Preciosa canción. Really beautiful song. 🦩

I love how you left plenty of space in your composition. So poignant.

What a beautiful song! Such emotion and deep lyrics, your vocals sound very good with the piano.  Sitting on a cloud.. I love that😌

What a beautiful song.  It hits home for me.  I am a father of two sons and I surely can relate.

From the Hearts

THE HARBOUR from Echoes from a distant Past

Travelling with Ghosts

Yesterday you told me that you‘ll leave our home today 
I think it’s okay cause you’re eighteen now anyway

It seems to me like someone pushed fast-forward on my tape
Keep holding back the memories in my head so they won't escape

Farewell my son, be safe when travelling with ghosts
They like to whisper in your ear, the things you fear the most

And when you‘re old and grey like your father is by now
Most likely you will think of me and drop a line somehow

Farewell my son, be safe when travelling with ghosts
They like to whisper in your ear, the things you fear the most

And when the time has come for you to meet your dad again
We‘ll be sitting on our cloud together, smiling now and then 

Happy birthday David!



Thanks a million for pre-listening: Michele, Gary, Judith and Brenda!

Travelling With Ghosts (David’s 18th birthday)

“Rind”
Chill/LoFi track from my Eastern LoFi Lab.
Please follow on Youtube: www.youtube.com/@55_stars
Coverpic: Arpad Kajel www.instagram.com/bergarpi

Rind

Cast of Chracters:
 Sean Smith /|||||| Orange Paperbacks -- @the-orange-paperbacks — acoustic guitar and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-  four string fretted bass and organ
Llanpsych -- @llanpsych -- Tez – electric guitar
TexMex Shaman–@texmex-shaman –Stephen– electric guitar, mix, mastering, and production

This song began when Sean, who is a superb writer of catchy pop songs, was inspired by the classic surfer movie, The Endless Summer. He wrote it on his acoustic guitar with a mind to sharing it with Eclectic Collective. He first shared it with Ken, who promptly provided driving drums and invited the rest of us to play on it, too. Josh hopped on first, adding his bass and completing the rhythm section.
  About this time, Tez got involved, laying down the Ventures-esque melodic electric guitar you hear throughout. Right after Tez did his thing, Stephen came along soon after and completed the lead part with his fuzzy, adventurous guitar. 
  At this point, it still felt very stringy, so Josh decided to lay down the organ part you hear in there, too. Once it was cooked, we tapped Stephen to do his expert brand of production, mix, and mastering to get it ready to serve. 
  This is the second time Ken and Josh have collaborated with Sean, the first being almost two years ago on a song called Diamond Marigold. When Sean approached Ken with a second song, not only Ken was thrilled, but Josh and the rest of the gang were, too. Sean has a lot of great, catchy, accessible music on his page that is all worth putting in your ears.
  We dedicate this song to Artur of Surfers Like Us. Although he didn't play on this one, he spirit lives inside of all of our music, especially the surfer kind. We hope you enjoy listening to this as much as we enjoyed creating it.

Favorite Pair of Sandals (Eclectic Collective with Sean Smith /|||||| Orange Paperbacks)

A collab with https://soundcloud.com/bigpapashonan on violin and keys/sounddesign and https://soundcloud.com/holgerengel on bass guitar, Big Thank You to my wonderful collaborators. Please take a listen to the remix of KBS:  https://soundcloud.com/bigpapashonan/brochen?si=a3d0ddc3cdb9475f9601e6fdea3e64bc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
 
At 1142 metres above sea level, the ‘Brocken’ (also known as the ‘Blocksberg’) is the highest mountain in the ‘Harz’, a mid-range mountain group in Central Germany. Put simply, it is a large block of granite, a plutonic rock. It is shrouded in legends and mystery. My father grew up in this area as a child and of course knew the old stories and myths, including some about the so-called "Brocken Ghost"...

The cropped, filtered and edited photography shows the „Brocken Spectre“ (original by Walter Richter)
					
„When the observer's shadow falls on a layer of fog or clouds, the shadow is not represented by a solid surface, but by each drop of water in the haze individually. As a result, the brain cannot see the shadow stereoscopically and significantly overestimates the size. Air movements cause the shadow to move, even when the observer is standing still. This seemingly separate entity can also float and hover without having any visible contact with the ground. The other physical conditions on the mountain, cool and damp air, silence, as well as the lack of orientation due to a lack of foresight and neighbouring mountains, reinforce the subjective impression of the apparent existence of a ghost."

					Johan Esaias Silberschlag, 1780


Brocken Ghost

1
The shadow falls (4)
On layers of fog 
The shadow falls
Unto each single drop
The shadow falls
On layers of fog
The shadow falls (2)
  
A different story
On each single drop  
A different story
From the bottom to the top
A different story…

2
The shadow floats
On layers of fog
The shadow  is hovering
Over the ground
The shadow is growing
Waving without sound
The shadow floats
With a glory

A different story
On each single drop  
A different story
From the bottom to the top
A different story
On each single drop
On each single drop

Brocken Ghost (wt KBS and Holger Engel, raw edit)

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpani, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. Finally, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. 
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Here's an isolated track of just the hambone bit at the very end of the song (thanks for showing us this technique Stephen!):
https://on.soundcloud.com/QdPGGUnJsHfowXdV9

Country Ham (The Eclectic Collective)

Dedicated most especially to L.K.A. ( Debbie`s new little grandson ), and to all children:)
Piano composition, piano: Debra Buesking @debra_buesking
Melody composition, poem and voice: Oddrun Eikli
cover design: Debra Buesking

Thank you from my heart dear Debbie my friend, for this collaboration of hope. 
Thank you Arne Hiorth for your studiowork.

What is the United Nations Convention on the Rights of the Child?
The United Nations Convention on the Rights of the Child (UNCRC) is a legally-binding international agreement setting out the civil, political, economic, social and cultural rights of every child, regardless of their race, religion or abilities.
The hope, vision and commitment of world leaders in 1989 led to the Convention. It is up to today’s generation to demand that world leaders from government, business and communities end child rights violations now, once and for all. They must commit to action to make sure every child, has every right.


Gently.

Wrapped in red, orange and blue
The little baby in mothers arms
Tiny white jasmin growing in her garden
Mother Nature dressed in spring
From magic skies of mint
Every color spins new
In future clear as aquablue

Let Nature Embrace you
Gently
So gently

Life`s colors flow from gold to umber
In crocuses, Petunias
In Asters and in Pansies
A thousand shades of reds
In yellows and in brown
From Magic skies of mint
Every color spins new
In future clear as aquablue

May Nature Embrace you
Gently
So gently

Gently. Debra Buesking and Oddrun Eikli

Where Is My Key

File Updated 21/04/25 @ 19:14 GMT - More vox power in and mixed the drum and keys cheese a little higher... possibly still not enough cheddar there

Bass run live
https://www.instagram.com/reel/DItwK6NNYAk/?igsh=ZzkwbmkzbWxmazU0

Vocal run live
https://www.instagram.com/reel/DItiaLPt5_-/?igsh=MW0xNnR4ZXRuczg5bQ==

Acoustic warmup and some background
https://www.instagram.com/reel/DItU4cHNWRZ/?igsh=MTQzemFtcTV2OWxteQ==


The Other Side remake # 5. It started in 2002. Got adjusted in 2007. Had seperate facelift's to reflect new reality in 2015 & 2024. Now # 5 is truly Alive for The Other Side. Both the Song and me appreciate your time and love ♾️ If art is conscious in a universal sense as it's doing its job of inspiring love, then that appreciation from the piece itself doesn't have to seem misplaced...

It's great to make art... But the sharing bit can truly last and maybe it can actually transcend the artist as an energetic entity. Maybe all art is that after it's created ♾️ (unless souless ai made it)


Tempo 155bpm 4/4
Tuning 417Hz A and down one semitone then capo 2 (B string back up one semitone)

Lyrics

Why go beyond this face 
To no longer replace and only embrace this soul
You can’t grow while running from this
Down clenching your fist,
Your hot heads
Too mystical

Light up the other side
Light up the other side

I know to look to this place
Search every last little trace
Find why all is interlaced with the cold
(The Beautiful Dark: In order to.know we are playing with light we unfortunately need to understand the shitty darkness that exists in this universe most of which was created by what we currently refer to as  "humanity" - Can't recall a dolphin ever bringing evil to planet Earth - They show plenty of love though... maybe that's showing us how natural love is and where all hate comes from! Humans...)

Light up the other side
Light up the other side

Love like you mean it
Love completely
Is your heart beating?
Then love like you mean it!

We're wishing for middle eastern freedom
We're wishing for Tibetan peace
For 'free' Iraqi beliefs
We let go of Mugabe 🙏🏿 🥳
Zimbawes relief
Fuck you Burmese high priests
🖕🏽All black and white beasts

Rainbows of love
Your Dharma duties
Never end Peace and Love
No shame no doubt no guilt reigns

Just love like you mean it
Love completely
Just love like you mean it
Love completely

Light up the other side
Light up your inside
Light up the other side
Light up your inside
Yeah ➕📈


Notes
Man this feels good. It's like I'm handing a big chuck of myself over and its a good chunck of good in my head.

I pledge to write this song until I die and hopefully that means me making lots and lots of versions of this over the coming decades. It has to be rewritten because this song needs to reflect my reality and that always changes. When the time is right I'll pass it on to another human who I feel will be worthy enough to keep it going for another lifetime.

I wrote this song originally 23 years ago on a two octave Casio keyboard. It was so cheesily amazing. However the beat cheese was 155bpm of high tempo rhythm so when I went to write the lyrics I slowed the gait to try and say what I wanted to say and not sound like a chipmonk.

So today we go back to that gait and we do it without like sounding like a chipmonk and with new relevance for what I see in reality.
This is the result of the first wave of recompiling the idea again from scratch. I'll hone it now...

2002 Original Jam (Casio version)
https://on.soundcloud.com/KUfoFsjM5oUTyJgg7

2007 Version
https://on.soundcloud.com/zaTQnMc55Xaiuvc39

2015 (recorded in 2024 but in the light of v2015)
https://on.soundcloud.com/YzF6zUSGoTgCKkUx

2024 version
https://on.soundcloud.com/zewarjwwqzHtftZp7

The Other Side (2025)

All the strange beings on a space station.

"One day blooms, the next day blusters—spring keeps us guessing and growing."
this quote would perfectly describe my Lovely Niece 🪴😊
Happy birthday to my dear 'Iren'. ❤️

mix & mastering by @bahram-dashtii

Buy/Stream

Iren, the Spring Girl

This song is actually more of a poem. But I only realized that when I tried to set the text to music after I had written it. 
"I count on you" is a song written as a heartfelt thank-you to the quiet companions in our lives — those who stand by us when times get tough. 
Sometimes, these are the people who understand us without needing many words. Sometimes, they are the loyal, four-legged friends who remain by our side through the years. And sometimes, it’s a spiritual presence that carries us through our darkest moments.

This song is about that steady, silent presence — the comforting feeling of not being alone. It reminds us how much strength can be found simply in being there for one another. Some call it friendship, others call it love — some believe it is God. Ultimately, it’s about connection, trust, and the quiet certainty: I can count on you.

A heartfelt thank-you to Andreas and Colter, who deeply inspired me in the creation of this song.

It would mean a lot to me if this song finds a place in your heart and uplifts you when you listen.



I count on you

When everything inside goes quiet,
and I don't know what to do,
when every step feels heavy,
somehow – there’s you.
You never asked for answers,
you just stood there by my side.
In a time that felt so broken,
you were my piece of light.

I count on you 
when the fire’s burning low.
When I feel like fading,
you’re the one who still knows.
I count on you –
not 'cause you're loud or strong,
but 'cause you stay,
when everything feels wrong.

You held my silence gently,
carried every flaw I had.
You saw the parts I couldn’t show,
and never said it’s bad.
You never needed big ideas,
you just showed up as you are.
And in the middle of the night,
you were my northern star.

I count on you 
when hope has gone to hide.
When the world gets smaller,
you still stay by my side.
I count on you 
no questions, no disguise.
You’re the quiet truth
in a world of little lies.

And if the day should ever come
when you can’t hold it all alone –
I’ll be the one who holds you back,
like you have always done.

I count on you 
And you can lean on me
We carry what the other can´t
And set each other free
I count on you 
and hope you feel it too.
Through every broken piece,
I’ve found a friend in you.


Lyrics/Vocals/Music: Axel Menningen

I Count On You

Kintsugi is an art form that embodies the philosophy of wabi-sabi which values the beauty of imperfection and transience. Kintsugi also serves as a metaphor for embracing our flaws and imperfections in life seeing them as a source of strength and beauty and finding resilience in the face of adversity. 

Kintsugi

An improv composition in celebration of the perfect, simple days that bring us moments of happiness and wonderful memories. Wishing more of these days to everyone listening.

The Perfect Day

For we do not have (Let us therefore come forward) (Heb. 4:15-16)

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

Dear listener, thanks for visiting my site. You'll find some of my Demo Songs, some of them finished, some are work in progress. Some have been recorded about 30 years ago. I then stopped recording for about 3 decades beeing busy with my job and family.  I felt there was always something missing that’s why I started recording again in the winter of 23/24. All these works are far from being perfect but come from deep inside my heart. I appreciate your support and feedback and I enjoy listening to your music equally cause there is so much talent and dedication to be found on this platform.

 In peace and respect and dedication, Andreas

Lately there is so much AI produced stuff found here, that's an unpleasant development. Also connecting with artist without listening just to disconnect after a few days is something I can't understand. You can do better. That is not what this site was made for.  Please use Insta, FB or other crap for this kind of behavior, thank you.

Travelling With Ghosts (David’s 18th birthday)

BeSinger

Recent comments

~Mark F

user281981355 JOE D

Colter Valentine 🎤🎹

Garddwr Porffor

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