Can you please share the name of this piece and artist. It’s so powerful

Gozen Atila

Set I played this year at »C∅smic Gathering« at Alte Spinnerei Chemnitz, enjoy! x

Big thanks to〰️❤
〰️🪐 C∅smic Gathering crew & all the lovely people on the dancefloor  〰️💎 Florentin Tudor and Perija for some tracks 〰️🫦 Hannah Pezzack for voiceovers


All sets of the weekend can be found at https://soundcloud.com/cosmicgathering/sets/recordings-cosmic-gathering


@cosmicgathering @poor-relatives @hannah-pezzack

Cosmic Gathering 2022

C∅smic Gathering 2◐22

We are thrilled to announce our upcoming takeover of https://soundcloud.com/cereals-3 x THF Radio takeover this Friday, March 31st from 7pm. Make sure to tune in and prepare for an anything-but-normal experience, with guaranteed weekend vibes.

Selectors:
https://soundcloud.com/katzele
https://soundcloud.com/minou-oram
https://soundcloud.com/andrepahl
Acid Bostan

artwork: https://soundcloud.com/smidek & Jonas Huhn

Cereals THF Radio Takeover 31.03.2023

THF Presents: Cereals w/ André Pahl // 31.03.23

https://soundcloud.com/andrepahl is a freelance creative coder with graphic design background. After 10 years abroad –Amsterdam and Mexico City– he settled in Berlin. There, he began a mix series of pitched down cinematic journeys called 'Safari', often constructed in many sonic layers. He's a true Gemini, always up for some mischief and new adventures when travelling with friends and like-minded peeps. He hates waiting, certainly in queues. His only phobia is of spiders above a certain size, which will def occur in this mix at some point. Furthermore, it's again a fierce collage concept. A sultry, mad, flaming, desperate river of no return.....

» This sonic landscape is a musical odyssey into a distant realm and its hidden memories — a tribute to nature's relentless brutality as well as its beauty, to an everlasting cycle of of extreme conditions that shape an unforgiving landscape. Imagine gnarled, sun-bleached trees shrouded in mist while countless creatures crawl beneath their twisted roots, and with every overturned leaf, a new microcosm emerges, revealing the intricate beauty amidst the savagery. It becomes difficult to tell whether the sky or the abyss lies above or below. 

What you hear is a collage of ethereal voices and sounds, fusing echoes of the past with whispers of the future. It is also a metaphor for an inner journey. Joy and sorrow shake hands, love, decay and renewal intertwine — a tapestry woven from the strands of existence, representing the unbridled power of the subconscious. «

For Hannah ♥

NOSE JOB 39 — ANDRÉ PAHL

André Pahl crafts sonic odysseys. His eclectic selections conjure pitched down cosmic journeys to distant stars, descents into the depths of the ocean and lush, tropical jungles full of chirping insects and mysterious animals. With a vast collection of rarities, including choice folk, kosmische and prog rock, André’s firmly plugged into the world of contemporary electronica. Infectious, introspective and cinematic, his sound oscillates between psychedelic trips, experimental disco and voodoo percussions, exploring the slowed-down heartbeat of danceable music.

Follow artist - https://soundcloud.com/andrepahl

249⚡️André Pahl

This mixtape features (mostly) Sundanese psychedelic pop music recorded during the 1970s when the Suharto military dictatorship ruled Indonesia. These recordings were chosen due to their signature sound in which haunting and darkly psychedelic notes mingle strangely with endearing girl pop vibes to create an unusual, intense and suspenseful atmosphere.

MUSIC OF THE PSYCHEDELIC MILITARY STATE

"This mix is a celebration of cultural diversity and unity, weaving together sounds and rhythms from various traditions, cultures, times and genres from all around the world. Experience a small glimpse into the inexhaustible beauty of our planet's rich and vast musical heritage, all united in one harmonious collection." - @Saphileaum

SAPHILEAUM - ALL IN HARMONY MIX

Music for Whales, an ambient radio transmission. The longest and most beautiful musical journey of the year. 

We have mixed, in an obscene set given its length, all the tracks that have been aired in 2024 on the radio show "Música para Ballenas", a programme where the best releases of the genre are highlighted and commented (in Spanish) on a monthly basis. Each of the tracks is a gateway to their full experience: their complete album. There are 130 tracks referring to as many albums. SoundCloud doesn't let us show so much text so the tracklist will be displayed in the comments or in a more visual way in this IG post: (under construction)

We recommend five different modes of listening: 

-Analytically, by intellectualising the mixes and looking at the musicians who create the music. As the playback progresses, you will see in the comments the track id and a link to bandcamp where you can find the complete album and support the artist if you consider it appropriate. They are mixed in chronological order of release so you can look back over the months that have completed this 2024.

-As a soundtrack to your routines, meetings and conversations. . Press play and leave it on in the background for a meeting with your people, at work, or on a trip. Let the best tracks of the year comb your routine in the background. It is music that does not interfere in an explicit way in the environment, but in a latently modulating way; it inspires to bring out the best prose of the conversationalists and the best walk of the walkers. 

-By looking at the track list you can go directly to the artist that catches your attention, listen to their track and expand your enjoyment by going to their full album.

-Press play in shuffle mode anywhere in the set and let yourself go for about 50-60 minutes, just like a normal session. Promised that you will love the mixes and the plot that forms the succession of tracks. 

-Don't listen to it. Just go to the comments and go straight to the LPs, there's some great music coming out this year, every year is better than the last.

Tracklist in comments.

Music for Whales - The longest and most beautiful musical journey of the year

recording from last sundays "tropical-cosmic-xmas" which was held at cashmere hq.

Tropical Cosmic Xmas 2024

Nathan Dawidowicz's path has been one of contrast and exploration. Born to a Polish-Lithuanian mother and Cameroonian father, they moved from Milan to Jerusalem at the age of six, growing up in an ultra-Orthodox Jewish community. While pursuing an academic path in design, music remained a constant companion, deeply rooted in childhood experiences playing the piano within religious ceremonies.

Though design became their formal study, it was music that provided a way to navigate life. Inspired by their father’s time as a DJ in Milan throughout the '80s and '90s, Nathan’s relationship with sound evolved, eventually leading them to Berlin, where they continued to explore expression through music.
In Berlin, they joined forces with Luspoderosa, a label based between Zurich and Berlin, known for its unconventional approach. This collaboration became the foundation for Nathan’s debut solo album, Sanctuary of Ideas—a deeply personal, cosmic exploration of memory, heritage, and the emotional landscapes of sound.

This mix is the recording of Nathan's set at Horrorscope's night at Sameheads on 10.01.25

@nathan-dawidowicz

LIO Press mix #29 ~ by Nathan Dawidowicz · 'Live at Horrorscope'

Klang-Zeit is taking over our Neukölln studio!

captain of none b2b Franz Bobel [11.06.25]

Fragments of daily walks. Sounds of the surroundings. 
Cuts, structures, stories and musical pieces that serve as a personal reappraisal of my perception. Summer days between nature and urban environments are understood as one.


Private Sphere

https://soundcloud.com/hinnnng lives in Zürich and is involved in Zentralwäscherei, the community-driven space for arts, culture & music, he also co-curates their Outsiders Residency on Kiosk Radio. He has an odd obsession with the sound of soft things landing just right on a flat surface. He dreams of one day locking eyes with a capybara in the wild, and craves for the outdoors but doesn't find comfort in camping. Working in gastronomy for years, and ever since worrying that serving one course too late will disrupt the entire dining experience, he regularly burns his mouth while quickly eating a hot meal, without letting it cool down. Life without Vietnamese food would be incomplete. He navigates life as both architect and cultural worker, and hosts the Domestic Mind Wandering show on Callshop Radio.

Hing's mix meanders through different frames of mind while changing pace. Things aren’t what they seem. The woods are alive, pulsing with secrets and danger. Every tune feels like an entry to another dimension, where reality blurs. You wonder what lays beyond the whispers of the trees, you replay cryptic dreams in your mind. The atmosphere is intoxicating.
„It is like a walk in the forest, while continuously taking the wrong turn every single time. Is it a deer in the far distance? The orientation slowly dissolves, but what does it matter - I have nothing else planned for today anyway...“

NOSE JOB 42 — HING

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

see description of Star-shaped Biscuit, scene 1.

Star-shaped Biscuit: scene 2- Curiosity

Slavic folk, ambient psychedelia, 20th century minimalism and vocal experiments - Polish band Księżyc floats somewhere between, happily resisting simple genre categorization. The surreal and haunting beauty of their music is amplified by the fairy tale inspired lyrics Remek Hanaj has created.

For this episode, Remek has curated an hour of Eastern European 
avant-folk. It displays some of the creative diversity of the region and its relationship with blending traditional and contemporary ideas.

1. Almost Dead Celebrities - Factory Girl
2. Maarja Nuut - Haned Kadunud / Geese Lost
3. Svitlana Nianio & Illkutan - Kites
4. Maniucha Bikont & Assaf Talmudi - Cipi гуси / Grey Geese
5. Lautari - I’m Going Home
6. Odpoczno - Polka
7. Širom – A Washed Out Boy Taking Fossils from a Frog Sack 
8. Bastarda – Achar  
9. Księżyc – Kapkowa
10. Remek Hanaj feat. Tade Sudnik & Paweł Nowicki – Carpet
11. Pole – Radom 
12. Berjozkele ] – A yingele, a meydele / A little Boy, a Little Girl
13. Iva Bittova – Zeleny vineček / Green Maidenhead

Image: Jan Stanisławski - Orchard (1890)

https://skylab-radio.com/shows/off-the-edge-e7

Off The Edge E7 - Remek Hanaj (Księżyc)

ANADOL "ÇürüyenYıllar"

06.09 Mutant Radio, 6-7pm, Berlin
06.09 Horrorscope, Sameheads, Berlin
27.09 s c h w e b e n, Einbaumöbel, Vienna
24.10 Sounds Of Ogigia label night, OTB, Berlin
⨳⨳⨳
André Pahl (Berlin) crafts sonic odysseys—pitched down cinematic journeys through uncharted seas, forbidden deserts and cosmic realms.

Infectious and introspective, his sound oscillates between psychedelic trips, experimental disco and ritualistic percussions, exploring the slowed-down heartbeat of danceable music.

Originally from Düsseldorf, by way of Amsterdam, Mexico City and Berlin, he has absorbed the musical flavour of each new home while maintaining a palette that is unmistakably his own.

Chopin, Morton Feldman, Satie, Schifrin ….

C∅smic Gathering 2◐22

André Pahl

Recent comments

Litovinskaia Alöna

Zoe Pea

Litovinskaia Alöna

SokolmokH

Related tracks