The social and cultural devastation wrought by the Thirty Years' War and the 'frenzy of despair' which took hold of the German speaking lands in its aftermath led to an unparalleled blossoming of the arts over the next few generations. In music, that emotional landscape expressed itself in the stylus fantasticus, described by 17th century polymath Athanasius Kircher (c. 1602–1680) in his 1650 book Musurgia Universalis as "the most free and unrestrained method of composing, it is bound to nothing, neither to any words nor to a melodic subject, it was instituted to display genius and to teach the hidden design of harmony and the ingenious composition of harmonic phrases and fugues." With this new album, AGAVE returns to the shadow of the war, now turning their attention to the courts and cathedrals of the Holy Roman Empire and its seat of power, Vienna. 

05 Heinrich Ignaz Franz Biber_ Harmonia artificioso - ariosa_ Partia I in D Minor, Aria FINAL

19 Heinrich Ignaz Franz Biber_ Harmonia artificioso - ariosa_ Partia III in A Major, Gigue FINAL

12 Johann Heinrich Schmelzer_ Sonata a 5 in C major FINAL

16 Heinrich Ignaz Franz Biber_ Harmonia artificioso - ariosa_ Partia III in A Major, Allamande FINAL

15 Heinrich Ignaz Franz Biber_ Harmonia artificioso - ariosa_ Partia III in A Major, Praeludium - Allegro FINAL

20 Heinrich Ignaz Franz Biber_ Harmonia artificioso - ariosa_ Partia III in A Major, Ciacona (Canon in unisono) FINAL

21 Pavel Josef Vejvanovsky - Sonata a 4 FINAL

Ja wurde mal wieder Zeit Dinge zu verarbeiten... Das is der erste Tanz aus einer Tanzsammlung die ich gerade schreibe, und jeder "Traumtanz" bearbeitet sozusagen ein Motiv/Thema, das sich in meinem Kopf so herumtreibt. Gefühle sind kacke

Träume aus Porzellan

1977-Inspired baroque orchestral Eurodisco with indie-pop elements: a slow, one-turn dance beat, warm, tape-saturated bass, lush strings, brass, and teasing trumpet phrases over a steady disco kick and crisp handclaps. Catchy, anthemic hooks balance the intimate delivery against elegant, full-bodied orchestration.

Friday leans into the amber room
Champagne bubbles chase the chandeliers
Satin ladies sway beside the brass and wood
Every glance a plotted throw of dice
Darlin where the velvet rules
I catch your perfume on the tide
One slow turn decides the night

Take my hand across the polished floor
Steal the beat straight from the horns
Round and round till the morning pours
Savannah dancin til the dawn

Ooh la la
Ooh la la

Trumpets tease the bass with a wink
Heels tap out an old parade
Your laugh slips through the cedar smoke
Two strangers in a borrowed game
Darlin where the velvet rules
I catch your perfume on the tide
One slow turn decides the night

Take my hand across the polished floor
Steal the beat straight from the horns
Round and round till the morning pours
Savannah dancin til the dawn

Ooh la la
Ooh la la

Midnight swings
We trade our names
Tie your ribbon round my sleeve
One more spin
The room is gold
Who we are is what we leave

Take my hand across the polished floor
Steal the beat straight from the horns

Midnight swings
We trade our names
Tie your ribbon round my sleeve
One more spin
The room is gold
Who we are is what we leave

Gravity is loosened by the glow
Your silhouette keeps time with mine
Fingertips a trail along my spine
Every whisper humming undertow
Darlin where the velvet rules
I catch your perfume on the tide
One slow turn decides the night

Take my hand across the polished floor
Steal the beat straight from the horns
Round and round till the morning pours
Savannah dancin til the dawn

Ooh la la
Ooh la la

Take my hand across the polished floor
Steal the beat straight from the horns
Round and round till the morning pours
Savannah dancin til the dawn

Ooh la la
Savannah
Ooh la la
Dancin

Dancin til the dawn

Darlin stay
Stay till the sun finds our hands
Stay till the record fades to sand

Savannah
Dancin til the dawn

Pekki д'Oslo - Savannah Dancin' Til The Dawn (Eurodisco Baroque Mix)

Inspired by @antonio porrino. I have been reignited, inspired, spiritually moved in the passion and power this style allows. Romanticism in a baroque format. It is the interplay of the inner voicings that somehow magically weave a tapestry of harmony, emotion, warmth and countless surprises. Antonio composed a piece To Mary Queen of Peace. This alone, sparked the will and want to try this style. Yes, it should have a harpsichord for the basso continuo but my harpsichord sound is more Stevie Wonder Superstition. I will leave funk for another day. Thank you Antonio, so so very much for the inspiration. 

Prelude to a Choice for Strings

Musik verarbeitet Gefühle. Und genau das passiert hier.
Ich teile meine gerne mit euch allen <3
Falls Interesse an Notenblatt besteht steht mein Kontakt jederzeit offen.

Looking for representation, referral, sync libraries, supervisors. Have extensive experience working and delivering to briefs to industry standard audio, stems, alt mixes etc. Nice bloke too.
Am new to SoundCloud so my catalog will be building showing the range  and styles I can work in. Composer, arranger in a range of styles. Music for Media, Theatre, Film and TV.

Independent Classical from Acis

emerging talent  |  award-winning artists  |  mindful design

Old School Reinvented is a conceptual production house bridging the gap between 90s Texas neo-soul and global analog nostalgia. Fronted by the evocative vocal persona Rita Cássia, the project delivers heavy boom-bap rhythms, hypnotic R&B, and deep house grooves drenched in authentic cassette-tape warmth. But beneath the classic underground exterior lies a deeply layered cultural DNA. The production subtly flips the cinematic atmospheres of 70s Melodiya vinyl, Baltic jazz-funk, Yiddish schlägers and the unforgettable 1976 Brazilian broadcast themes that captivated millions across Eastern Europe. It is a crate-digger's love letter to the past, completely re-engineered for the modern lounge.

New tracks tagged #baroque