Name: disquiet0638 by Andreas Kitzmann
Duration: 3 min 5 s
Description: I spent the morning adding my third element to a few tracks and finally decided that my contribution to encym and Jimmy Lem's combo was the most coherent. I was struck by the contrasting tones of encym's off kilter Tele with the controlled chaos of Jimmy's cuatro. Sandwiched in between are some sparse tones from my Terra, fed through the "Vangelis Verb" on the Zoia.

Oh yeah, this really glues it all together! Thank you for adding to this!

This track is built around the sound of the wind shear produced by cracking open the door of my wood-burning heater. 

More on this 632nd weekly Disquiet Junto project, Shear Wind — The Assignment: Make the most of the disturbance within a field recording — at: https://disquiet.com/0632/

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://juntoletter.disquiet.com/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0632-shear-wind/

WindShearFeverDream_disquiet0632

I improvised on the track of Daniel Diaz https://soundcloud.com/daniel-diaz/live-bass-soundscape-disquiet0636.
release date:14/03/2024

Semantic Field- Daniel Diaz - Euclidean~~~ (disquiet0637)

It’s been a rough and exhausting week, so the soothing guitar chords from Torsten Goerke (https://soundcloud.com/torstengoerke) instantly hit my sweet spot (Gruß nach Dresden!).

I extracted the MIDI notes via Ableton, added a granular reverb to it, and played a bit with the pitches. As the guitar line was a bit short, I doubled the part. Also, I added a shortwave radio segment to it.

***
Disquiet Junto Project 0637: Right (2 of 3)
The Assignment: Record the second third of an eventual trio.

While this is the second part of a three-part project, you can participate in one, two, or all three of the parts, which will occur over the course of three consecutive weeks, starting last week. 

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0636). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Important: Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from (47 as of last count). 

To select a track, you can listen through all those and choose one, or simply look around and select, or you can come up with a random approach to sifting through them.

It is strongly encouraged that you look through the discussion thread for the previous project on the Lines forum because many tracks include additional contextual information there:
https://llllllll.co/t/disquiet-junto-project-0636-left-1-of-3/

Step 3: Record a short piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and leave room for an eventual third piece of music. When composing and recording your part, don’t alter the original piece of music at all, except to pan the original fully to the left if it hasn’t been panned left already. In your finished audio track, your new part should be panned fully to the right. 

To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track you selected in Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it will be used by someone else in a subsequent Junto project.

Step 5: You can contribute more than one track this week. In normal circumstances, Junto projects have a one-track-per-participant limit. You can do two this time. For the second, it’s appreciated if you try to work with a solo that no one else has used yet. I will keep an updated list in this Google Drive document of what has been utilized:

https://docs.google.com/spreadsheets/d/1kDorIMT9j_nQQPXACYpMPe4B86T2QD5Xvv98XAOS4UE/edit?pli=1#gid=0

The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. That, foremost, is the spirit of this project.

Length: The length is up to you. Stick close to the length of the track yours adds to.

Deadline: Monday, March 18, 2024, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s required for this sequence of projects to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Right Beside You (with Torsten Goehrke) [disquiet0637]

This is my second submission. I added some chords (G, G6, G7) atop @VonnaWolf's cowbell rhythm jam. Middle section is clear for someone else to add something. Tempo is 124.5 bpm but it drifts a little during the second half.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Cowbell And Aliens - Disquiet0637

In the second part of the three week @disquiet Junto Project, I took @triermusic's Ableton Live track of street musicians and added three Logic Pro X bass. I panned Nate's track halfway left and my basses to the middle of the right and kept the tempo of 81bpm.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Right 2of3 Disquiet0637- with Nate Trier

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

he_nu_ri & mikey_a - Both Sides of the River [Disquiet0637]

Added a second line of (acoustic) guitar to Marc Eisenschink’s track “Guitar/Left1Mono”, helped by Monome Norns RPLS.

Left track by @randomshuffle

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Disquiet0637 - Guitar Talk (with Marc Eisenschink)

I spent the morning adding my third element to a few tracks and finally decided that my contribution to encym and Jimmy Lem's combo was the most coherent. I was struck by the contrasting tones of encym's off kilter Tele with the controlled chaos of Jimmy's cuatro. Sandwiched in between are some sparse tones from my Terra, fed through the "Vangelis Verb" on the Zoia.

disquiet0638

Week 3 of a 3 part assignment, adding to disquiet0637 and 0636. 

Incorporating Roughshark by scénický rys (https://soundcloud.com/ackercz/roughshark-with-analoc-disquiet0637) and Left shark by analoc (https://on.soundcloud.com/imRuTwDmAo4eAUiw9)

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

shark tank [disquiet0638] with scénický rys & analoc

Only the moon remains
floating in the memory upon
Kinokawa River
 
There's so little information about this amazing renga poet that I decided to share another poem written by him. This one is part of a longer sequence, written in 1463:

Only the moon remains
floating in the memory upon
Kinokawa River—
pale glistening waves,
the blank wake of drowned men.
 
About this poem, the author said: "Among the hundreds and thousands who have drowned and perished in this river
due to the disorders in this province were those whom I knew in former days. Often I would walk along the river, gazing at the moon."

(Heart's Flower - The Life and Poetry of Shinkei)

Shinkei (1406-75) was a renowned renga poet and critic, best known for his two-part work "Sasamegoto" (Murmured Conversations). To find out more about this interesting and largely unknown poet-priest, I recommend reading Heart's Flower - The Life and Poetry of Shinkei by Esperanza Ramirez-Christensen

moon [naviarhaiku538]

Dedicated to my late grandmother.

THEON - a loving lady who gave me part of my name, she always told me I can do whatever I want and go beyond my biggest dreams. My loving grandma who helped me discover my love for music and for helping me find my heart. another important women who help me form my backbone.

I love you nana, to the infinity and THEbeyONd.

disquiet0638

Andreas Kitzmann

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