wanted me to work on the root idea of the song to create something new.  Thank you so much Michele for being so generous to leave the basic song idea to my purposes (all flaws are mine).

Listen to his wonderful music here, you all know him anyway: https://soundcloud.com/michele-ansani

Michele Ansani: Seed idea
Me: Instruments, vocals, lyrics, arrangement.

Photograph from the top of Half Dome, Yosemite NP, CA, USA by A. Besinger  2022

One day I walked the shores of time
Wiping away the footprints left behind

Tossing stones into the sea  
Just to watch the ripples making their way back to me  

What if these dancing rings were just memories
Would they come to life once more to set me free?


Abandoned this place that I called home ￼
and took that boat I was hiding for so long 

Facing the storms, past the sirens song
The love of gods in mind may have led me wrong

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread 

When I stepped through the gates of Plutonion
Caught between Scylla and Charybdis I would be found

Sacrificed the ones to whom I belonged
A wise man would rather be envied than being wronged

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread 

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread

Off the Edge of the World (with Michele Ansani)

Original song: @neowakan - The Session
---
09-10-24
---
-2' songs

The Session

The latest Bleep and joerxworx collaboration   - we hope you will enjoy it !
      Bleep - bass, guitar, keys, drums, various percussions and arrangement
      joerxworx - EWI (Electronic Wind Instrument) trumpet, tenor sax
* check out: @bleep64

From Berlin With Love (A Bleep & joerxworx collab)

Thanks so much to Timothy McGuire who added his beautiful orchestration to my "Moonlight Dance" piano composition. It is always a pleasure working with Timothy and to hear more of his wonderful work, you can visit his SoundCloud page by clicking here: @tim_mcguire

Moonlight Dance (feat. Fr. Harris)

Dear friends, with genuine pleasure I’d like to share with you my new collaborative work with David De Michele —  a highly talented composer and musician. You can listen to his magnificent music here: @user-92820487

David has created an ethereally beautiful addition to my original composition, making it sound so magical. It has been a great honour and joy to collaborate with David once again.

Thank you a lot for listening to this music, and we really hope you will enjoy it!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

Fiat (Ft. David De Michele)

I search for sounds and assemble them. I purposely switch the order. I try switching different rhythms for each phrase. Usually, a song is born that is like a "poker hand" with no winnings. This time, an image was born. An image that I didn't intend to create appeared. It's a lot of fun to fantasize about where I'm heading.

Images I drew with sounds (305)

Here is another track from Michele Ansani that I was invited to. On an old piano base from Michele,
I delivered alto and tenor sax, then he finished the arrangement with some keyboard phrases. ........
He dedicated this piece to the comet of the century.

Piano and keyboard: Michele Ansani - https://soundcloud.com/michele-ansani
Alto and tenor sax: joerxworx
Posted on SoundCloud: 2024, October 25

Tsuchinshan–ATLAS

Lament For The Fallen

Out of the mud and the blood came the sound of a man crying.
For those that survived were stricken with guilt and pain and loss.

So much death and wanton destruction, so many lives cut short.
The innocent, the old, the frightened, the babes in arms.

All are fodder for the apocalyptic horsemen, riding, forever riding ...

P.Goodrich 2024
--------------------------------------------------------------------
Instrumentation Used

Dicky Deegan's Uilleann Pipes - Xtant Audio
Romantic Cello (Cello 1 and 2) - Chris Hein's Solo Cello
Con Sordino Strings - Spitfire - Albion One
Snare Drum - VSL Synchron Percussion 1

Lament For The Fallen

NEO MIND

I'm very happy to present to you my next collaboration with an incredibly gifted David De Michele. Please listen to his breathtakingly beautiful music here: @user-92820487

I am deeply grateful to David for all his fantastic orchestral additions to my piano compositions.

Thank you so much for your interest and time, we do hope you will enjoy this music!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

Until (Ft. David De Michele)

https://youtu.be/LaxzBLemJRk?si=XGcV_cyD0f53o8XU

Moving The Needle

An ambient piece that I created over Christopher Walken's "friendship" speech that I sampled from YouTube that he made for a bicycle ad.

Guitar used:
Gibson Les Paul Studio

Plugins used:
Tonex Mesa Boogie Reference Amp Captures 
Line 6 Helix Native
EZ Keys Upright Piano
I added some cassette tape emulation to the track to give it a lo-fi sound. 

Friendships

Sunny Autumn Day
Lillithe: Music composition and Production


Sunny Autumn Day

Mystic Unity is a musical journey that crosses borders and shows the beauty in the connection between cultures. Through the fusion of Arabic sounds and Western harmonies, I want to celebrate the diversity and depth of two musical worlds and show what can happen when we are open to each other.

Mystic Unity invites us to embrace different perspectives and discover the unknown ... melodies and rhythms merge in a unique way. I look forward to taking you on this journey and hope it inspires you.

DAW Cubase
Halion Sonic 7
Groove Agent SE
Retrologue 2
Padshop 2
Colors LoFi Tapes
Framedrum X3M
Transverse
Hybrid Hit
Verve
Kalimba
Moroccan Vocal Phrases
Olympus Choir Elements
Mimi Page
Wave Cre 8
Evo Elysium
Flux
Navi Harp
Habitat by Domink Eulberg
Halion Symphonic Orchestra
Kontakt Etheral Earth
Ocular Sounds

125 bpm

Picture by Ralf Seemann on Pixabay

mystic unity

Music & Lyrics: Jan Schonander

EYES WIDE OPEN

The leaves are changing
There’s a chill in the air
So many people
Walking the same path

I hope they know
I hope they see

I chose a different road
I chose a different way
And now my eyes are open
My eyes are wide open

I’m on another hill
I watch as they pass me by
They seem to know
They have their destination

I hope they know
I hope they see

I chose a different road
I chose a different way
And now my eyes are open
My eyes are wide open

Such a wondrous time
So many colors
So many lives

All joined together
Some left behind
There’ll be another day
Another day

I chose a different road
I chose a different way
And now my eyes are open
My eyes are wide open

Eyes Wide Open

Die For You feat. Stevie Rain
Vocals Stevie Rain
https://www.looperman.com/acapellas/detail/22003/die-for-you-funk-pop-juice-wrld-71bpm-funk-acapella
https://soundcloud.com/stevierainmusic
Paploviante:
Music Paploviante: E Bass, Mix and Mastering
Picture created with Swift Publisher

Die For You feat Stevie Rain

Do you have an Exit Strategy? "I wish".
Do you want an Exit Strategy? "Don't know. What is there?"
Next Exit: for emergence use only. "Go to the next!"
Next Exit: Financial Freedom. "No, go to the next".
Next Exit: Future. "The next?"
Next Exit: Happy Life. "Ok: the next?".
Next Exit: New You. "The old one is enough, go to the next".
Next Exit: Are you prepared? "Yes!"
Next Exit: Can you escape? "Don't want".
Next Exit: Retirement. "Yes!"

-----

Another old track restored, adding new sounds (mainly from Spitfire Labs) to those of the Yamaha PSR 630. Vocals courtesy of NERVO Vocal Jams. The overlapping of old (separated) and new tracks generates always some 'unnecessary' noise. 

-----

Composed by Michele Ansani (2017-2025)
Posted on SoundCloud: 2025, January 10.

Exit Strategy *

This is the first in a series of eight easy, acoustic, rather short and inconclusive tracks, which I’ve assembled by working on new and reworking on some old material adding parts and sounds. 
Will anything actually happen in the end? Unlikely. Definitely not here. Here it’s a montage of bare arpeggios in various keys.
I recorded this some weeks ago: sorry about the guitar sound, the string squeak is a bit too much; now, I hope to have fixed that investing in a better and more expensive set of strings.

Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon

Composed by Michele Ansani (2025).
Female vocals are courtesy by Edm - Silk Vocal Samples.
Posted on SoundCloud: 2025, July 15.

In case nothing happens - part 1 (night)*

When https://soundcloud.com/dneye asked me for a track to play his fantastic guitars on, I brainstormed this 5/4 piece with odd chord set in order to make it difficult to him and thus get the best from his skills. After programming it, I added some organic solos (yep I played keys) to make it seem more friendly ;))))

And he... succeeded in the challenge, overcoming all my expectations !!!

Five by D'n'Eye: guitar1, guitar2, guitar3, guitar4, harp.
Five by E-Ruizzo: piano, bass, mellotron, organ, drums.

Hope you'll enjoy this our first post in the new year !!


High Five !! (with D'n'Eye)

Pure Spirit - the art of uli-

Dear listener, thanks for visiting my site. You'll find some of my Demo Songs, some of them finished, some are work in progress. Some have been recorded about 30 years ago. I then stopped recording for about 3 decades beeing busy with my job and family.  I felt there was always something missing that’s why I started recording again in the winter of 23/24. All these works are far from being perfect but come from deep inside my heart. I appreciate your support and feedback and I enjoy listening to your music equally cause there is so much talent and dedication to be found on this platform.

 In peace and respect and dedication, Andreas