Arabella Steinbacher has firmly established herself as one of today’s leading violinists on the international concert scene, where her mastery of the violin frequently joins forces with the world’s major symphony orchestras. The New York Times summed up her playing as follows: “Balanced lyricism and fire – among her assets are a finely polished technique and a beautifully varied palette of timbres.”

Steinbacher’s feeling for the timeless melodies on this CD runs as deep as her technical command is great. The result is lyricism of the highest order. The album opens with a lush arrangement of Max Bruch’s much-loved, yet surprising, Violin Concerto No. 1, followed by two exquisite pieces: Chausson’s Poème and Steinbacher’s acclaimed interpretation of Korngold’s Violin Concerto in D major.

You can listen and buy the album here:
http://www.pentatonemusic.com/arabella-steinbacher-violin-concerto

Arabella plays Max Bruch Violin Concerto No. 1 in G minor, op. 26 Vorspiel, Adagio

Bach: Partitas Nos. 1 - 6, BWV 825 - 830 by Glenn Gould

Partita No. 6 in E minor, BWV 830 - III. Courante (Remastered 2022, Version 1957)

01 - C-Major - Prelude

46.6 Summer Day 6 piano 20250810-6

Borrowed Time (instrumental)

The melody is sad and tender, as if you are quietly saying goodbye to someone dear to you.

Goodbye

8 Pieces, Op.39 (Glière, Reinhold) - Prelude

Voices Of The Sea Ft. Marie Schreer

Rituals of a Sufi Order - Enneagram

A Vermont Mozart Festival Orchestra concert performance recording conducted by Michael Dabroski on July 28, 2018 at Shelburne Farms in the Breeding Barn.  Mateusz Zechowski, Recording Engineer.

Wolfgang Amadeus Mozart Symphony No. 40 in g minor, K. 550 (mvt III)

W. A. Mozart: Piano Sonata No. 14 in C minor, K. 457: III. Allegro assai (Live)

01 - C-Major - Prelude

Andreas Ronge