Antonio Vivaldi – The Four Seasons, Concerto No. 2 in G minor, Op. 8, RV 315, “Summer” (L’estate): I. Allegro non molto 
Album: “The Consonances of Bach and Vivaldi” by Gulan

Vivaldi – The Four Seasons, Concerto No. 2 in G minor, RV 315, “Summer”: I. Allegro non molto

Pyotr Ilyich Tchaikovsky: Piano Concerto No. 1 in B flat Minor, Op. 23, TH. 55: I. Allegro non troppo e molto maestoso (Fragment)

Tchaikovsky: Piano Concerto No. 1 in B flat Minor, Op. 23: I. Allegro non troppo e molto maestoso

Album: Harmonies of Baroque Masters by Gulan

Harmonies of Baroque Masters

Vivaldi: The Four Seasons, Violin Concerto No. 4 in F Minor RV 297  Winter: I. Allegro non molto

Johann Sebastian Bach's "Toccata and Fugue in D minor, BWV 565" is one of the most iconic pieces in the classical organ repertoire. Composed in the early 18th century, it showcases Bach's mastery of the organ with its dramatic, powerful opening and intricate fugue. The composition is renowned for its bold and expressive passages, making it a favorite in both concert halls and popular culture

2024

J.S. Bach: Toccata and Fugue in D minor, BWV 565

Presto agitato" is the final movement of Ludwig van Beethoven's famous Sonata No. 14, more widely known as the "Moonlight Sonata." This section is characterized by its furious energy and intense drama. Originally written for piano, an arrangement for harpsichord and orchestra gives the piece a new dimension—bringing a sharper, more baroque quality while preserving its expressiveness.
Beethoven composed this sonata in 1801, and it remains one of his most renowned works. The final "Presto agitato" movement contrasts sharply with the slow, contemplative first movement, creating a whirlwind of emotions and virtuosity. In a harpsichord and orchestra arrangement, you can expect a fascinating mix of textures, where the harpsichord adds crispness and precision while the orchestra amplifies the dramatic tension


Beethoven - Sonata No. 14 in C Minor, Op. 27, No. 2: III. Presto agitato (Arr. for Harpsichord and Orchestra)

Sergei Rachmaninoff: Piano Concerto No. 2, Op. 18: I. Moderato . Album: Times and Styles by Gulan

Sergei Rachmaninoff: Piano Concerto No. 2, Op. 18: I. Moderato

J.S. Bach's Chorale Prelude: 'Ich ruf zu dir, Herr Jesu Christ', BWV 639" is a brief yet poignant piece. This composition presents a meditative and devotional atmosphere, featuring a simple, prayerful melody. Bach's intricate harmonies and expressive nuances in this chorale prelude convey a profound sense of spiritual reflection within a concise musical framework.

Album: Harmonies of Baroque Masters by Gulan

J.S. Bach: Chorale Prelude: "Ich ruf zu dir, Herr Jesu Christ", BWV 639

J.S. Bach: Prelude in C Minor, BWV 999 (Arr. by Gulan). Album: Times and Styles by Gulan

Johann Sebastian Bach: Prelude in C Minor, BWV 999 (Arr. By Gulan)

François Couperin: Le parnasse ou L'apothéose de Corelli: VII. Remerciement de Corelli (Arranged for Chamber Ensemble) .
Album: Harmonies of Baroque Masters by Gulan

François Couperin: Le parnasse ou L'apothéose de Corelli: VII. Remerciement de Corelli (Arranged for Chamber Ensemble)

Classical music performance, orchestration and arranging by Andrei Gulaikin (aka Gulan). New Age & ambient music composing.

Vivaldi – The Four Seasons, Concerto No. 2 in G minor, RV 315, “Summer”: I. Allegro non molto

Gulan (aka Andrei Gulaikin)

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