Alot of great work ive missed while i was gone, another certified hit! Great worl!

A magnificently performed lyric and guitar playing. Lovely feeling in what you do. ;)

so easy for me to synchronize and flow with your Music, man.........  such a rare and wonderful Pleasure.

Two exceptional artists together . Two of my very favorites.  Wonderful!🙏🏼

lovely for togheter of yours talent💫⚒💫⚒🦋🔥🦋🔥🦋🪓⏰🪓⏰🪓⏰💥🧨💥🧨💥🧨

bravo Michele, grande collaborazione e pregio musicale👏🏼👌🥂🌠🥂🌠🎵🍕🎵🍕🎵🍰🎵

Fabulous melody with o so beautiful vocals

Clouds ☁️

C'était un grand plaisir pour moi de chercher l'histoire pour accompagner cette belle musique passionnée de MingMonk.
Merci beaucoup, mon ami!
https://soundcloud.com/mingmonk
Composition originale: https://soundcloud.com/mingmonk/maria-sans-voix
Such a pleasure finding a story for this beautiful, passionate music from MingMonk. Thanks so much, my friend!

Maria - MingMonk (+ltp)

'green nails'
https://www.instagram.com/one.man.verity.show/reel/C9JVNvzuc-u/

lyrics: Scotty & Gems

Baby, paint your nails green today,
naked on the couch as I play with my lady.
As the sun shines through the curtains delicately. 
And the birdsongs that surround us match my melody. 

Greeeeen naaails.
And soooo free.
Come back one day and make me feel this way.
One day.





green nails

It's a special honor that my dear friend Michele Ansani asked me if I would like to work on a song he wrote years ago called 'Alla Fine della Fine delle Fini' (To the end of the end of the ends) which is a great track. When I listened to it I said to Michele that I thought the song is already finished and asked what I supposedly could do with it. He said, that he wasn't going to publish it and wanted me to work on the root idea of the song to create something new.  Thank you so much Michele for being so generous to leave the basic song idea to my purposes (all flaws are mine).

Listen to his wonderful music here, you all know him anyway: https://soundcloud.com/michele-ansani

Michele Ansani: Seed idea
Me: Instruments, vocals, lyrics, arrangement.

Photograph from the top of Half Dome, Yosemite NP, CA, USA by A. Besinger  2022

One day I walked the shores of time
Wiping away the footprints left behind

Tossing stones into the sea  
Just to watch the ripples making their way back to me  

What if these dancing rings were just memories
Would they come to life once more to set me free?


Abandoned this place that I called home ￼
and took that boat I was hiding for so long 

Facing the storms, past the sirens song
The love of gods in mind may have led me wrong

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread 

When I stepped through the gates of Plutonion
Caught between Scylla and Charybdis I would be found

Sacrificed the ones to whom I belonged
A wise man would rather be envied than being wronged

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread 

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread

Off the Edge of the World (with Michele Ansani)

Dear friends, with genuine pleasure I’d like to share with you my new collaborative work with David De Michele —  a highly talented composer and musician. You can listen to his magnificent music here: @user-92820487

David has created an ethereally beautiful addition to my original composition, making it sound so magical. It has been a great honour and joy to collaborate with David once again.

Thank you a lot for listening to this music, and we really hope you will enjoy it!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

Fiat (Ft. David De Michele)

Here is another track from Michele Ansani that I was invited to. On an old piano base from Michele,
I delivered alto and tenor sax, then he finished the arrangement with some keyboard phrases. ........
He dedicated this piece to the comet of the century.

Piano and keyboard: Michele Ansani - https://soundcloud.com/michele-ansani
Alto and tenor sax: joerxworx
Posted on SoundCloud: 2024, October 25

Tsuchinshan–ATLAS

El Árbol del Fuego - www.korima.net

Hace calor aquí? ¿O soy yo?
Hace calor aquí? ¿O soy yo?

Beware the Purple Tiger
On the wall of flame
Hungarian Hot Wax
With a Bangalore Wippet’s tail

Paper Lantern and Prairie Fire
Select Lucky Seven
Red Cherry Sweet Desire
Will leave you Facing Heaven

Chilhuacle Rojo
Orange Scorching Fresno

Malawi Bird’s Eye burn
Peach Carolina Reaper
Trinidad Perfume
Golden Cayenne Pepper

Hace calor aquí? ¿O soy yo?
Hace calor aquí? ¿O soy yo?

Guitar featured is: Guitarra Especial 10 Concierto by ANTONIO ALVAREZ BERNAL, 41007 SEVILLA SE, España

Graphic effects by Simon

You can find our acoustic versions released in advance of Soundcloud in our "Black & White" page here: https://www.korima.net/black-white

El Árbol del Fuego - Acoustic

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
J.J. Terrell-- @j-j-terrell—JJ-- organ
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering

This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves Bossa Nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collective in mind.
Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. Ken also added the solid percussion keeping things tight. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the table, bringing several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangements that joins in from JJ's organ around the middle, those funky percussion flourishes and fills, and then creating that percussion breakdown near the end, playing everything you hear in that break. 
This is an example of Josh exploring a less typical type of music, and it being picked up on and carried through expertly as a group unit. We all love bringing in different influences in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

And here’s a short excerpt of the the rhythm section with all the percussion action more isolated:

https://on.soundcloud.com/z7WcB9VvfZWHgAUu8

Meet The New Bossa (The Eclectic Collective)

Ain't nothing but beavers living up there

I Got Cooties In Vancouver

Piano Day is celebrated every year on the 88th day as a piano has 88 keys. So this year is not a leap year so it falls on March 29 (2025). Like almost all of my other solo piano songs, this is a sit down and make it up on the spot song. Improv. I wish I had the patience and the attention span to write a song over a 6 month period. I wouldn't even know where to start to be honest with you. But thank you for listening and have a happy Piano Day 2025!!

Piano Day March 29 2025 - Journey's End

thanks to Martin for the work done on this loop

https://soundcloud.com/mkandersson1982

https://soundcloud.com/mkandersson1982/marty-andersson-from-the-archives-story-time-with-marty-mcmuphin


Lyrics
A young man, making his way to South Town by Bicycle, was abruptly stopped in his tracks
by a wandering tortoise.
The Bicycle jerk forwarded his suddenly pushed on the brake, an open can of energy drink
was then flung from his free hand, spilling over the tortoise.
The tortoise became super charged and sped away, clocking 100 miles per hour.
Ostropper, what he just witnessed, the man fainted, falling sideways from his bicycle,
later awakening in his basement with tabs of LSD, littered



Un jeune homme, se dirigeant vers South Town à vélo, a été brusquement arrêté dans son élan.
par une tortue errante.
Le crétin du Vélo a présenté sa soudaine pression sur le frein, une canette ouverte de boisson énergisante
a ensuite été projeté de sa main libre, se répandant sur la tortue.
La tortue est devenue super chargée et s'est enfuie, atteignant 100 milles à l'heure.
Ostropper, ce dont il vient de voir, l'homme s'est évanoui, tombant de côté de son vélo,
se réveillant plus tard dans son sous-sol jonché des comprimés de LSD,

BREAKING NEWS.  🎧

Recorded in Modesto, Ca.   Featuring Hammond B3 Electric Organ solo. Selmer Alto Saxophone solo. Gibson L5 Electric Guitar solo. Acoustic Stand-up Bass. Hammond Electric Organ Rhythm With Bass. Stand-up Acoustic Bass. Gibson L5 Electric Guitar Rhythm. Drums Acoustic full kit set. Percussion Tree  Chimes. Zildjian Ride & Crash Cymbal. 

Carmel

Sailin

Sailing

i can’t get over you
i can’t let go

a randy catastrophe
a dark rodeo

i can’t get over you
i can’t let go

too feral to wait for me
too slinky for slow

i’ll be waiting
by the water
will you meet me
tomorrow?

high jungle of emptiness
footprints in the snow

i can’t get over you
i can’t let go
-------------------------------------------------------------------------------------------------

Thanks to Jacques DiCroce, Janine Levinson, Cheesemont Paisely-Paisely, David Weiss and Wheelwright for early listening, support and ace suggestions.

I'll Be Waiting

The Nasty Fruits

In Euripides' tragedy 'The Suppliants', a group of Argive mothers travels to Eleusis to plead with Theseus, king of Athens, to help them recover the bodies of their sons, who fell during the failed assault on Thebes. The Thebans, in fact, refuse to return the corpses for burial. These mothers, immersed in profound grief, represent the universal symbol of maternal mourning in the face of the loss of their children in war.

Cover picture: Theseus and Amphitrite with Athena looking on. Interior from an Attic red-figure cup, 500–490 BC. Currently housed at the Louvre Museum of Paris (inventory G 105).

Composed by Michele Ansani (2023-2025).
Female vocals courtesy of VOX.
Posted on SoundCloud: 2025, April 4.

The Suppliants *

"One with the Infinite" is a radiant, soul-stirring pop anthem that blends uplifting lyrics with rhythmic, Top 40-inspired production. With themes of inner power, divine alignment, and personal awakening, this song is a musical affirmation for anyone rising above fear and stepping into purpose.

One with the Infinite

Dear listener, thanks for visiting my site. You'll find some of my Demo Songs, some of them finished, some are work in progress. Some have been recorded about 30 years ago. I then stopped recording for about 3 decades beeing busy with my job and family.  I felt there was always something missing that’s why I started recording again in the winter of 23/24. All these works are far from being perfect but come from deep inside my heart. I appreciate your support and feedback and I enjoy listening to your music equally cause there is so much talent and dedication to be found on this platform.

 In peace and respect and dedication, Andreas

Off the Edge of the World (with Michele Ansani)

BeSinger

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