Vladimir Tošić - Dif/fusion for guitar (1984), Vera Ogrizović.

Vladimir Tošić - Dif/fusion for guitar

Vladimir Tošić - FISION for guitar, Vera Ogrizović

Vladimir Tošić - FISSION for guitar

Vanja Veronika: Ethno and Morana's voices
Nikoleta Radulović: music, libreto, Ethno and Morana's voices, violins, frula, cover-art and sound design

Vasilisa the Beautiful (etno-opera) - First act

Koncert studenata kompozicije, SKC, Banja Luka

Violin: Nikoleta Radulović

Inspired by raw green jasper. The idea was to represent the color, texture and symbolic meaning of this crystal through music materials, textures and timbers. For electronics, I used as a sample Youtube video of a performance of 9 Etudes-Tableaux by Rachmaninoff which I skipped on my phone by 10 seconds each time, quickly but not equally every time, while keeping the Youtube video going, without pausing. This created the interrupted effect which I edited more in Audacity after screen-recording and converting the final result to wav. I used this to represent the idea of converted physical texture of green jasper into sound. Violin (live and in the electronics) is used for pastoral effect (conflict of a steadiness of the forest and complete riot), since the green jasper symbolizes, among other things, being one with nature. Frula is used both for pastoral effect and representing the color and texture. I played frula in the electronics as well and edited it. I also used water effects (I recorded myself pouring the water in the glass) and sang shamanic-like effects to enhance the experience of being in nature.

Green jasper, for violin and electronics (2023) live performance in Banja Luka

Art by: sacred.starseed (ANNA)
Voice and lyre: Nikoleta Radulovic Visocca

Mintaka Mermaid Light language transmitted through lyre and voice.

Disclaimer: I use Light Language primarily for composing and artistic purposes. All beliefs regarding Light Language and its origins are set aside for now, as some people take it too far—thinking of themselves as higher beings or wiser than others just because they can transmit it, which is, of course, not true. Extensive research is still needed to explain Light Language, so let’s not jump to fixed beliefs.

One thing is certain: since it brings positive energy and peace—much like music—I find it meaningful and purposeful to use it in combination with music. After all, if music isn’t meant to heal, then what is it for?

Mermaid song (Waves of Mintaka Scene 1)

Healing body - 1 - Healing uterus

Sorry for the jumpscare! So many familiar sound materials came up while intuitively gathering information about female nervous system... And trust me, I don't like copying myself lol. It's interesting to me how the materials in the first minute correspond to the materials I used for composition iONA inspired by female energy. This shows how my subconsciousness works - it perceives and understands similar things, therefore showing it to me by expressing similar sound materials when I use intentional-intuitive method of composing. Cool stuff.

Healing body - 2 - Healing female nervous system

AND  THE  SPIRIT  OF  GOD   MOVED  ON  THE   FACE  OF  THE    WATERS    9   -   2025

In the past couple of days I created a short sound piece using ChatGPT. ChatGPT works with text, not sound, so my approach was to ask it to create a program that synthesizes sound of a certain description. Similar could be done, I imagine, with prerecorded sounds, like I could ask it to create a program that combines prerecorded sounds in a certain way, but I haven't tried that yet. The resulting synthesized sound is simpler than I had originally intended, because it turned out that there is quite a limitation on how complex a program ChatGPT can create before going "off the rails" and losing the thread. After the conversation I asked it to summarize the last successful result into a new prompt. The result is this 1-minute piece to which I gave the title Etude on Sound Blocks with Normal Distribution.

Etude on Sound Blocks with Normal Distribution

This composition is autobiographical, but it also allows listeners to find themselves within it. The title itself is a play on words: Between – meaning “in between,” TWIN instead of tween, and then frames instead of flames, referring to Twin Flames. According to legends that date back to Ancient Greece, these are masculine and feminine polarities that were created together and then separated into two bodies, forever seeking one another in each lifetime - even if that means endlessly searching for each other through other partners or different life paths and aspects - until they finally reunite and become whole again.

The composition explores the eternal conflict of inner emotions in the search for true love, representing different phases in romantic relationships, and the unconscious connection between one’s approach to certain life situations and one’s perception of romantic relationships - a connection that is symbolically defined through the role of paper. The way the performer interacts with the paper (their approach to it in the composition) serves as a mirror of how one approaches the relationships - not necessarily the partners themselves, but the idea of the relationship, and at times, the relationship itself.

BeTWIN-frames (demo)

first performance 19 - 6-2018

Modré kvety

I have been writing this piece while re-reading Raymond Queneau’s novel Les Fleurs Bleues (Modré kvety in Slovak). This book is, among other things, about daydreaming. This piece is, among other things, about daydreaming, too.

Modré Kvety oboe-cello-piano 2018

Computer music/noise with Java or C code. Also songs, instrumental music, improvisation.

Etude on Sound Blocks with Normal Distribution

Andreja Andric